Actor’s Spotlight: Nate’s Top Ten James Gammon Performances

James Gammon May not have been a household name but as consummate Hollywood character actor and grizzled veteran of cowboy westerns his presence was near unparalleled. With a raspy drawl and an essence that was one part hunter killer, one part leathered frontiersman with a touch of endearing teddy bear (he actually did voice a bear in one film, though it didn’t make this list) he always made a terrific impression and became one of my favourite ‘that guy’ actors as I began to discover cinema in my youth. Here are my top ten performances from his varied and fascinating career:

10. Roger Wayne in Luiso Berdejo’s The New Daughter

I included this moody Kevin Costner horror thriller because it was Gammon’s final film appearance before passing a few years ago. Costner plays a rural father whose adopted daughter (Pan’s Labyrinth star Ivana Baquero) begins to exhibit weird, possibly supernatural behaviour. He digs a little deeper into the mystery and comes across Roger, a man who dealt with the very same issue in his own children years ago and whose methods were… questionable. Gammon gives this homeless old dude a chilling edge in his curtain call appearance.

9. Ironbutt Garrett in Running Cool

This is the most lighthearted, benign biker flick you’ll probably ever see. Drifter Bone (Andrew Divoff) reunites with old pal Garrett to take down evil, prejudiced land developers threatening both their land and biker way of life. The camaraderie and friendship between the two is nicely illustrated with both, two epic cult actors sharing the screen. Plus, his name is fucking Ironbutt, how can you go wrong with that.

8. Sheriff Henderson in Eduardo Sanchez’s Altered

The creator of Blair Witch Project brought us this little seen alien horror flick combined with the classic cabin in the woods setting. Gammon plays a county Sheriff (one of many throughout his career) who comes knocking when weird sounds are heard and has what you’d call a ‘close encounter.’ His reaction upon being told that the thing that viciously attacked him is an extraterrestrial? “Shit. That’s fucked up.” He was capable of such wry, deadpan line delivery even in a tense, unnerving situation.

7. Esco Swanger in Anthony Minghella’s Cold Mountain

A frontier family man before the civil war, Esco resents the rabble rousing in his town and brings a subtle antiwar perspective to the large and varied cast. When one of of his kids declares proudly that he’s going to fight for the south, his boisterous retort: “Last I heard, the south was a direction!” He steals any scene he’s in here from a huge roster of supporting characters and makes a vivid impression in this beautiful but uneven war epic.

6. Sam Parker in Outlaw Trail: The Treasure Of Butch Cassidy

This is a low budget made for TV kids flick about a group of youngsters searching for gold buried by the legendary bandit. Gammon plays the grandfather of one of them and their lineage can be traced right back to Butch, which he’s none too pleased about. He resents illegal activity and sees his legacy as childish and pointless, until his grandson makes good on the treasure hunt and brightens everyone’s day. Silly flick overall but he gives his scenes a stormy, melancholic aura and plus it’s one of the only appearances in his career where he’s not sporting that moustache, kinda like Sam Elliott.

5. Nick Bridges in Nash Bridges

A flashy Don Johnson cop show, James plays his lovable but troublesome father, a retired longshoreman with slight dementia, an affinity for get rich quick schemes and the kind of rebellious nature that gets passed from father to son.

4. The Texan in Tony Scott’s Revenge

Kevin Costner’s bloodied up antihero meets many people on his journey to recovery and retribution in this sweaty, seedy south of the border melodrama, one of which is Texan, a mysterious horse trainer who meanders across Mexico, dying of some undisclosed illness and acting as a kind of soldier of fortune in between breaking colts. He helps Costner out in that laconic, weathered fashion that’s just south of nice guy and just the this side of badass.

3. FBI Agent Teddy Lee in Tarsem Singh’s The Cell

The hunt for elusive, spectral serial killer Stargher (Vincent D’Onofrio) has many procedural moving parts but Teddy essentially spies the clue that leads them right to his doorstep. The film is an austere, surreal and often heavy mood piece full of intense, hushed and introspective performances. It may seem counterintuitive of Singh to cast rambunctious, rowdy Gammon in a key supporting part but the offset works beautifully and he livens up an otherwise grim series of events in his brief screen time.

