Sergio G. Sánchez’s Marrowbone

Horror movies always work best for me when the scares are in service of story, when character and emotion come first and the supernatural or horrific elements work their way into the human side organically, which is what we see in Sergio C. Sánchez’s Marrowbone, a wonderful, terrifying, heartbreaking masterwork that I just happened upon while browsing Shudder. You’d think it would have made a bigger splash with how prolific it’s four principle young cast members are, but it’s just as well that it retains hidden gem status. An English family of four children migrate over to America with their mother, running from a dark past and taking up residence in Marrowbone House, a place once owned by vague family. After the mother passes away the four are left on their own to financially keep the house, look after each other and survive demonic trauma that hovers over all of them them. Oldest brother Jack (George MacKay from Captain Fantastic, How I Live Now and 1917) is the natural leader and caretaker, trying his best to look out for younger siblings Billy (Charlie Heaton of Stranger Things), Sam (Matthew Stagg) and Jane (Mia Goth from Suspiria and A Cure For Wellness). They basically have no one in the world now except their friend local librarian Allie (Anya Taylor Joy, The VVitch, Split), who soon falls deeply in love with Jack and has a desire to help him and his family through dark times. Soon they hear eerie noises from the attic and a suspiciously sentient full length mirror draws attention in inexplicable ways as the ghosts of their past rise up to haunt them and memories once long buried begin to surface. I don’t want to say too much because this is such a fun puzzle box of a story to unravel and includes some twists that are tough to see coming (pay attention to the poster, where a big clue hides in plain sight). It’s a sad, forlorn tale about children growing up far quicker than they should have to, familial trauma and violence leaking over into the next generation and the ripple effect that evil and malcontent in a family can have. There’s wonderful romance that is sold effectively by MacKay and Joy, who are both superb, as are Heaton and Goth in roles that are secondary but no less deeply felt and acted. The scares are genuinely, bone chillingly fucking terrifying stuff, and the fact that restraint and subtlety is used make them all the more effective. Seriously, there are a few squirm out of your skin, shudder down your spine moments that push the creep factor past eleven on the dial, which isn’t easy to do. What makes the film work so well for me is that it cares deeply for these kids, their situation and makes each character stand out in their uniqueness, thanks to strong acting work, writing and music. It has a slight gothic feel, and I almost got like a ‘horror version of Narnia’ fantasy feel from these characters and their plight, but that could have just been me. Brilliantly written and directed by Sánchez (his freaking feature debut I might add), vividly and emotionally acted, it’s just a beautiful and frightening story worth immersing yourself in and one of the best horror films I’ve seen in a long time. 10/10.

-Nate Hill

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