Tag Archives: genius

Actor’s Spotlight: Nate’s Top Ten Michael Parks Performances

Michael Parks was one of those actors who could light up a scene, and although you hear similes like that thrown around about a whole lot of people on the business, he was one that more than deserved to have it applied in his work. Originally gaining traction in the 60’s and 70’s for television, feature films and westerns, Parks was put on the Hollywood blacklist for simply standing up to the integrity of a character/show he was working on, a testament to his spirit and refusal to let the work be anything but top notch. The latter half of his career saw him resurrected with a vengeance by the likes of Kevin Smith, Quentin and others and it was here that he provided us with some truly unique, compelling performances. Here are my personal top ten!

10. Esteban Vihaio in Quentin Tarantino’s Kill Bill Volume 2

His second role in the Kill Bill films sees him embody a mercurial Mexican pimp who provides the story with some purring exposition and Uma Thurman’s The Bride with vital information whilst slyly hitting on her at the same time. It’s only a quick scene but he grounds it with some deft humour and relishes every syllable of the Latin accent.

9. Dr. Banyard in Deceiver

More exposition! This is a weird little 90’s neo-noir about two troubled Detectives (Michael Rooker and Chris Penn) investigating the murder of a hooker (Renee Zellweger). Parks plays the psychiatrist they consult about a creepy suspect (Tim Roth) who suffers from a rare type of epilepsy. He’s essentially laying out information for the audience here but Michael was one of those rare actors who could do that and tell you so much about his character without, you know, *actually* telling you. This is pretty obscure for a such a great cast but it’s worth seeking out.

8. Abin Cooper in Kevin Smith’s Red State

Terrifying is the word for him here, playing the maniacal patriarch of a bunch of backwoods extremists who make the Westboro Baptist Church look like choirboys. The key is in the soft spoke dialogue, letting his energy simmer on the back burner so that when the fire and brimstone portion of his performance does show up, it blindsides us.

7. Doc Barrow in Jim Mickle’s We Are What We Are

A small town doctor who gets suspicious when people including his wife go missing near a secluded rural area, Barrow discovers a family of cannibals living in the hills and must fend them off. This is a brilliant slow burn horror with solid performances all round but it’s his keen, quiet and observant husband who wins the day and becomes the most memorable.

6. Tommy O’Shea in Death Wish V: The Face Of Death

O’Shea is a reprehensible piece of shit Irish mobster who isn’t above threatening or killing women and children and rules his district with casual Joker-esque brutality until, naturally, Charles Bronson kicks the piss out of him. He’s one of the most memorable villains of the franchise in ironically the least memorable film it has to offer, but oh well. He redeems the film with his thoroughly evil portrayal and has a lot of fun along the way.

5. Ronny ‘Del’ Delany in The Hitman

This is essentially just another carbon copy, subpar Chuck Norris action flick but Michael owns villain duties as Chuck’s scumbag partner who betrays and tries to kill him. He’s only in the beginning and end of the film but the character bookends the whole thing and provides a classy, dashing evil prick to do battle with the hero. Too bad he doesn’t win in the end, because he’s eternally more watchable than that goofy ass cocker spaniel Norris.

4. Ambrose Bierce in From Dusk Till Dawn 3: The Hangman’s Daughter

Real life poet Bierce really did disappear, although he likely didn’t end up in an Aztec vampire bordello like this film imagines. Parks made an appearance in the first Dusk film and gets the lead here, making Bierce a well read, hard drinking, sardonic badass who totally steals the show.

3. Howard Howe in Kevin Smith’s Tusk

How do you bring dimension to the role of a walrus obsessed serial killer? Start by being Michael Parks. Smith gave him the role of a lifetime here and he chews it up enthusiastically, hitting so many notes in his performance that one could write a dissertation on the character. He makes the guy a monster, no doubt. But a funny ass monster, one with depth, charisma and the magnetism to pull off such an absurd premise.

2. Jean Renault in Twin Peaks

This masterful show is jam packed with villains both earthbound and of other planes so the competition to leave a lasting impression is high. Parks showed up during a season two creative drought as Renault, a psychopathic French Canadian drug kingpin with a taste for blood and the nerve to back it up. Stylish, confident and venomous, he’s one of the show’s great antagonist arcs and plus the dude has a retractable dagger up his sleeve, it doesn’t get any cooler than that.