2. Lou Brown in Major League

Sassy coach to the dysfunctional Cleveland Indians, Lou is coaxed away from his apparently way more interesting job selling tires to put together a winning roster and kick the team out of a royal slump. He’s a take-no-shit, old school dude with enough grit and attitude to both get them into the winning streak and stir up all kinds of political trouble within the league while he’s at it.

1. California Joe in Walter Hill’s Wild Bill

A moody, fragmented look at the final few years in the life of Bill Hickock (played with sterling charm by Jeff Bridges), Gammon embodies Joe perfectly. He’s a hell-raiser, gunslinger, sidekick, friend and confidante to the legendary figure and provides many a memorable moment, in one of the most dynamic, front and centre roles he got in his career.

-Nate Hill

Actor’s Spotlight: Nate’s Top Ten Miguel Ferrer Performances

Miguel Ferrer was one of those instantly recognizable, charismatic, unconventional tough guys who could always brighten up a film, show or animated cartoon with his presence. Rocky voiced, sharp featured, incredibly intense when he wanted to be, he also had a gift for stinging deadpan comedy and the kind of line delivery that had you snap right up and pay attention, even if the project he was in wasn’t the most riveting thing. He’s no longer with us but his work will always be, and here are my top ten personal favourite performances!

10. Charlie Pope in David Marconi’s The Harvest

A rare lead role sees him as a washed up screenwriter drifting through Mexico looking for a story until he gets more than he bargained for. A mysterious femme fatale (Leilani Sarelle) beds him for the night and when he wakes up he’s missing a kidney. This is one sweaty nightmare of a thriller with a panicked, intense and irritable turn from Miguel, sly supporting work from Hollywood veteran Harvey Fierstein and a wicked sharp twist ending. Oh yeah and it features Miguel’s cousin George Clooney in his first onscreen role as a ‘lip synching transvestite.’

9. Lloyd Henreid in Stephen King’s The Stand

A petty criminal psychopath recruited by supernatural being Randall Flagg (Jamey Sheridan) to assist him in the coming apocalypse, Miguel lends a shrewd, cruel edge to this character and ends up frequently stealing this miniseries over the course of its mammoth six hour runtime.

8. Bob Morton in Paul Verhoeven’s Robocop

The quintessential corporate shark, Morton pioneers the cutting edge Robocop program that revolutionizes law enforcement and then goes haywire. He lives to regret his work… and then doesn’t live at all. This guy is a dangerously ambitious, coke fuelled little spitfire and Ferrer plays him to the hilt. He’s said in interviews that this was one of his favourite projects he’s ever worked on during one of the happiest times in his life, and it’s evident. He’s having a terrific time onscreen and makes a wonderful addition to a legendary cast of characters.

7. Dr. Garrett Macy in Crossing Jordan

His arc on this excellent medical drama is a long, rich one that I don’t remember every aspect of but he explores a flawed, self doubting chief examiner who has estranged family, a drinking problem and one big passion for jazz music. He’s also faced with frequently explaining the antics of feisty Jordan (Jill Hennessy), his most talented yet troubled staff member. Any network show is more than lucky to have him as a recurring character, and he lit this one up wonderfully with his presence.

6. Amador in Tony Scott’s Revenge

Ex Navy pilot Kevin Costner faces off against ruthless Mexican gangster Anthony Quinn in this melodrama full of blood, sweat, bullets, tears and tequila. Miguel is a roughneck private mercenary who along with his brother (a very young John Leguizamo) helps Kevin out in training, shooting and overall badassery. It’s a solid supporting turn that paved the way for many gritty action antiheroes to come.

5. Harbinger in Jim Abrahams’ Hot Shots: Part Deux

Most likely the silliest film ever made, Miguel plays a special ops soldier who loses his nerve for combat until Charlie Sheen’s Rambo-lite coaxes him out of anxiety and prompts the all timer line: “War… its fantastic!!” This is him blowing off steam playing a parody of not only his brand of tough guy but the archetype in general, alongside Sheen who parodies the ultimate action hero.

