Drew Barrymore has a few interesting, edgy credits early on in her career, one of which is Tamra Davis’s Guncrazy, a lurid little slice of run down, rural life on the outskirts of the big city, as well as civilization it seems. A ‘lovers on the run’ riff in the tradition of Bonnie & Clyde, True Romance and Natural Born Killer, it’s admittedly like the Miller Lite version of large scale films like them but still manages to pack somewhat of an offbeat punch. Barrymore is Anita, a restless adolescent whose humdrum existence in a dead end California town has led to promiscuous behaviour and self destructive tendencies, especially when her convict pen pal boyfriend (James LeGros) is released and joins her for some hell raising. She has a stepfather who’s abusive to her in a way that seems unnervingly normalized to the both of them, high school classmates who are nothing but trouble and a life that most would consider squarely placed on the wrong side of the tracks. The story sees the two of them pretty much fed up with everything, engaging in a murder spree that just won’t end well. It’s not too hot blooded or hyper violent though and there is nothing sadistic in what they do, in fact there’s an innate innocence to the way they view life, their crimes and morality in general, or lack thereof. Barrymore has always had star-power since day one, but she shows a maturity here as she gets older and a complex control over a role that could have been cartoonish. LeGros is an indie poster child and is so prolific he’s probably been in ten or twenty things you’ve seen but just didn’t spit him, he’s a straight up chameleon and does a good job here too. Michael Ironside shows up as his jaded parole officer and the great Billy Drago is cast rarely against type as the town’s local preacher who doubles as both a mechanic and a snake charmer, it’s a bear bit of character work from him and I always enjoy his performances. This film got really good reviews when it came out and caused a minor stir in indie land, which is interesting because I don’t find it all that noteworthy. Usually I’m that guy to champion garbage films based on a few aspects because I love obscure stuff, but this one is kind of your run of the mill cheapie made decent by Barrymore’s charisma. Good score too.