What if there was an alien organism out there whose evolutionary process unfolded at about a thousand times faster rate then ours? What if it crash landed on earth and began said process amidst our carefully balanced infrastructure and caused a modicum of pandemonium? Couple that juicy premise with the gooey Ghostbusters sensibility of Ivan Reitman and the X Files vibe that David Duchovny carries and you’ve got Evolution, one hell of a fun film. This raucous SciFi comedy didn’t make much of a critical splash and sort off faded into obscurity but it’s tough for me to see why as I had a fucking blast with it, starting with the oddly balanced comedic quartet of Duchovny and Orlando Jones (in a role that sounds like it was written for Will Smith, how cool would that have been) as college scientists, Julianne Moore as a CDC guru and Seann William ‘Stifler’ Scott as a hapless wannabe fireman. This alien species grows at a scary rate and contains the kind of arbitrarily morphing biodiversity you might find in a Super Mario game. While they kind of seem benign and don’t really have an aggressive or conquering mentality beyond their base evolutionary nature, it still seems like they need to be eradicated on the simple ‘us vs. them’ clause. An asshole military general (Ted Levine) and the blustery, stressed out governor (Dan Akroyd dressed to the nines and stealing the show) have their own ideas but they’re in over their overqualified heads and it’s up to our four heroes to figure something out. This is an escapist comedy that doesn’t take its premise too seriously but rather wants to showcase some lovingly crafted 80’s era practical effects and a few scrappy early 2000’s CGI ones too. It’s got a playful Men In Black mentality that I felt right at home in, and knows how to have a great time. My favourite scene is when four scared housewives open the pantry to find a slug/dog/platypus/seal looking thing and one of them responds dead seriously with: “When did you get a dog??” It’s that kind of lunacy that spurs this into a truly inspired piece. That and all the ooey gooey aliens running around being chased by a shotgun wielding Agent Mulder & Co. Good times.
Ahh, Peter Berg’s The Rundown. What a sun soaked galavant of action fun, a purely cinematic exercise in excitement and joyous fun, a rollicking genre exercise that’s free from the rides of intellectual expectation. No, it’s nothing but playtime here, and one of the rare cases where a PG-13 rating actually doesn’t hurt an action film. It’s so lighthearted and affable that the extra bloody punch of an R rating probably would have been a jarring, unnecessary distraction and offset it’s tone. For the record, you will almost never hear me advocate that in this genre, but I suppose every issues has its extreme exceptions. Dwayne ‘The Rock’ Johnson plays Beck, a rough and tumble dude who coyly disguises the title of bounty hunter by calling himself a ‘retrieval expert’. He’s essentially a big teddy bear with the ability to rip out your stuffing and kick the ever loving shit out of anyone whose demise will earn him a pay cheque. He doesn’t like using guns, and every cent he makes goes towards a dream of opening up his own restaurant. Pretty much the most adorable action hero you can imagine. He is sent by an Miami crime lord (William Lucking hamming it up royally) to retrieve his wayward son (Sean William Scott) who has run off to an unspecified tropical country. Beck jumps a plane and runs off to said country to give us one of the most pleasently riotous action/comedy/adventure of the 00’s. His pursuit of Scott leads him to endless picturesque jungles, horny baboons, invincible native Kung fi warriors and more. Scott turns out to be an elusive wise – ass who is nothing but calamity for both Beck and himself. The scenes where they try the dodgy local fruit are rewind worthy. He really shines here, bringing the same burn-down-the-house attitude he did as Stiffler. There’s also a priceless artifact that everyone is trying to retrieve, including a tough local bartender (Rosario Dawson). There’s also a villain, as there must be in any action film, a bugnuts local tyrant named Hatcher played by the one and only Christopher Walken. Hatcher is a wonderful Walken creation whose attempted menace is constantly undone by his penchent for silliness, a winning combination that super-charges every scene he gets. That lanky Scotsman Ewan Bremer is wicked funny as a deranged bush pilot who assists Beck in unintelligible endearance. Hearing him vivaciously recite Dylan Thomas’s ‘Dying Of The Light’ right before a big old gunfight kicks off is absolute gold. Dwayne makes nice work of the action hero archetype, bringing an almost adolescent buoyancy to his vibe that he may even have not seen coming when he got into the craft. There’s a surprise cameo from a genre titan early on in the film that is essentially a passing of the torch symbol, so eyes should be kept peeled. Director Berg knows how to wow an audience in many a genre, this being my favourite excursion of his thus far. It’s loud, scenic, unapologetic and has fun six ways to fucking Sunday.