4. Vincent in Wrong Turn At Tahoe

This is one the multitude of direct to video Cuba Gooding Jr flicks, and is actually pretty damn good. Cuba plays enforcer to his vicious, volatile mob boss who finds himself at war with a much more powerful gangster kingpin (Harvey Keitel) over a brutal misunderstanding. The gunfights and tough talk are supported by terrific writing and a fierce sense of pride and morality in this grim, depressing tale. Miguel paints the themes wonderfully in his work and has palpable chemistry with Gooding.

3. Richard Dees in Stephen King’s The Night Flier

One of the more obscure King adaptations out there, this HBO production features him as a snarky tabloid journalist who goes searching for the Night Flier, an urban myth about some freaky vampire dude who pilots a mysterious Cessna around the states at night, killing people. This is a classic ‘curiosity killed the cat’ flick about being careful what you wish for. He plays Dees as a seen it all cynic who discovers that he in fact has not seen it all and what’s out there could spell the last story for him.

2. Owen Granger in NCIS: Los Angeles

This is the best of the NCIS volumes, thanks in no small part to his wonderful performance as Granger, a recurring senior operative in their ranks. Just to give you the kind of passion and commitment Miguel had in his work, here’s an excerpt of trivia regarding this role:

“Miguel Ferrer was so devoted to his role, he refused to take time off, even when diagnosed with cancer. When it started to affect his voice, his illness was written into the character as well. “

1. FBI Special Agent Albert Rosenfield in David Lynch’s Twin Peaks

Forensic genius, fierce pacifist and silver tongued devil, Albert is one of the most fascinating and magnetic characters in a near endless sea of cast members. Initially a belligerent, belittling asshole, he gradually warms up to the townsfolk and by the time his peculiar yet touching arc comes to a close he’s practically an honorary member of their community. A key part of the supernatural legacy, friend and confidante to Agent Dale Cooper (Kyle MaClachlan) and one of the most treasured, ultimately lovable characters in television history.

Thanks for reading and stay tuned for more!

-Nate Hill

Tony Scott’s Revenge

Tony Scott’s Revenge is a difficult one to sit through, but it’s Aalto a good showcase of not only the late director’s inherent talent around a camera and staging of restless, brutally violent action, as well as one of the better, albeit off-putting entries in a sub genre I like to think of as ‘desert noir’ (Oliver Stone’s U Turn pioneered and set the good standard in my books). Sweaty, sleazy, excessively graphic, melodramatic and mottled out of those old school, primitive pulp laden love triangle bad blood archetypes, it’s relentlessly unpleasant but has a dark hearted charm that somehow sneaks in the back door and gives it an iota of likability, albeit in a weird way. Kevin Costner plays a hotshot navy pilot (Scott shamelessly plugging Top Gun) who heads to Mexico for a little down time, where he finds anything but. While on a visit to his old gangster friend (Anthony Quinn, that big ol’ sweaty Italian meatball), he meets the kingpin’s beautiful, shockingly young wife Miryea (Madeleine Stowe, back when she used to be in things), and naturally they fall in love. This ignites a volcanic conflict between them all that results in some of the most sadistic, sexist acts of violence and a giant rift in the brotherhood between Costner and Quinn, for you see, the pilot saved his life years before and there’s some vague blood debt owed, obviously now null in void when he tries to mow the guy’s lawn. There isn’t much to the story other than these Stone Age, chauvinistic games of betrayal, sex and retribution the three play, or at least the two while Stowe is so badly hurt she’s out of commission after the first act. Costner spends time moping about the backroads and flophouses of Mexico, befriending a dusty old shit-kicker (the late character actor James Gammon, credited simply as ‘Texan’), who helps him get back on his feet. He’s also aided in his vendetta against Quinn by two mercenaries, played by scene stealing Miguel Ferrer and John Leguizamo. The eventual final confrontation between them has the hollow howl of redundancy as both men sheepishly realize they’ve become a slave to their own emotions and ruined their lives, and especially Miryea’s. Ebert wrote of this “It’s such a good job of salesmanship that you have to stop and remind yourself you don’t want any.” Well, that’s Scott for you, who could take footage of a domestic dispute and whip it up into a frenzy of action and energy you can’t take your eyes off of. This is a dark, empty, unpleasant film bereft of gallows humour or tongues in cheeks. But there’s something about it’s lurid sense of danger, hot blooded anger and over the top, hide-behind-the-couch doses of extreme violence that draw you in and cast a dark spell.

-Nate Hill