Tag Archives: Mad Men

My interview with actor Richard Fancy

I am pleased to bring you my recent chat with actor Richard Fancy, an immensely gifted man you may recognize as Mr. Lippmann from Seinfeld. He’s also appeared in shows like Mad Men, Ray Donovan, Carnivale, General Hospital, The Mentalist, Crossing Jordan, 3rd Rock From The Sun, Friends, Star Trek: Voyager, Numb3rs, Gilmore Girls and more. His film credits include Being John Malkovich, The Girl Next Door, Species, Oliver Stone’s Nixon, Hollywoodland, Shopgirl, Rob Zombie’s horror films Halloween and The Lords Of Salem, and more. Take a look:)
Nate: I don’t see much of your background or training on imdb. Care to share how you got into acting, what about the craft that appeals to you, and where you trained?
Richard: I knew I wanted to be an actor when I was fifteen. Like falling in love with someone, it’s really impossible to say “Why.” I began studying at fifteen (I was living in LA then) and, when I was twenty two, I moved to New York where I studied for a year with Uta Hagen. I spent a year studying in England, came back to New York and studied with Peter Kass, Uta Hagen (some more), George Morrison, John Lehne, Kristin Linklater, Lee Strasberg, Sharron Shayne and I recently became a professional observer with full working privileges at the Actors Studio here in Los Angeles.  
Nate: You have a very mischievous aura to your work, a gleeful vibe that is very memorable (the moment in Ray Donovan when you realize they’re pulling a fast one on you is a perfect example of this, and one of my favourite character beats of your work) ). Is this quality something you consciously developed in your work, or just organically happened out of your personality?
Richard: Thank you for the compliment about my gleeful vibe. I think what you are seeing is just my response to creating a particular character; that response will unavoidably reflect my own personality and whatever glee that gives off:-)
Nate: The Lords Of Salem: what was it like for you working on a Rob Zombie film, especially such an intense one? Fun experience?
Richard: I loved working for him. The films are intense; the set is the most relaxed, supportive atmosphere you can imagine. Rob (I’m sure you heard this before) is a great guy.
Nate: Carnivle: One of my favourite shows of all time. Your role, although brief, was very memorable for me. Did you have a sense of the story when filming that, were you given a lot to go on in terms of that psychiatrist and who he was dealing with? Have you seen the show and do you enjoy it?
Richard: I had a clear idea when I got to the set the way this psychiatrist would walk, talk; I wanted a moustache and spectacles. He should start out in too much control. I wanted there to be a contrast between the very obsessively organized person he is when we first see him and the nut he becomes. Scott Winant who was the director on the first episode I did was wonderfully supportive and collaborative. A splendid director.
Nate: You have a tremendous gift for comedy, as can been seen with your work on Seinfeld. Do you enjoy working in lighthearted, funny stuff like that? How was working laying Mr. Lippmann for you?
Richard: Everything depends on the script and the people you are doing it with. I loved doing Seinfeld; it was unique. But I enjoyed working with Scott Winant on creating the character I played in Carnivale every bit as much. And, I see something funny in almost everything. I guess it’s built into the way I perceive reality.
Nate: If you had to pick a few roles that you’ve played that have been your favourites, what would you say?
Richard: The roles that have been my favorites have been in intimate theater in Los Angeles. . Willy Loman in Death of a Salesman, Mr. Prince in Rocket to the Moon, Moe Axelrod in Awake and Sing and–now I’m doing Awake and Sing again, playing Uncle Morty. The intimate theater movement in Los Angeles has been producing extraordinary productions for thirty years now; Spring Awakening, a brilliant Los Angeles intimate theater production, just opened on Broadway to a huge rave in The NY Times. Intimate theater has unfolded here because LA is a place where there are a lot of excellent actors who work in film and TV and, itch to work onstage. If you play your cards right, you can see five brilliant intimate theater productions in this town for the price of a Broadway ticket. 
 Nate: Any upcoming projects, film or otherwise, you are excited for and would like to mention?
Richard: Right now I’m doing a play in Los Angeles. It’s Awake and Sing at the Odyssey Theatre (odysseytheater.com) and it is really worth seeing. It’s a great American play by Clifford Odets in an extraordinary production. It just got a critics choice in the Los Angeles Times.

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My chat with veteran actor Pat Skipper

Greetings again! I just had the chance to interview veteran actor Pat Skipper, who has appeared in countless films including Erin Brockovich, Lethal Weapon 2, Demolition Man, Rob Zombie’s Halloween, Seabiscuit, Ed Gein, Independence Day, Predator 2 and more. He’s also shown up in many a  TV Show, including Mad Men, ER, That 70’s Show, Charmed, Buffy The Vampire Slayer, Bosch, The West Wing, Bones, Cold Case, Criminal Minds, Medium, Justified, The Mentalist and an intense character arc on The X Files as Bill Scully. He’s been a force to reckon with in the industry for a long while, and it was a pleasure to speak with him. Enjoy!
Nate: How did you find your way into acting, was it something you always knew you wanted do? What was your background before that?

 

Pat: I was a total TV head when I was a kid. I loved Lost in Space. I loved Billy Mumy (Will Robinson). Then, I saw him in a Twilight Zone re-run and he scared me to death. That’s the first notion that I had that someone was “acting.” I was amazed. But I got into doing it myself in the way that most kids from the sticks do. I got a part in the high school play. I probably had six lines. I was an Irish cop, I think. I realized that actors were “my people.” I kept doing it and never stopped.