1. Texas Ranger Earl McGraw in Quentin Tarantino’s Kill Bill Volume 1/Death Proof and Robert Rodriguez’s From Dusk Till Dawn/Planet Terror

Parks is so good as McGraw that the character is pretty much an archetype by now, appearing multiple times across the Tarantino/Rodriguez multiverse to battle zombies, investigate the El Paso wedding chapel massacre and lament that retards are allowed to operate BBQ stands. The laconic nature, laidback yet keen attitude and no nonsense demeanour of this guy makes him stand out in whichever scene he chooses to amble in and grace his true blue presence with.

Thanks for reading and stay tuned for more content!

-Nate Hill

In Memory of Robert Forster: Nate’s Top Ten Performances

Robert Forster passed away yesterday and the realms of Hollywood, television, exploitation and indie features will never be the same. This was a guy you knew even if you didn’t know his name, a pillar of supporting performances for decades, a man who radiated talent and charisma even if he was only onscreen for three minutes of any given production. My buddy saw him in an airport once but couldn’t think of his name for months and it drove us both nuts for awhile. He described the fellow as a “world weary detective type with kind eyes and a vaguely sad demeanour.” We eventually figured out who he meant when I kept showing him a rogues gallery of IMDb profile pictures to try and solve the conundrum, but my point is that this was a guy whose essence and persona just sticks with you no matter the role or project. I will miss him dearly and revisit many of his excellent performances again but for now here are my top ten favourite:

10. Steve Yendel in the Nelms Brothers’ Small Town Crime

The ultimate pissed off dad, Steve takes quirky revenge on the assholes who killed his daughter in this violent but good natured black comedy, teaming up with a persnickety pimp (Clifton Collins jr) for some off the books war games. “I wanna tie them to the back of my Bentley, drag them around a bit.” His delivery of that pithy little sentiment is both droll and priceless.

9. Marshall Sisco in ABC’s Karen Sisco

Not the first Elmore Leonard adaptation on this list sees him playing father, mentor and friend to Carla Gugino’s badass federal Marshall Karen Sisco in this televised version. Dennis Farina and Jennifer Lopez played these roles in Steven Soderbergh’s Out Of Sight and rocked it but Robert and Carla find their own laidback, easygoing groove and have terrific chemistry. Word of warning though this show was never released onto DVD and is absent from any streaming services anywhere (which someone should really do something about) so basically your only hope is chopped up versions on YouTube.

8. Burt in Elizabeth Chomko’s What They Had

Forster frequently finds himself in gritty genre stuff so I always get in line when he does something gentler like this hilarious and heartbreaking family drama. He’s brilliant here as a patriarch whose wife (Blythe Danner) is slipping into dementia. He’s nonchalant about it while his kids (Hilary Swank and Michael Shannon) unravel. His refusal to admit that she’s slowly losing herself is sort of sad and funny at the same time and the performance is perfectly pitched between the two.

7. Detective Murphy in Paul McGuigan’s Lucky Number Slevin

His character here is only onscreen for a minute or two but he’s got the biggest monologue in a film already thick with dense dialogue, and the dump truck level of exposition he delivers is something to see as he nails it while giving his idiosyncratic NYC cop role attitude to spare even though none of the dialogue is even about him. If you’ve seen the film you know what a brilliant, labyrinthine house of twists it is and he gets to impart the final wisdom that brings the narrative home, subsequently leaving a lasting impression amidst many other quirky performances.

6. Detective Harry McKnight in David Lynch’s Mulholland Dr

Another quick cameo but one of the finest moments of eerie gravitas in the film. As a horrific limo crash kicks off the films inciting incident, Harry and his partner (Brent Briscoe, another Lynch favourite who is no longer with us) stand by the roadside and look out over the nocturnal LA dreamscape, wondering just what happened. The quiet, contemplative look in his eyes suggests many mysteries to come without saying anything, and his scene remains one of the films most atmospheric and memorable.

