Film Review

Hellraiser 4: Bloodline

I recently binge watched all the Hellraiser sequels and man, they are one wild ride. One of my favourites is the fourth one, titled Bloodline, that traces a family lineage from French silly wig times where a toymaker first crafts the evil puzzle box for a dark magician, who initially conjures up Pinhead and his homies. The film traces this genesis into the 90’s art-world scene in a big city where the cube has been embedded into the architectural foundation of a skyscraper where it causes havoc, and then yet another timeline far, far into the future where a scientist on a massive deep space station experiments on the box, trying to put a stop to Pinhead and close the hellish portal for good. It’s an ambitious, wildly entertaining, boundlessly imaginative sequel that covers thousands of years and many characters including a sultry demon princess (Valentina Vargas) who is first summoned in French silly wig era by a very young Adam Scott, who wishes he never met her. She’s terrific and adds a sort of supernatural femme fatale aesthetic to the mythos. Doug Bradley is off the chain here and this is by far my favourite of his Pinhead turns in any of the films. He gets a whopping amount of screen time (often not the case in these sequels) and is a terrifying, antagonistic asshole who feels like an actual tangible threat here instead of his sometimes illusory, half-there half-not theatrical presence. I appreciate such ambition in horror sequels, where the same retread or motifs aren’t just tiredly recycled through new characters and settings, but actual innovation is employed and new lore is pioneered into the canon. The outer space stuff is a fucking blast, as the team of mercenaries played by recognizable faces (Christine Harnos & Pat Skipper are awesome) race against time to find the scientist before all hell breaks loose where no one can hear you scream. The finale is a jaw dropper and one of the most creative moments in the entire franchise as the space station becomes… something more, it’s a slow-clap moment of adrenaline pumping sound and fury and, in a way, the final narrative beat of the entire Hellraiser legacy, despite the fact that there are many more films to come. I would say this is tied with the second film, Hellbound, as my favourite in the series, it’s so well structured, gory as ever, creatively inspired and just so much fun. Oh yeah and there’s a Cenobite dog, too! So badass.

-Nate Hill

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