Tag Archives: Daisy Ridley

JJ Abrams’ STAR WARS: THE RISE OF SKYWALKER

Bringing the decade to a close were three important films. Two being those made by cinema’s most influential and important auteurs, Quentin Tarantino and Martin Scorsese, who with their respective films said farewell to their audience, their brand, and to cinema. The third film is by JJ Abrams who effortlessly accomplished the impossible; putting a capstone on a nine picture, decade spanning series that has brought unifying joy to billions around the globe as well as much unnecessary rancor and hostility that nearly imploded the franchise. Star Wars, without a doubt, is the most important film series cinema ever has or will offer.

With the final film in the Skywalker saga, Abrams delivered both nuance and fan service. Catering to the loyal and supportive fanbase for their years of dedication. With THE RISE OF SKYWALKER, he came in hot and heavy with the new components of the franchise that built upon the fertile foundation that the maker George Lucas had birthed. The story of Rey and Ben Solo are just a small cog in the juggernaut machine that is Star Wars.

Abrams took on an impossible task. How could he finish a trilogy that he started? Carrie Fisher had passed, and for the first time, a Star Wars film was made that took gigantic risks that caused much ado about nothing, especially with all the smug snarkiness that transpired after THE LAST JEDI, a film that was a catalyst with those pretending it was either the best or worst Star Wars film. A tribalist mentality formed around it, either you’re for it or against it.

So Abrams brought back Palpatine who is diabolical as ever and that old smoothy Lando, added Richard E. Grant as the Grand Moff Tarkin stand-in we deserve (all three are marvelously perfect) and regrounded the picture and series as a film for the fans made by the fans. THE RISE OF SKYWALKER is a thrilling spectacle that builds upon the absolute best parts of Rian Johnson’s previous installment, and walks back some of the weaker parts, creating an exhilarating experience that will be wholly embraced by those who love everything Star Wars, and irritate those who prefer the franchise in an ala carte manner.

Fact of the matter is, THE RISE OF SKYWALKER is the best of the sequels, merging together both Abrams and Johnson’s vision into a film that brings equal parts laughter and tears, as well as surprises that are so nostalgic, the surrealism will not wear off quickly.

Film Twitter and Rotten Tomatoes be damned; THE RISE OF SKYWALKER is a prime example of the stark contrast between film goers and pompous critics who are more concerned with how witty they come off than actually enjoying a movie. What JJ Abrams has accomplished is not just his finest output to date, but his most important.

Long live the Force.

Meet-and-Greez by Kent Hill

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Daniel Roebuck’s directorial offering Getting Grace made me cry like a baby. The end result however, is that I was able to chat with one of the nicest dudes in Hollywood.

Now he’s back . . . and he’s in Star Wars. Well, a Star Wars video game, which isn’t bad either considering how much the line between video games and movies are blurring – the gaming experience having been elevated to its current status which is, quite simply, a little like an interactive story. But unlike the experience you have sitting down and watching a film – here you, are a part of the story.

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From the soulless killer, Samson Toulette, in Tim Hunter’s acclaimed dissection of 1980’s teen anguish, RIVER’S EDGE, to his latest role as the irascible four armed pilot Greez Dritus in the highly anticipated video game release, STAR WARS: JEDI FALLEN ORDER (available on PS4, Xbox One, and Microsoft Windows).

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EA and Respawn Entertainment’s STAR WARS JEDI: FALLEN ORDER has already garnered a great deal of interest and the excitement is building for its November 15th, 2019 release. In an interview with Entertainment Weekly, game director Stig Asmussen offered his thoughts on Roebuck’s character Greez, “He’s a member of a new species we’ve created. I don’t want to give away too much of his backstory, but like anybody you’re going to find during these dark times, he’s got demons. But he’s kind of like this loudmouthed little guy, he talks real big, he tells tall tales and most of the time they’re not true.”

Roebuck spent a few months working alongside of Cameron Monaghan, playing Cal, the young padawan and Debra Wilson who plays Cere in the game. “We had a wonderful camaraderie, the three of us,” said Roebuck. “Plus, we were performance directed by Tom Keegan who is truly a master director and always brings great insight into the process.” Keegan and Roebuck had worked together before on DEAD RISING 3.

During the performance capture process, the actors donned form fitting body suits covered with reflective balls and performed the game’s cinematic scenes in front of dozens of cameras. They also wore head gear fitted with cameras so that the animators could utilize the footage to animate the character’s facial features by directly correlating them to the actor’s reference video.

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STAR WARS JEDI FALLEN ORDER is on track to become one of the most successful video game releases of 2019. The game is one of a triumvirate of entertainment options being released by Lucasfilm LTD this fall. Its release coinciding with the original program from Disney +, THE MANDOLORIAN and STAR WARS: THE RISE OF SKYWALKER, out this Christmas.

Cutting on the Train: A Chat with Mick and Me by Kent Hill

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Those learning the craft of film-making nowadays shall have little to no experience with cutting film the old fashioned way. True – it was timing consuming, sometimes messy and fraught with peril – depending on your mastery. It was, however, also romantic. The trims at your feet, the smell of celluloid, the tactile nature of editing a movie . . . one splice at a time.

My guest, the distinguished editor Mick Audsley, has indeed been on Podcasting Them Softly before (https://podcastingthemsoftly.com/2016/11/25/pts-presents-editors-suite-with-mick-audsley/), and the lads did a bang-up job covering the breadth of Mick’s storied career. But, the doesn’t mean I can’t have a chat with him about a film that was not out at the time (Murder on the Orient Express), as well as the changing nature of the editing process, the evolution of the way people are enjoying their movies away from the confines of the cinema, plus our mutual admiration for the cinema of Kenneth Branagh . . . and much, much more.

