Today on what is Bruce Willis up to in the B-movie lane we have Midnight In The Switchgrass (isn’t that a cool title though?), a moody, subdued southern gothic potboiler by way of a serial killer procedural that I actually really enjoyed. Don’t get me wrong, it’s still DTV, it’s low budget and rough around the edges but a genuine effort was made here by first time director Randall Emmett, a truly impressive cast is assembled, all of whom are clearly having fun and a mood is established through soundtrack, suspense and down to earth writing that cannot be written off as simply B grade trash. Somewhere along the desolate Florida interstate a nasty serial killer is kidnapping women, murdering them and dumping their bodies. Various factions of law enforcement are desperately trying to stop him including two world weary FBI agents (Willis & Megan Fox) and one undeterred state police rogue (Emile Hirsch) who has been looking for this monster for some years. The killer is played by Lukas Haas which isn’t really a spoiler since the trailers reveal that fact, he’s a real formidable, despicable force here, made all the more sickening by the fact that he has a wife and young daughter of his own who, by default, are constantly at risk of him having a full meltdown. Fox is terrific here, the more assertive of the pair, she has great chemistry with Willis and some sharply delivered lines that illustrate her character. She has a few scenes with musical artist Machine Gun Kelly (now her real life boyfriend), playing a violent, trash-bag motel pimp who once saw the killer briefly and is therefore an asset to the case, as hard to control as he is, he crackles with a sleazy, downtrodden volatility. Hirsch is so intense, fired up and doggedly earnest it sometimes feels like he’ll jump out of the screen, run around your living room and knock over the furniture, I miss when he was in the spotlight and he’s very good here. As for the film, it all depends on how you look at it. Yes, Willis has fallen from grace, admittedly he doesn’t get much to do here beyond an extended cameo and naturally this comes nowhere close to his iconic films we’re all used to, but as a brooding, atmospheric, slightly run of the mill yet still distinctive and ever so slightly horror tinged procedural thriller you can certainly do a *lot* worse. There are some mournful, melancholic soundtrack choices with beautifully sung lyrics and titles like “No Time Left”, “Maybe Heaven” and “Are You Washed In The Blood” that are used strategically at key moments and just add so much personality and emotion to the story. So, it ain’t high pedigree cinema, but in my eyes it is a commendable genre effort that held my attention, had some nice cinematic flourishes, a brutally suspenseful final act, a cast worth clapping for and lyrical atmospheric tension that I really connected with.