Tag Archives: cyberpunk

William Gibson’s Johnny Mnemonic

Keanu Reeves can somehow make almost any story, no matter how ridiculous, seem sober and coherent, but Johnny Mnemonic kind of takes the cake. A weird, messy, hyperactive fusion of classical cyber punk elements and 90’s B movie sensibilities (Ice T cements that vibe early on) it’s not a good film but certainly an interesting one that makes a loony impression. Reeves is Johnny, a data courier in a world of trafficked information stored in people’s brains, wanted by all sorts of undesirables including the Yakuza, surrounded by a a throbbing underground rock soundtrack and more cacophonous screensaver special effects than The Lawnmower Man. Reeves looks slick as ever and treats the material with due diligence, but the best and most effective performance comes from Dolph Lundgren as an aggressive freak dubbed the Street Preacher, a platitude spouting baddie who is endlessly fun to watch and stands as one of the actor’s best and most idiosyncratic creations. Henry ‘scream my lines’ Rollins cements the rock vibe as a weirdo doctor who tinkers with Johnny’s brain some, Dina Meyer plays his sidekick and pseudo love interest, and watch for Udo Kier as a corrupt diva of a nightclub owner. This film is fun enough from some angles, but for a SciFi film revolving around intel stored in one’s brain, the whole thing is pretty fucking brainless. There’s cool exposition detailing how Johnny needs to wipe certain chunks of memory like his childhood to make room for more bytes of black market info, but it’s never really shown how this affects his character. The whole thing is a blast of arbitrary, technicolour sound and fury that doesn’t really sit still long enough to think much on what it’s about, which is fine I suppose if all you want is fireworks. I will give it props for some inventive production design and gorgeous costumes though, but too little too late. One scene in particular kind of sums it all up, with Johnny having a full on emotional meltdown temper tantrum in some back alley over the fact that he doesn’t get to spend nights in a five star hotel with top class hookers. One could almost see his exasperation mirroring Reeves at having to play part in something so silly as this. Chill out Keanu, only four more years to go until you headline one of the best, most influential science fiction films ever made.

-Nate Hill

Advertisements

B Movie Glory: Johnny 2.0


It’s always fun to come across genuinely intelligent science fiction films, especially when you go into them expecting a half assed, clunky yawn, which happens frequently. Johnny 2.0 is an overlooked little cyber-punk gem in an unassuming release package, a thinking man’s sci-fi story that could have easily gone the other way, but contains enough inspired creativity to rise above the muck. Jeff Fahey plays Johnny Dalton, a genetic researcher whose facility is attacked by activists. Waking up from the disaster he is stunned to find that he’s not Johnny at all anymore, but a clone who has been in cryo for 25 years, awakened now for one purpose: set out across a post apocalyptic wasteland to retrieve the original Dalton and smoke out a web of conspiracies that have hatched over the years. There’s all sorts of really intriguing ideas at play here including MRI memory mapping, organic tracking suits, genetic reconfiguration and personalized holograms, a wealth of scientific world building that earns this film its stripes in the artistic departments. Fahey is excellent, as is a noble Michael Ironside, Tahnee Welch and John Neville. Super solid storytelling, ideas worth exploring, an impressive level of design and atmosphere achieved despite the limited funds, there’s not too much you can say about this one that is not the highest of praises. 

-Nate Hill