Outlander: A Review by Nate Hill

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“Beowulf meets Predator” boasts the enthusiastic critic blurb on the poster of one of my favourite sci fi genre benders, Outlander. It’s pure outlandish fun, and better yet it knows it is and therfore doesn’t feel any need to spend a bunch of time on grasping exposition to convince you of any shred of authenticity. It simply hums along on a pure rush of unchecked adventure, always aiming to please and for the very most part, doing so wonderfully. Jim Caviesel stars, and he’s an unassuming Ken doll of an actor who has more intensity than anyone gives him credit for, which always makes me spring to attention when he’s in the driver’s seat. Here he plays Kainen, a voyager from a far away galaxy who has crash landed his spacecraft on earth way back in the time of the Vikings, stranded and in need of refuge. Only problem is, he’s been on the run for some time from a large, hideous and very dangerous creature from his home planet called Moorwen. Moorwen has a very personal and deadly vendetta against Kainen, one which threatens the Viking tribe who give him shelter, led by noble king Hrothgar (John Hurt). Kainen comes from a planet with technology and civilization far advanced from Earth at that time, which makes him a hit with the tribesmen and even more so with Hrothgar’s daughter (Sophia Myles). Moorwen threatens their way of life in its rampage against Kainen, causing tragic collateral damage to a rival clan led by Gunnar (Ron Perlman makes heartbreaking and stone tough work of what is essentially an extended cameo). It’s an awesome movie no matter what anyone says. Any film about an astronaut from a far off galaxy who bands together with friggin vikings to battle a fluorescent space dragon is just automatically a winner. In all seriousness though, this one really is something special,and almost seems like a Dennis Quaid vehicle if it were made in the 80’s. Fun, thrilling and never too serious, it knows it’s place and owns the genre shelf it sits on.