Film Review

Carlos Brooks’s Burning Bright

Remember that poem ‘Tiger Tiger’ by William Blake? I always loved that one in school and Burning Bright, horror film that combines several high concepts for an odd but entertaining mix, isn’t quite as poetic enough to live up to the Blake piece but works well as a kind of low grade Grindhouse SyFy deal. How do you make your chamber piece/creature feature more scary these days, or any thriller at all for that matter? Set it during a hurricane, of course. I think I saw like three movies this year alone set during a typhoon and revolving around every other central threat you can think of from bank robberies to alligators to street gangs. Here it’s obviously a tiger and the hurricane only serves to delineate that the lead characters can’t simply leave the house to escape it. This is an especially vicious and ‘evil’ tiger, or so we’re informed early on by hammy circus boss Meat Loaf as he pawns it off to no-good stepfather and ‘safari ranch’ entrepreneur Garrett Dillahunt, a perennially sinister fellow who looks like he could be Will Forte’s evil twin. His stepdaughter (Briana Evigan) and autistic stepson (Charlie Tahan, so young here!) find themselves boarded up in the family home alone with this tiger while the hurricane rages on outside. How did this happen? I won’t spoil it but you can sorta kinda sus it out from what I’ve said already. This allows for a sweaty, impressively suspenseful battle of wills against the animal, as the daughter tries to protect both of them and shelter the boy because he doesn’t quite… grasp what’s going on. This is a fun, solid film that doesn’t take its premise too far into WTF-ville or overstay it’s welcome, and although a tad aloof and awkward in spots, the scenes in the house where they face off agains the tiger are very well done, thanks to use of actual tigers over CGI. The film almost doesn’t deserve a title based on property like Blake when the story overall is so… just regular. I’d have almost preferred a surreal, dark film that just started with the kids already stuck in the house with the tiger and no setup, hurricane or sidebars, a simplistic, dreamy art piece based on the single concept. What we got is decent enough, but man the title is so much more evocative.

-Nate Hill

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