5. Arthur Petrelli in NBC’s Heroes

He always rocked the kinder roles but did some wicked nasty villain turns too, here playing the utterly evil and sociopathic ringleader of the troubled Petrelli clan. Not above terrorizing and murdering his own family for incredibly nefarious gains, he heads up the mysterious corporation that is pretty much responsible for most of the shitty things that happen on the show. Underplaying for chilling effect, he was essentially the big bad of the entire series run and wielded it wonderfully.

4. Scott Thorson in Alexander Payne’s The Descendants

Another aging family man looking after an ill wife, he plays father in law to George Clooney’s grieving real estate tycoon in a wonderfully emotional and intimate interpersonal drama. He doesn’t approve of his son in law and makes it very clear in a series of wry commentaries that lead to a confrontation that the actor gives the power of an open wound.

3. Sheriff Frank Truman in David Lynch’s Twin Peaks: The Return

Taking over the character in spirit from Michael Ontkean but also playing a new rendition of the upright lawman archetype, Robert plays Frank as a straight arrow who has begun to dim and get a bit weary. He’s a thoughtful man, a tired husband and you can sense a spiritual crisis in him when things begin to get weird because this is Twin Peaks and they inevitably must. One of my favourite scenes in the entire Peaks saga is a pine rimmed computer popping out of his desk so he can skype Doc Hayward (Warren Frost) on his fishing trip about vital information and share pleasantries while he’s at it. It’s such a lovely scene full of light and goodness, Robert’s contribution to the Peaks world is really something special.

2. Jake Nyman in Paul Chort’s American Perkekt

This is a weird one but essential because the director wrote this role specifically for Forster and he’s absolutely fucking terrifying in it. Jake is a psychiatrist, or says he is anyways, but he’s on a demented road trip where every decision is determined by the flip of a coin, and with each flip he seems to lose his grip on sanity a bit more. The final act sees him completely go over the edge and terrorize a drifter (Fairuza Balk) into submission. It’s a very strange film with many characters and has that oddball ‘psycho indie road flick’ vibe but his performance is the sickened heart of it and he really lets that ripcord of uninhibited mania go.

1. Max Cherry in Quentin Tarantino’s Jackie Brown

The crown jewel of his career saw Tarantino revive his Hollywood career to play bail bondsman Max, a keen Everyman who is deeply in love with Jackie (Pam Grier) from the moment he lays eyes on her and determined to help her escape homicidal gun runner Ordell (Samuel L. Jackson). The pacing of both the film and particularly his performance really sells this story, you can watch the wheels turning as he observes characters around him interact, and the blossoming look of adoration on his face when he sees Jackie for the first time is truly remarkable.

Thanks for reading and please feel free to share your favourites from Robert’s fantastic career!

-Nate Hill

Remembering Robin Williams: Nate’s Top Ten Performances

Robin Williams left us five years ago this week, and out of all the celebrities, actors and entertainers who have passed on, his absence is still the one I feel most. So what made him so special? For me it was the way he could cut so deep in both serious and comic performances. When he showed up in the room the energy turned light and carefree as the zany, untethered forces of his improvisation and imagination took over like a gentle breeze. Then when it was time to rein it in for a more serious, introspective scene he would be less effervescent but the light in his eyes wouldn’t dim, the focus wouldn’t falter and he’d demonstrate his equally brilliant talent for heartbreaking drama as well. He could carry an entire film on his own, light up a supporting role and even make a cameo glimmer through to become memorable. In looking back I’d like to highlight the ten performances that are most personal, most memorable and mean the most to me as someone who grew up watching him on the TV all the time, idolized and loved him dearly. Enjoy!

10. Adrian Cronauer in Barry Levinson’s Good Morning Viet Nam

No other scenario requires a much needed sense of humour like the fog of war, but Williams’s rebellious spirit isn’t received well by the brass in Nam, yet he makes it clear that a good dose of verbal comedy is exactly what the airwaves need in this case. It’s a no holds barred performance with some touching emotional notes and plenty of slotted time to let loose behind a radio DJ’s mic.

