Officer Downe is one of those hyper violent, weirdly sleazy, in your face trashy midnight madness flicks that although I couldn’t in good faith recommend to most people, it definitely leaves an impression on the nervous system, if not altogether frying it to a crisp. Based on a graphic novel, it tells of hotshot inner city cop Officer Downe (Kim Coates), a legendary crime fighter in a borough so ridden with filth and scum it’s amazing the infrastructure hasn’t just completely collapsed. Downe has one key skill in getting his job done: he can’t be killed. Well, he technically can, but each time he’s shot to shreds, eviscerated by explosives or mauled by careening vehicles he’s resurrected in the secret labs below the police precinct using bizarre necromancy and mad science only to fight, die and live all over again. This talent makes him the target of a whole galaxy of increasingly weirder criminal factions including animal mask wearing kingpins called the Fortune 500, a Kung fu supervillain called Zen Master Flash (Sona Eyambe) and a cabal of murderous, voodoo wielding, arms dealing nuns led by the always awesome Alison Lohman, who had prior been laying low for a while and chooses quite the random project in which to make her comeback. Downe is watched over by a team of beat cops hired to babysit and clean up after him, and so the broad, crazy, cacophonous story goes. Coates is a hell of an actor, he’s always been one of my favourites and he tears into this role with a campy ferocity and deadpan humour that’s a lot of fun, plus it’s nice to see a guy like him who has compiled an impressive career in supporting turns get a juicy comic book lead role. At some points it feels like the story is a bit too much about the human cops tailing him, none of whom are interesting characters, when it probably should have been more about him. The film feels like this furiously deranged mix of Sin City, Robocop, Maniac Cop and Hobo With A Shotgun all stuffed in a blender and served up on a shoestring budget, take it or leave it. Many will hate it, it’s wantonly trashy, so silly it’ll melt brains and so hyperkinetic in visual and editing techniques it’ll explode eyeballs, but there’s a feverish manic energy I appreciated, and Coates does give it his all and is clearly having a fuck load of fun in this role.