мой приятель суперзвезда Alex Nevsky is back, and not even the might of a global pandemic can stand in the way of this Russian colossus as he delivers to you, dear readers, a tantalizing teaser of his next major motion picture, RED PROPHECIES.
An American journalist works in Moscow and finds himself embroiled in dangerous political games, the purpose of which is to destabilize the situation in Russia and then interfere with the holdings of the Presidential elections in the United Stares. The journalist begins his own investigation in order to uncover who is behind the operation “Red Prophecies” – special services, financial tycoons or international terrorists?
Always ready for a showdown which is set to provide cinema-loving audiences the world over with the maximum entertainment impact of a freight train out of control, Alex is a vital force, a proud powerhouse, and a good mate. I for one can’t wait for his new movie RED PROPHECIES to mark the triumphant return of the Russian Hulk to big screens across the globe.
John Irvin’s take-no-shit war drama The Dogs of War is the sort of action picture rarely made these days — unsentimental, lean, and thoroughly engrossing (David Ayer’s underrated Fury feels cut from the same cloth, as do portions of Antoine Fuqua’s compromised Tears of the Sun). Gritty, violent, masculine, and shot with rugged panache by director of photography Jack Cardiff, this 1980 mercenary adventure has received the Blu-ray treatment from the fine folks at Twilight Time DVD Label and if you’re a fan of unpretentious, straight ahead war films, then check this one out. Christopher Walken and Tom Berenger deliver intense and extremely effective performances, with a surly and gruff supporting cast which included Colin Blakely, Hugh Millais, and Ed O’neil. Irvin would later direct the outstanding Vietnam film Hamburger Hill, 80’s classic Raw Deal, and the underrated Michael Caine thriller Shiner. According to the internet, Michael Cimino did a re-write on Gary DeVore and George Malko’s terse and disciplined script. The opening action sequence, which plunges the viewer into the middle a full scale Central American war-zone, is outstanding, especially for the days of zero CGI, with all sorts of for-real pyrotechnics and incredible stunt-work. The final act is essentially a battle, with some ridiculous fire-power on display. Geoffrey Burgon’s pulse-pounding score was more than up to the task. This is one of those excellent films that may have snuck through the cracks that’s totally worth re-discovering.