9. Walter Finch in Christopher Nolan’s Insomnia

Cast against type as the freaky villain of Nolan’s chilly murder mystery, he channels a Stephen King style energy in playing a slippery antagonist set against Alaska’s grey skies and at odds with Al Pacino’s sharp but distraught homicide cop. Williams is somehow constantly likeable yet creepy in a way you can’t quite put your finger on until the third act rolls around and he really lets it rip.

8. Parry in Terry Gilliam’s The Fisher King

Mental illness gets a ballistic but tender portrayal in Gilliam’s urban fantasy that sees Robin as a former professor of medieval history who loses his mind following a tragedy. Surreal production design helps his work flow but the raw potency is all his in a performance that brings down the house, brings out the best in both Gilliam and Jeff Bridges and shows how a mind broken isn’t necessarily one lost forever.

7. The Genie in Disney’s Aladdin

I’m pretty sure all of the Genie’s dialogue wasn’t even scripted off the bat, I think they just sat Williams down in front of a voiceover mic each morning, gave him a general outline and then slowly backed away out of the room to observe the magic happen. The result is a nostalgic blast of a vocal performance that so many hold dear and one of the most quotable Disney characters of all time.

6. Alan Parrish in Joe Johnston’s Jumanji

Infusing childlike wonder is something he was always good at, and it served well here in playing a guy who has been trapped inside a deadly jungle themed board game since he was a kid. His chemistry with Bonnie Hunt is funny and touching, his feral mania upon being finally released from the game into 90’s suburbia is hilarious and the interaction with young Kirsten Dunst and Bradley Pierce makes for a dynamic character that I always love to revisit.

5. Philip Brainard in Disney’s Flubber

Williams plays an incarnation of the absent minded professor archetype in Disney’s unfairly dismissed comedy. In a film whose star is a rambunctious pile of ever morphing charismatic green goo, trust Williams to defy that description and upstage the Flubber itself with his own wild, inspired performance. But he also gets surprisingly deep when lamenting: “I’ve spent my whole life out there trying to figure how the world works when I should have been trying to figure out *why* it works..” it’s a disarming line to hear him intone in a heartfelt manner from a Disney film, but that’s why I love this one so much.

4. Sean Maguire in Gus Van Sant’s Good Will Hunting

Mentor, friend and advisor to Matt Damon’s prodigal kid, Williams imparts wisdom in clear eyed fashion here as an extremely down to earth fellow faced with an extraordinary situation. His mid film monologue to Damon won him a best supporting Oscar, but the moment that captures this character’s spirit most beautifully is when he wistfully remembers his wife who passed away, and injects some humour into the conversation that was purely Robin’s improvisation and as a result hits the scene home.

3. Rainbow Randolph in Danny Devito’s Death To Smoochy

Devito’s venomous farce of children’s media is a criminally undervalued and quite terrific film, and Williams goes into full on nut-bar mode as a disgraced kiddie show host who never should have been let on the air to begin with. Trying to kill Edward Norton’s beloved rhino Smoochy in between bouts of rage, flagrant insecurity and maniacal mood swings, it’s an incredibly ballsy, thoroughly R rated and absolutely hysterical piece of black comedy performance art not to be missed.

2. Daniel Hillard/Mrs. Doubtfire in Chris Columbus’s Mrs. Doubtfire

The lengths that loving father Williams goes to in order to see the children he lost custody of here would be horror movie material in any other actor’s hands, but because Robin was so adept at both wacky innovation, disguises and genuine heartfelt explanations for such behaviour, the result is both magical and realistic. The restaurant scene alone is time capsule worthy, in which Hillard has to multitask and hop in and out of the Mrs. Doubtfire suit rapid fire to both have a family dinner and entertain a scotch swilling TV exec (Robert Prosky).

1. Chris Nielsen in Vincent Ward’s What Dreams May Come

A gorgeous fantasy film showcases Robin in his most deeply felt and affecting performance as a man who has lost everything including his own life. He ventures out across the afterlife through heaven, hell and beyond to find his wife and soulmate (Annabella Sciorra) and save her. Williams portrays celestial determination like no other and a fierce, passionate love for her that shines like a beacon through realms of the astral plane and lights up the film in the process.

Thanks for reading! I hope you all enjoy and hold Robin’s work as dear as I do, and have enjoyed my thoughts here.

-Nate Hill