Dark. Rainy. Uneasy. Covered in a cloak of gloom, gruesome secrets and morally questionable actions. Denis Villeneuve’s Prisoners is one of the premier kidnapping thrillers of recent years, and a mile marker in the still blossoming career of a man who will no doubt go on to be a legend. Many thrillers are lacking in some elements while excel in others, but here every base is covered with care and attention, from style to substance to pacing to realism to thematic material. When a couple’s daughter goes missing without a trace on a quiet suburban block, the distraught father (Hugh Jackman) tries to take matters into his own hands with disastrous and damaging results. When you factor in how long the case drags without clues, results or hope it’s kind of hard to blame him for taking action of his own volition, but when he abducts a mentally challenged man (Paul Dano) who was seen skulking around in a creepy RV the day of the incident, he crosses the line from righteous investigator to dangerous vigilante. Jake Gyllenhaal and his snazzy hairstyle are great as a rugged detective who just can’t seem to get a grasp on what happened but doesn’t quit anyway. Terrence Howard, Maria Bello, Wayne Duvall, Viola Davis, Dylan Minette and more make vivid impressions, but it’s the consistently surprising and always dynamic Melissa Leo who steals the show and galvanizes the story with her chilling work. Roger Deakins is a prince among DoP’s and his rain streaked, utterly bleak visual mood-scape here is something to behold, the overcast weather seeps into the bones of these characters and brings out all the confusion and hopelessness of this grim, downbeat story. This is a detailed, difficult tale that does have an answer by the time the final act rolls around, and by that time we’re so so steeped in the quagmires of Jackman’s extreme actions that the further the trip goes into unpleasantness, the more eerily fitting it seems. It’s a dark, relentless trip but thanks to everyone involved and especially Villeneuve’s assured direction, it’s one worth taking.