Robert Rodriguez’s Sin City: A Dame To Kill For

Trying to produce a successful sequel to a groundbreaking film nearly a decade later is always going to be a hurdle in every way from preserving originality to breaking new ground to keeping the magic alive. Robert Rodriguez faced quite the task in picking up the reins of Sin City: A Dame To Kill so many years after his original film revolutionized aspects of filmmaking, and this was never going to feel as fresh or innovative as the first, but I still love it, it’s still firmly rooted in the gorgeous and terrifying world of ‘hyper-noir’ lifted from the pages of Frank Miller’s comics and the stories here, although quite different from the first, are just as brutal and poetic. However, whether or not you are a fan of this film overall there is one indisputable factor that makes it amazing, perhaps even more so than the first and her name is Eva Fucking Green. Casting Basin City’s scariest, sexiest femme fatale was always going to be a hurdle and I remember everyone from Rachel Weisz to Angelina Jolie being considered. Green is an actress of unreasonable talent, intimidating presence and staggering sex appeal and she is devilishly divine as Ava Lord, the black widow spider in human form, a psychopathic bitch who ruins the lives of anyone who gets close to her, most notably Josh Brolin’s square-jawed incarnation of Dwight. This is the film’s most effective story mostly because of her and because it’s an OG Sin City yarn whereas the other two are brand new material Miller dreamed up for this film. Other vignettes include Joseph Gordon Levitt as a hard luck gambling man looking for retribution and Jessica Alba’s now borderline maniacal Nancy, out for bloodiest revenge against mega-villain Senator Roark (Powers Boothe) for the death of her guardian angel Hartigan (Bruce Willis in ghostly visions). The other strongest point of the film is Boothe, who had one quick but deadly scene in the first film, Rodriguez expands his role into full fledged, cigar chomping, homicidal scene stealing frenzy here and he’s gotta be one of the craziest, over the hill comic book villains ever put to film. I will concede that this film doesn’t have the propulsive, elemental momentum of the first. There’s a staccato, circus sideshow vibe that’s different from the fluidity of the first’s narrative, which was more well oiled than every humming automobile under its hood and had this organic flow that was almost intangible. But the visual beauty, playfulness in colour vs black & white, cheerful brutality and startling nihilism, everything else that made it special are all still at play here and I refuse to see it get written off as some dud sequel, because it’s far better than that. Not to mention that Rodriguez once again assembles an absolute bonkers cast including Mickey Rourke once again playing that big lug Marv, Ray Liotta, Juno Temple, Julia Garner, Dennis Haysbert stepping in for the late Michael Clarke Duncan, Marton Csokas, Rosario Dawson, Christopher Meloni, Jeremy Piven, Jaime King, Alexa Vega, Jamie Chung, Lady Gaga as a friendly truck-stop waitress, Christopher Lloyd as some freaky doctor who can only operate after a shot of smack and Stacy Keach in a bizarre cameo as basically Jabba the Hut in a fancy suit. Try shaking a stick at that lineup. It’s true this doesn’t have the same monochrome lightning in a bottle magic of the first but it’s still more than worth the attention of anyone who enjoys spending time in this world and appreciates gorgeous looking, star studded, unforgiving things dark pulp artistic cinema. Plus it deserves a watch just for Eva Green as probably my favourite femme fatale ever committed to celluloid, she’s that good.

-Nate Hill

Robert Rodriguez’s Machete Kills

If Robert Rodriguez’s Machete cracked a few beers in the grindhouse exploitation cooler, his follow up Machete Kills taps the entire keg and lets it flow for a sequel that although isn’t as focused or on point as the first, blows it out of the water in terms of cameos, star power and sheer bottom feeding genre madness, it’s a hell of a fun time. Danny Trejo did the journeyman tough guy thing in a long stint throughout the 80’s and 90’s, by the time Rodriguez found him for a smaller role in Desperado he was already long overdue for a starring vehicle as far as I’m concerned, which Robert handed to him and then expanded with this balls out sequel that although is still indisputably Danny’s show, is also peppered with a staggering amount of star power and recognizable faces. That’s the thing about Rodriguez, he’s such a talented, hands on enthusiast of a filmmaker that he attracts actors from all walks of industry life to work with him, and his projects come alive. Trejo’s ex federalé super badass Machete is recruited by the president of the United States himself this time, played by Charlie Sheen in exactly the type of portrayal you’d expect. Mel Gibson’s big bad gun runner Luther Voz is stirring up trouble and it’s up to our antihero to stop him, as well as a whole pack of villains, weirdos, corrupt officials and femme fatales. This one sees a lot more characters running about including Sofia Vargera’s Desdemona, a matriarchal shryke of a contract killer whose daughter (Vanessa Hudgens) also figures into the plot while Machete recruits a lethal government agent (Amber Heard) who doubles as beauty queen Miss San Antonio. Michelle Rodriguez and Jessica Alba also return but are sort of swallowed up in the emerging newer elements. The great character actor William Sadler turns up briefly as a Texas Sheriff with a big gun, as do Rodriguez regulars Julio Mechoso, the Avellan twins, Tom Savini, Demian Bichir and Alexa Vega. Perhaps the best element in either Machete film is an elusive, inspired contract killer called The Chameleon who changes their appearance frequently. Not many films can say they hired Antonio Banderas, Cuba Gooding Jr., Walton Goggins and Lady Gaga to all play the same role, but Rodriguez pulls it off and gives each actor something fun to do. I enjoyed this Machete more in the sense that it didn’t try to be socially conscious or inject a political message like the first, this is straight up action pulp the way it should be, and hopefully we will get to see Machete blast off into space soon as the reliably ridiculous meta fake trailer outlines here.

-Nate Hill