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The King has risen: A Joyous Appraisal of AQUAMAN

Now the dude in the video above isn’t singing about the movie I caught today (and I’m not denying the fact that that is a damn tasty burger he has there) but his song along in the words of the film’s charismatic lead: “That was awesome,” is kinda how I feel right now.  Yes folks, despite any negative press you’ve heard, read, whatever – Aquaman is a feast – a thrilling adventure that really transported me. Not merely into the sumptuous and glorious undersea kingdoms created by the filmmakers involved – but back to the fun, exuberant times I ‘used’ to have at the movies – before the dark clouds engulfed us, trapping us in the forgotten seas where the dark creatures of the trench started forcing us to feed on one franchise after the next. Dark, moody, brooding, shit. That is not the joy I remember in that magnificent dark place we call the cinema – where worlds merge and the magnitude of the movie-maker’s vision takes me into it’s care, placing me, willingly, under it’s spell.

What a spell indeed, let me tell you. James Wan had me when I read his response to a question regarding the tone of Aquaman: “I’m a film fan, I’m a product of the 1980s and 1990s, and a lot of people have said that  Aquaman has a very 1980s quality to it. Especially the high-fantasy of the 1980s, like Flash Gordon and Krull.”

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Flash Gordon meets Krull! Vibrant, fantastical, magical world building on a big canvas. I don’t chiefly give to much of a fiddler’s fart about the MCU or the DCEU and their never ending cavalcade of chicanery, but, when I read Wan’s response to that question I was, hands down, not missing this picture. And it’s become a common phrase of late – “see it on the biggest screen possible” – but, meh, they’re right. Aquaman is a big picture, so that’s the best advice I can give.

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The cast are wonderful in their parts, and I get the feeling they understand the kind of ride they’re crafting. The exposition is fluid like the oceans that dominate the movie. You feel carried along on a current if excitement and wonder as the story advances. But, one the best parts truly, in terms of constructing this film which Wan did so masterfully, is that he simply shunned the Marvel formula of tying it together with all that has come before – a line of dialogue sorted that out. It’s a freeing maneuver that allows this exciting director to do what he does best, which is to flex is visual muscles and take us into a world that makes anything James Cameron has done thus far seem a little flaccid. The production design, the gliding camera, the effortless action. Oh my God – I love it.

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Momoa brings a grand juxtaposition of the boy unwilling to take up his trident, mixed with a guy just playin’ it cool. His nonchalant approach is great, and I caught myself smiling at his delivery more than once. He is supported by strong players all. Patrick Wilson’s power-mad dictator, Dolph Lundgren on his seahorse (sorry, sea dragon). Willem Dafoe, always dependable, Nicole Kidman, getting better with age (love that fish suit), Amber Heard, feisty-sexy, badass Black Manta and hell, his dad is Jake ‘the Muss’ for Christ’s sake – and he can drink Fishman under the table.

It’s a whale of a tale I tell you lads, a whale of a tale that’s true. ‘Bout the flappin’ fish and a mother’s love – stoppin’ a deep sea war with the shores above. I’d swear by my tattoo if I had one but put simply – scintillating, sensational, spectacular. Home might be calling, but they’ll need to leave a message ’cause I’ll be out . . . watching Aquaman . . . again. GO SEE IT NOW!

As always, dig your movies . . .

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That Dude in the Audience.

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