
Paolo Barzman’s Emotional Arithmetic is a stunning independent drama that, despite a ridiculously prolific cast, ultimately slipped through the cracks into obscurity. It’s well worth hunting down to see four seasoned professionals as the top of their game in telling the story of various characters dealing with the lingering horrors of the Holocaust, both directly and indirectly. Susan Sarandon plays a Canadian woman sometime in the 80’s who survived a concentration camp at a very young age, and has invited two fellow survivors (Max Von Sydow & Gabriel Byrne) to a reunion at her house in the Quebec countryside where they will reconnect after decades of separation following a tragically abrupt parting from each other and will have the chance to meet her much older husband (Christopher Plummer) and their son (Roy Dupuis). It’s a pleasant, cathartic enough reunion but the collective scars they share from enduring such a horrific phase of their lives are apparent in each of them, in different ways. Byrne’s quiet, introspective character has buried his trauma under a cloak of calm, Von Sydow deliberately tried to forget using electroshock therapy, while Sarandon herself has obsessively documented, scrapbooked and reflected on their past very openly over the years to employ her own process. Plummer’s character is the outsider, having never gone through what they did and starts the film off in a sort of cavalier, borderline insensitive way until the grave reality of what his wife and her friends have suffered through hits home and he becomes more compassionate. All of the performances are absolutely magnificent and I really wish more people were able to see this moving film because each of these actors provide showcase work and should be very proud. If you are lucky enough to find a DVD, please ignore the misleading, stupid Hallmark style artwork and silly alternate title (Autumn Hearts, are you kidding me? Lol) because it’s as if the distribution company didn’t even watch the film and just did whatever the hell they wanted. This is not a sappy, syrupy film at all, it’s a deep, thoughtful, challenging interpersonal drama that stirs the soul in a realistic fashion without cheap manipulation. Highly recommended, wonderful hidden gem of a film.
-Nate Hill