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Sinners And Saints: A Review by Nate Hill

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Sinners And Saints is a very adeptly made New Orleans set cop thriller that pays homage to tough archetypes of yore such as Lethal Weapon, Dirty Harry and Bad Boys. It’s far more serious and sinewy than those movies though, sucking the humour off its own bones and leaving a grim tale of one man ditching the force and going rogue in an attempt to hunt down some extremely bad people. Johnny Strong, a formidable, mscular guy, plays Detective Sean Riley, trying to sort through the post-Katrina chaos of the city whilst internally dealing with the loss of his wife and infant son. Strong is known for The Fast And The Furious as well as Black Hawk Down, quickly making it his calling card to play tough outsiders who get shit done with a fiery knack for not always playing by the rules. As it turns out, New Orleans is rife with psychopathic criminals up to no good, starting with evil mercenary Raymond Crowe (a badass, hateable Costas Mandylor), leading a crew of paramilitary scumbags into some very nefarious deeds. Riley discovers that his old army buddy Colin (the blonde half of the Boondock Saints, Sean Patrick Flanery, getting some nice, quiet moments of introspect before the firefights) is involved somehow, spurring him further into action. His commanding officer Trahan (Tom Berenger, stoically reminiscing about the youthful days in which he headlined flicks like these), worries that the path he’s headed down is too dark and similar to the men he is hunting. He’s paired with an unseasoned rookie (Kevin Philips), and an inevitable bond is forged in between and during bouts of gunfire. The action is wickedly staged, rising above the ineptitude that usually brands direct to video efforts like this. No, these filmmakers know exactly what they are doing and how to raise a pulse, demonstrating care and passion in creating their battle scenes. The cast is stacked high as can be as well. A boisterous Kim Coates has a fleeting scene to kick off the film. Resident baddie Jurgen Prochnow shows up a few times as malicious arch villain Mr. Rhykin, pulling strings which we are never fully privy to (I’ve heard rumblings about a sequel, hopefully with answers regarding his character). The other Mandylor brother Louis plays a bleach blond Australian mercenary and is beyond priceless. UFC legend Bas Rutten plays Dekker, a frightengingly nasty dude who proves a tough obstacle for Riley. Rapper Method Man even rears his head as a bad tempered, disfigured street thug who has his part to play in the whole cluster fuck. I watch countless direct to video action flicks that try their absolute adorable best to emulate the films they admire, often very lazily and without adding any new flavors. Can’t say that about this one. It fires up such a wicked, visceral punch while maintaining it’s own solid gold originality that it can scarcely even be called a B movie save for the fact that it wasn’t released theatrically. It’s pure, first class action, and demands a watch from anyone who says they’re a completist of the genre, before that claim can be validated.