Chris Peckover’s Better Watch Out

It’s fitting when a film like this lives up to its title, and you really Better Watch Out for this ugly, pointless, infuriating, uncomfortable, sexist piece of wanton trash disguised as a Yuletide black comedy. It’s basically a home invasion fake-out where two sociopathic little brats, one a drooling simpleton (Ed Oxenbould) and the other a cold hearted monster (Levi Miller), kidnap their own babysitter (Olivia DeJonge) and subject her to humiliation, torture and intimidation for no other reason than they’re fucked in their little pea brained adolescent heads. There is no point to setting this film at Christmas time, the delicious irony found in other contradictory Christmas films about violence and misanthropy in a festive context (see The Ice Harvest, Black Christmas and The Ref for successful examples) lands with an ill favoured thud here and we’re left with an agonizing ninety minutes of pointless, anxiety inducing exploitative scumbaggery passing itself off as a movie. The one saving grace is Billy Hargrove from Stranger Things in an inspired cameo of comedic improv to himself in a rear-view mirror that is absolutely hilarious. Other than that, this is a bottom feeding piece of work. Even Patrick Warburton and Virginia Madsen look like they want to run for the hills and spend most of the film away from the action. There’s a scene that takes the paint can sequence from Home Alone to brutally realistic new heights and thinks it’s oh so clever and playful when really it’s unnecessary and sadistic. Miller does his best but the character is just such a horrific little snot-fuck I wanted to jump through the tv and cave his head in on the marble countertop, such is the level of mental distress, terrorization and abuse he inflicts on the babysitter it goes beyond gratuitous. Then there’s the ending. Don’t even get me started on how badly this movie cheats the viewer of an absolutely cathartic final resolution by being a cheeky shit and holding out on a finale it desperately needed to follow through on if it hoped to earn anything resembling redemption. It doesn’t seem to care about its characters, audience, story or the universe in general. Perhaps I’m being far too harsh and it just hit me the wrong way but whatever, every now and then I gotta have a ‘Roger Ebert emphatic intense rant review’ if something irks me and this one made me feel like shit all night after. Bah. Fucking. Humbug.

-Nate Hill

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