Creep 2

So there’s a sequel to this Creep film called, you guessed it, Creep 2! It’s actually a way better, richer, more interesting and creepy story than the first, mainly thanks to the fact that our documentarian avatar isn’t some flaccid film school dweeb this time around but someone who is almost as fascinating a character as Mark Duplass’s Creep. He sports a man bun here, and if anything this film escalates the events of the first quite considerably: Creep has switched up his MO from the same old killing ritual into something more… shall we say, elaborate. The person forced to observe his antics this time is Sara (Desiree Akhaven), a web series content creator who deliberately puts herself out there and tries to meet the wildest, weirdest human creatures she can just for those likes and subscribed. Well naturally she doesn’t know the half of what she’s wading into with this guy, and one must employ an unholy serving of suspension of disbelief to buy the fact that the literal army of red flags from this dude wouldn’t be enough to send her running to the hills sooner. However, there’s a certain… darkness to this girl, a magnetism towards danger that is apparent in her mannerisms and at times I almost felt like she subconsciously knew just what kind of person she’s dealing with and ran headlong into it anyways. In any case, he gets creepier and creepier and by the end the tension mounts to a respectable and appropriate level before the big WTF moment. Duplass has fashioned quite a character out of this guy, he’s this aloof, teddy bear dipshit who is almost benign enough to be a bro, and then subtly, carefully lets the crazy seep in between the lines and before we know it he’s gone full cuckoo bananas. This is the rare sequel that outdoes the first, and it would be nice to eventually see the trilogy completed. Maybe Creep goes to space? Freddy Vs. Creep?

-Nate Hill

Patrick Brice’s Creep

So I remember this actor Mark Duplass from the amazon prime show Goliath, where he did a great job playing a very, very creepy dude. It was fascinating to see that there’s actually a horror movie out there called Creep where he does an even better job of playing a very, very, *very* creepy fucking dude. It’s one of those simple, zero budget camcorder horror flicks like Blair Witch, where you basically rely on acting to get the scares across, which this one does nicely. Writer directer Patrick Brice also stars as amateur videographer Aaron, hired by apparently terminally ill Josef (Duplass) to film his last messages so that his future kid can see and hear him. Sweet idea right? In theory yes, but Josef is one seriously weird dude, which comes across subtly at first, until things escalate and it becomes clear that not only is nothing he’s told Aaron probably true, he’s a severely unstable man, and possibly very dangerous. The film makes good use of the found footage/camcorder style, a medium I’ve always been defensive of as you can pull off a lot of unique tricks, in terms of horror. This isn’t as hectic as some in the genre though and takes a slow burn, less is more approach to the story. Everything hinges on Duplass and his performance, which is pretty much as unnerving as it could be, he’s blessed with this super casual, charismatically likeable personality that always feels like it could teeter over into uncomfortable waters at any given moment. This proves to be quite suspenseful when our two leads are alone together which is, ya know, the entire film. My only criticism is that it’s a bit too minimalist I guess? Like, I got that restraint is key etc but it would have been nice to throw *just* a bit more ballistic/balls out horror elements in to tip the scales slightly. As it stands though, this is still an effectively disconcerting psycho stalker thriller that does just what it’s title promises.

-Nate Hill

Creep: A Review by Nate Hill 

Everyone has, at some point, wondered what lurks in dark corners and abandoned tunnels within a city’s underground subway system. Well Franka Potente gets to find out exactly what’s down there in the murky and atmospheric horror flick Creep, and trust me it ain’t pretty. Potente plays Kate, a girl on her way home from an office party in the heart of London. Harassed and stalked by a no good coworker, she dips into a derelict train, and her attacker follows. Suddenly, somethin crawls out of the dark, murders him and drags his corpse off into the night. Kate goes from the frying pan into the fire as she realizes that whatever this thing is, it’s really not something you want to be stuck in a labyrinth of desolate subway tunnels with. I won’t spoil too much, but the Creep himself is a repulsive deformation whose origin I’ll let you see for yourself. The actor who plays him is terrific though, admittedly a maniacal monster, but almost a little bored and jaded by his situation and just dryly going through the motions, which proves to be oddly amusing. That’s not to say he’s not dangerous or smart though, as Kate repeatedly finds out, fleeing through the dark accompanied by a terrified homeless couple. Potente is riveting in anything, and she seems to seek out more intense fare to star in, always taking her performance to the extreme without ever losing that gravity that I love so much in her work. This one will put you through a wringer, all across the board. It doles out gross out horror, eerie chills and suspense in equal measures. Solid horror.