Film Review

Ronny Yu’s Bride Of Chucky

Ronny Yu’s Bride Of Chucky is the point where the franchise deliberately goes off the rails and reinvents itself into something demented, meta, and completely inspired. Chucky gets a new look here, I mean you can’t really kill the little bastard but his visceral encounter with the wind fan in part 3 has left him quite a sight, all metal stitches, stark patches of sewn on hair and jagged scars adorning his plastic visage. He’s brought back to life by trailer park dwelling mega-psycho ditzy maven Tiffany (Jennifer Tilly), an aggressive groupie and former girlfriend of Charles Lee Ray’s, resurrecting him with more voodoo and, once it’s apparent that these two had a more troubling, dysfunctional relationship than Harley Quinn and The Joker, eventually trapped in a female bride doll of her own, bonded to Chucky in kinky rubber wedlock complete with a hilariously sincere sex scene. They hit the road looking to find a secret amulet in Ray’s grave that can give them both human bodies, piggybacking in the van of a teenage runaway couple (Katherine Heigl & Nick Stabile) escaping the girl’s nasty army colonel daddy (the late John Ritter). The plot is framework for one hell of a bunch of kills, jokes, bickering, heavy metal soundtrack choices and dark humour, this is by and far the best film in the canon for me, and Tilly is a big part of why it works so well, she’s the wild card element that turns a well established slasher formula into something that transcends its own blueprint and becomes just… wild. Director Ronny Yu also helmed the awesome Freddy Vs. Jason, another slasher reworking for two legendary franchises that has the same loopy, infectiously fun meta energy, metal music and inventive, vivid flesh and blood opening credit graphic design. The kills are unbelievable and one cheekily references another beloved slasher icon, the gore is cartoonish yet still ruthless and the overall vibe is one of utter devilish revelry. Such a fun time and the harbinger of a new, crazier, bloodier era in the series.

-Nate Hill

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