Tag Archives: Decepticons

Michael Bay’s Transformers

Because the Transformers franchise has become an unwieldy cloud of toxic waste over the years, most seem to have forgotten how enjoyable the first one was. Michael Bay gets an awful rap for these, and by all means he deserves any shade thrown his way for some of the sequels, but I’m still convinced they only got made to cash in on the massive Asian market, I’ve heard that stuff like this is huge over there. This first film is a little saner and a lot more focused though, with a sort of 90’s Amblin infused vibe crossed with big budget CGI disaster mayhem of our current era, which is par for the course in a film directed by Michael Bay, as are lens flares, a grossly backlit slow motion kissing scene, explosions, fetishistic attention to the details of military protocol, montages of various factions of Americana playing out and um…cameos from loud sassy African American actors. Based on the Hasbro toy of the same name as well as probably an animated show that came before it, Bay ramps up the scale, special effects, human characters and exposition to somewhat plausibly set the Autobots and Decepticons loose in our world, engaged in noisy warfare over the All Spark, a cube of untold power that looks not so distantly related to the Tesseract. Caught in the middle is Shia Lebeouf as Sam Witwicky, a nervous teen whose family history hides something related to the Tranformers mythology, naturally sending him and the obligatory super hot love interest (Megan Fox) on a wild goose chase of stuff blowing up. There’s also various military factions caught up in the squabble including intrepid soldiers Josh Dumahel, Amaury Nolasco and Tyrese Gibson, research scientists Rachael Taylor and Anthony Anderson, Jon Voight as the grave Secretary of defense, John Turturro in pure comic relief form as a hapless federal agent and uh… Bernie Mac too, as the world’s saltiest used car salesman. The Shia Lebeouf angle has a cool 90’s sort of Joe Dante vibe, right down to the presence of consummate 90’s dad Kevin Dunn, naturally playing Sam’s father. While it goes a little off the rails in a final battle that pretty much levels an entire city to the ground and numbs any sense of realism to a dull roar, there’s a lot of fun to be had with the film, especially in the special effects used to bring these mechanical goliaths to life. Bumblebee is always a fan favourite, Optimus Prime looks fantastic and Hugo Weaving brings the vicious Megatron to life nicely. Steve Jablonsky almost outdoes his score for Bay’s The Island here, giving a magisterial composition that’s large and loud enough to accompany the Transformers on their journey and fills the film with noise, as the does the Oscar nominated sound design. Like I said, the sequels have become an impossible wall of deafening, uncalled for noise in the years since and it’s a shame because this one gets tainted in people’s memory when it’s still a good time.

-Nate Hill

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Don’t you want to know about Transformers 5, dude?

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Well, turns out Merlin was a bullshit artist and no wizard at all. Turns out he had him a lot of help from the Transformers who, as we learn from this movie, have been with us a lot longer than the 80’s.

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Now, bearing in mind I’ve not seen Dark of the Moon and Age of Extinction, ‘cause, while the first outing was okay, the second was just plain old big dollar dumbshit; it didn’t inspire me to keep up with the franchise. Nowadays though I find myself a father and thus have an excuse to be found at such films like The Last Knight and still be able to maintain my image.

But, while TLK is the same brand of BDD that saw my interest in the Transformers franchise diminish – this entry is a return to form. It is on par with all those great Michael Bay comedies of 90’s and early 00’s. With films like The Rock, Armageddon, Pearl Harbour and The Island – so Transformers 5 is bombastic, ludicrous, but also a bloody good laugh.

We team up with ‘The Legend’ Marky Mark, in a world that has too many Transformers. Bummer! So many in fact that there is a force set up to police and also destroy them – should the Cybertronic shit hit the fan.

 

After a round table prologue that justifies the films subtitle, we are straight into the guns and explosions along with kids doing things they shouldn’t, like hanging out in forbidden areas. Here we meet an orphan girl, who doesn’t really have much of a part to play other than pull the heart strings occasionally and be smart-mouthed in contrast. With Prime (Optimus) floating in space like the bear Lou Ferrigno’s Hercules knocked into orbit, the Autobots are bored shitless. They hang out in Marky Mark’s junkyard, waiting for the plot to catch up with them.

Megatron is hiding out too. He is after the ‘fabled’ weapon. It is Merlin’s rod, given to the so-called sorcerer by the medieval Transformers. The whole plot surrounding this feels ripped off from The Fifth Element. You remember – a weapon that was originally entrusted to humanity to keep until a great evil returns and it is needed once more?

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Anyways, Megatron is not opposed to negotiations. He meets with a team of lawyers to have ‘his crew’ released, and those brainy military cats are content to let him have his way because their plan is to have the Decepticons do the dirty work and lead them to the mysterious staff of legend.

Oh, and the planet is getting horny! (But more on that later.)

 

So the Decepticons track down the Autobots and they fight. Hey, it’s what they do. Marky Mark has inherited an amulet from a crash-landed ‘old’ Transformer back during the kids being naughty in the forbidden area sequence. Megatron wants this thing too. So fighting and chasing ensues. (This adds to a nice little joke when Marky Mark is asked if he (SPOILER!!! BEING THE LAST KNIGHT) is chaste. Okay – so I laughed at it.)

Then there’s polo. And I don’t mean Marco. Enter the British Megan Fox – smart and beautiful and very late for work.  She hangs out, in her spare time, at her mother’s house where a bunch of old ladies sit around, drink and play cards. All the while they taunt Brit-Fox for not having a boyfriend.

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Anthony Hopkins is in this flick too. The narrator who actually shows up as an eccentric earl and the last surviving member of the Witwiccan order and has his robo-butler go fetch Marky Mark as well as ‘he likes the French accent’ Hot Rod (who, if you remember that great animated Transformers movie from when we were kids, became Rodimus Prime) round up Brit-Fox to have them round to the castle for tea and some long-winded exposition. We get to hear Hopkins say dude and dickhead in this movie, which are a couple of high points, and his robo-butler has some chuckle-worthy moments  adding, or should I say making the lofty expository scenes more epic with his mad skills on the pipe organ along with his choral-like singing ability.

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But all this cannot forestall the impending doom that shall be visited upon the earth by an evil Transformeress who makes Prime her bitch as she nears the planet looking to tear humanity a new one.

Marky and Fox leave Hopkins to go break into the Prime Minister’s office while they dive down into the ocean’s depths to grab Merlin’s rod. Evil Optimus shows up, ruins everything, and is about to go all the way over to the dark side when Bumble Bee pulls a Silent Bob, bringing him back into the fold. Megatron is as horny as the Earth (SPOILER!!! We are really piggy-backing on Unicron) for the impending destruction that will occur when he hands over ‘the rod,’ which he has taken to the evil Transformeress.

It’s time for the BIG CLIMAX!

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I thrilled at the notion of Hopkins versus Megatron – but it was momentary. At this point of the film the laughs sputter out, except when the think-tank boys decide they’re the ones who can conjure up a Hail Mary to save the world using the power of physics. But no, that’s a job for Prime and the Autobots; and that cool dragon Transformer-thing which you get a little of at both battle-bookends of the movie.

T5 is a grand, dopey comedy. I may have been the only one laughing in the theatre, but people today I find take this stuff  and themselves far too seriously. I suppose if you sit by the (Michael) bay long enough, you’ll start thinking this way. Beauty is in the eye of the beholder, and The Last Knight is funnier than what meets the eye…

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As always, happy viewing.

THE DUDE IN THE AUDIENCE.

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