 

Nate: Tell us a bit about your book, ‘The Working Actor’. How was the process of writing, and coming up with it? I will also include a link here in the blog post so that anyone reading who is interested can take a look.

 

Pat: I had been coaching a friend of mine, a young woman–a girl really–on auditions. I began to look back over my career. I saw my younger self reflected back at me while I was working with her. I thought, “I wish I had me for a teacher when I was 21.” So I started taking notes. Six drafts and 2.5 years later, I have my book, The Working Actor.

 

Nate: You have an impressive, intense character arc on The X Files. Did you enjoy creating the character of Bill Scully, and how was working on the series for you?

 

Pat: I loved X-Files. I was a big fan of the series. I thought then (and still think) that Gillian Anderson is one of the best actors alive. Playing opposite her was so engaging. She’s a tremendous athlete. She made me better.

 

Nate: I saw a comment from Michael Connelly on the website for your book. Did you know him prior to being cast in Bosch, or did you meet as a result of that. He’s a wicked author, and you are an incredible actor, I feel like he should write something just for you. Did you enjoy working on Bosch?

 

I was very excited to get cast in Bosch. I had been aquainted with the Producer Eric Overmyer 30 years before (when we were both starting out in New York). Something happened in that audiiton room. I just fell apart emotionally. I got the part. I was over the moon to meet Mike Connelly as I had read every single one of his novels. I couldn’t wait to meet him. When I did, he reminded me that I had worked with him before in a pilot for a TV show that he had written in the 90s! I didn’t remember him at all. I loved working with Titus Welliver. The guy is the quintessential Working Actor. He’s worked his way all the way to the top. Titus wrote the foreword to my book. That said, playing Sam Delacroix was brutal. Such an awful, selfish, morally corrupt and lost person. It cost me a bit of my soul to play him.

 

Nate: thank you for sharing that, and it’s super exiting about Bosch, I hope to start it soon. Any hobbies, interests besides acting and writing?

 

Pat: I had 12-year-old twins. They keep me busy. I play very mediocre golf. I read A LOT. I love football season.

 

Nate: Working with Rob Zombie on Halloween- Did he pursue you for that role? He tends to specifically request actors, and cast his films, even down to the minutest role, with old familiar faces and impeccably picked talent. Did you enjoy your experience on that film? Working with Scout, Dee Wallace and everyone?

 

Pat: Rob Zombie is a very sweet guy, surprisingly. And he’s remarkably inventive. He creates a very fertile work environment. Dee, Scout and I loved each other. He helped us create a very credible little family. Then he covered me with gallons of blood. I went to audition. That’s how I get all my jobs. No one has ever requested me for shit.

 

Nate: In your website bio it says you initially had trouble finding jobs just out of school. Care to elaborate? Specifically the esoteric nature of preparing for a performance or audition, versus the practical, professional way to go about searching for the work. The art vs. the know how etc.

 

Pat: Everybody has trouble starting out. Everybody. I had no idea how to audition for jobs. I totally sucked. I came to a revelation. If I was going to work in this business, I was going to have to create my own work. Cutting to the chase, I produced a hit play starring the then 21-year-old (and unknown) actress, Marisa Tomei. It opened doors–for both of us. I have come to the conclusion that Acting is not an art form. Acting is a sport. Acting is taught as if it were some fancy, magical, mystical thing. I advocate in my book (and with the people that I coach) that we should attack our careers–and our work–with the dedication and tenacity of professional athletes. Take the magic out. Work our asses off. Have a repeatable process. Learn through repetition. Work out to stay sharp. Never settle. Never stop getting better. Expect the best out of ourselves. Deliver every time.

 

Nate: Your career is primarily acting, and now the book. Have you ever considered getting into other aspects of filmmaking such as script writing, producing or directing your own projects?

 

Pat: I act. I coach actors. I wrote a book. That’s it.

 

Nate: What are some of your favourite roles you’ve gotten to play?

 

Pat: Bosch, X-Files, Bones, Boston Legal, Halloween. A lot of my best stuff has been in other projects that no one ever watched. So it goes.

 

Nate: Besides Bosch, any other projects coming up, cinematic or otherwise that you are excited for and would like to mention?

 

Pat: I’m a Working Actor. Right now, that means I’m looking for work. I auditioned for some TV show today. I’m running my studio. I’m coaching other people’s auditions. The book comes out in a month. I’m as busy as hell making that happen. It’s exhausting. It’s also kind of scary. Mostly, though, it’s pretty cool.
Nate: It’s the coolest profession anyone could hope to a part of indeed. Best of luck, I’ll see you soon in Bosch, and will most definitely be getting ahold of your book. Thanks so much!

Episode 7: With Very Special Guest GARY YOUNG. Sidney Lumet’s THE OFFENCE, MAD MEN, HARRY BROWN and top five Sean Connery and Faye Dunaway

Featured on Episode 7 is a very special guest, Gary Young writer of HARRY BROWN starring Michael Caine.  We also discuss MAD MEN, Sidney Lumet’s THE OFFENCE and top five performances of Sean Connery and Faye Dunaway.

Enjoy!