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Mick’s a gentleman, aside from being and exceptional craftsman, and please do check out all the great work he is doing over at his family owned and operated venture Sprocket Rocket Soho. Mick is continuing to contribute, educate and bring together all those with a passion for telling stories via the moving image.

…hope you enjoy.

It’s time to see The Last Jedi . . . again: A Review by Kent Hill

I am stunned. I am still. I am at a loss for words. I have just come from seeing The Last Jedi, and really all can muster is . . . it is a miracle.

I am going to try and avoid spoilers but I may fail, so, if you haven’t seen the movie stop reading now.

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A long time ago in a galaxy far, far away, I was young and Star Wars was new. I don’t think I came out of that dark room in which I saw the first film, and the person that did – he certainly wasn’t the same kid who walked in. A long time have I watched, looking away, to the future, to the horizon, watching, what we who were there from the beginning will come to remember as, the saga of the Skywalkers.

I had read other reviews, seen teasers and trailers. The clever thing is though . . . this movie doesn’t go the way you think. Throw all the theories out of the window, forget all you know – or think you know. Breathe, just breathe. Now, sit back and watch The Last Jedi.

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We begin in a fury, in the heat of battle. Good versus evil, a staple of the Star Wars movies. Then it goes wrong and the good guys will lose. Because, as you’ll discover, this time round, it isn’t about winning and losing. It’s about existing. It’s a beautiful sentiment at the heart of this picture. Saving, indeed savoring, the things we love the most.

After all, what have we all been doing since 1977. Savoring this thing we love right? Mr. Johnson captured that so well. In fact, when it was all over, Bill Pullman’s line from Independence Day popped into my head, “He did it – the sonofabitch did it.”

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Abrams had the easy assignment if you think about it. He had to wake the force up. That’s not hard when you’ve got legions of fans awaiting to listen. The hard task is the difficult second album – trying like hell to be the one that strikes back. And, for my money, for this trilogy, for this time round – this is the new Empire Strikes Back. It can’t be the original – nothing will top that, but TLJ stands shoulder to shoulder with it.

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I think I have remarked a number of times to friends and family about what I thought the first words might have been out of Luke’s mouth back where Mr. Abrams left us in 2015. What he does retort with is better than a line or a speech, and it’s one of many moments of levity that the movie needed. I heard the voice of Irvin Kershner in my mind, talking about injecting humor into Empire. He was right then, as Mr. Johnson was right now. It is all about balance – the dark rises and the light to meet it.

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Two reviews I read prior to going in brought up two interesting points. One which I thought was kinda confirmed, whilst the other was dispelled. The first was that TLJ was almost like Empire in reverse. I found this to be, for me, delightfully true, and I’m surprised at how well that formula worked. Where Abrams was criticized for leaning to heavily on the crutch of A New Hope, Johnson seems to have avoided the problem by simply changing direction, which he does quite often. Be prepared.

Abrams surprisingly followed this theory to success with the first of the new Star Trek films, however grossly ignoring it for his own sequel. But it is well, not only if he stepped away from the director’s chair for fear of this, but that fresh eyes often make all the difference. I enjoyed Looper, but when they said that guy is going to not only write but direct Episode VIII, I was like half interested, half fearful.

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But we shouldn’t fear, should we. Fear leads to anger, anger leads to hate and hate leads to suffering.

Another element I like about TLJ is the fact that, more so than The Force Awakens, this felt like not only handing over the torch, but just throwing it away. I love how in the backgrounds of these movies we see the remnants of Star Wars past. From Rey’s junkyard home, to Luke’s X-Wing beneath the waters surrounding his fortress of solitude – even in Rogue One there is that giant fallen statue of a Jedi; the only true way to keep something going in this life is to keep it fresh and expose it to constant reinvention.

There’s lots of fun new creatures. LOVE THOSE PORGS! There’s some fun new locales. Mr. Williams musical voice sings a few new tunes and lovingly reminds us of a few old ones. The action is breathless, the reversals effective and plentiful. There are great revelations and many new questions.

Oh Look. You see what’s happened? I started off wanting to write a review and here I now find the need to be silent again. There is nothing I can tell you that you should ultimately listen to, except this: I have never seen a more beautiful journey that does as each new day does for us all; beginning and ending, staring off to the horizon, watching the rising and or setting of that bright sphere at the center of our galaxy.

When I was younger than I am now, I felt like Luke Skywalker, gazing off into those twin suns and longing for the next day, for the journey ahead. It is fitting then that TLJ comes now, and I am a much older man. You’ll know the moment when it comes. The twin suns will set and maybe, just maybe, your heart will swell as mine does even now, and I am at a loss for words. TLJ has touched me in a way I’ve not experienced in the cinema for a while now – and I am the better for it.

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So if you have seen the movie, I hope you enjoyed it – were thrilled by it. For those of you for whom this is their first Star Wars experience, rejoice, there’s more out there to discover – more still to come. For those who haven’t seen it – man, get away from this screen and get down to your local theatre real quick – what’s the matter with you?

It is fitting that the last line belongs to a certain character, and speaking of said line, it echoes my sentiments exactly:

In The Last Jedi, “We have everything we need – right here.”

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PTS Presents STAR WARS POWERCAST EPISODE II

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Frank and Tim discuss their reactions to STAR WARS THE FORCE AWAKENS.  They get into who Supreme Leader Snoke is, who Rey is, Harrison Ford’s brilliant return as Han Solo, the prequel tie-ins, the new Funko Pop FORCE AWAKENS series that just got released, and much more!