PTS PRESENTS ACTORS SPOTLIGHT with BILL ALLEN

BILL ALLEN POWERCAST

Please visit Bill’s website, to learn more about Bill and purchase his memoir, MY RAD CAREER and other RAD merchandise!

(c)Tony Donaldson/tdphoto.com
(c)Tony Donaldson/tdphoto.com

You wouldn’t have blamed a young Bill Allen if he had believed that the road to a thirty year career as an actor would be quick and easy.  After all, his first few projects seemed to point towards early success.  He earned his SAG card playing the lead in a movie where his supporting co-stars were Oscar winners, Hollywood legends, and two young unknowns named Miguel Ferrer and George Clooney; he had key roles in films by directors like Robert Altman and Oliver Stone; and he hung out with soon-to-be-famous actors like Lou Diamond Phillips, Brad Pitt, and Brandon Lee.

But Allen would ultimately find his career defined by a film that was barely seen when released and relegated by Hollywood to the VHS dustbin….where it became a classic and made Bill Allen a cult hero.  Because Bill Allen, you see, is the guy who played Cru Jones.  THE Cru Jones.

In case you weren’t a teenager obsessed with the growing sport of BMX (bicycle motocross) in the 1980s and early 1990s, it should be explained that Cru Jones was the hero of the film RAD, directed by the legendary Hal Needham (Smokey and the Bandit), a veteran widely regarded as the industry’s greatest creator of on-screen stunts.  Though rather formulaic (and a bit laughable today for its distinctively 1980s styles), RAD featured elaborate and at the time revolutionary BMX stunts and riding performed by many of the pioneers of the movement at their prime.  In the era before the X-Games and viral videos brought BMX to home screens, RAD showed young people all across the country how to execute (and not execute) moves that inspired a generation of extreme sport enthusiasts.  Never mind that the film didn’t get a very wide release and poor reviews at the box-office:  within a few years, RAD was one of the most-rented VHS films of all time.  Teenagers who couldn’t afford to buy the film outright (this was in the days when VHS tapes sometimes retailed for $60 or more) rented it, watched it, and replayed it endlessly to study the stunts, as well as to revel in the underdog story of a bad kid made good by the sport of BMX.

“There are people who have named children Cru Jones,” says Allen with a laugh today, “boys and girls – I hear about one every week.  There’s a porn star, and a boutique in Argentina named Cru Jones.”  Now grown up, the kids who first rented RAD thirty years ago – like superfan Comedy Central host Daniel Tosh, who swore on the air that “Cru” has a place on his show as long as Tosh.O is on the air – have given Allen new moments in the spotlight, and allowed him to reflect on just what a strange journey a life in show business has afforded him.

Allen doesn’t deny that some good fortune allowed him to escape a somewhat grim world of limited possibilities in suburban Dallas, where he grew up.  Never particularly ambitious – and prevented from playing sports or doing anything dangerous because of his smaller size – Allen had a family friend with a lofty idea about making a film about a jockey.  Suddenly Allen’s size and interest in acting found him as the film’s unlikely lead on set in Kentucky.  The director convinced legendary stage and screen performer Jose Ferrer, along with many other veteran notables, to take parts in the film, which lead to Ferrer bringing along his own two sons and nephew Clooney to make their own screen debuts.  The film was never completed, but it also introduced Allen to veteran film actor Adam Rourke (The Stunt Man with Peter O’Toole are among his many credits).  Looking for a way to make a sober living after a rough life in Hollywood, Rourke returned to Dallas along with Allen and began a film acting class that ran successfully for several years.  It is there that Allen landed a role in Robert Altman’s acclaimed Streamers, and met lifelong friend Lou Diamond Phillips as a fellow member of Rourke’s class.

Upon arriving in Los Angeles, Allen was, in his own words, “young, with an agent, a SAG card, and a look I could exploit,” and quickly found work on television in shows such as Hotel, Amazing Stories, and Family Ties, and in a key role with opposite Tom Cruise in Born on the Fourth of July.    When Needham was casting RAD, a film to be co-produced by Talia Shire and co-starring recent Olympic gold medalist Bart Conner, he happened to catch an episode of Hill Street Blues that Allen guest starred in, and within a few days Allen was hired as the lead and off to Canada.  Allen recently collected many of his stories, including many behind-the-scenes stories about the making and promotion of RAD, in his memoir, My RAD Life, where he explains the heady rush of making another major film, his disappointment in the film’s initial reception, and his eventual transition from hot new actor in town to a regular working professional.

A love for the stage led him to form a theatre company with friends Brandon Lee and writer/director John Lee Hancock (The Blind Side, Saving Mr. Banks), allowing him to not only refine his craft, but join a blues band for one aborted stage production.  A longtime harmonica player and blues aficionado since childhood (Dallas was an is a hotbed of blues music, and Allen grew up idolizing locals like Stevie Ray Vaughn and T-Bone Walker), Allen’s band, the Pipefitters, toured nationally and performed several times on television, with old friend Lou Diamond Philips fronting the band.  That love for music continues:  recently Allen worked with his brother Sherman to produce and perform on a tribute CD (The King of Clubs) for longtime Texas bluesman Bugs Henderson.

RAD was in the rearview mirror for Allen, but came roaring back into view with the advent of social media.  “I was blissfully unaware of what was going on with the movie,” remembers Allen, “because of my career in music, but something definitely was going on.”  Because RAD has never been available on DVD (and VHS copies are increasingly rare), fans often arranged special screenings and invited Allen to attend.  At one such screening, director Needham (who passed away in 2013), noted to Allen that of all the films he had ever made, RAD had the most remarkable and profound impact over time.  That’s reflected in the film’s current rating on “Rotten Tomatoes.”  Though saddled with a “0%” rating from the few critics who reviewed the film, it has an amazing “91%” from fans and “amateur” critics – the most profound discrepancy in the website’s database of over 10,000 films.

For the last several years, Allen has been content working on his music and making a life with his wife, Carol, as well as doing regular acting work (he was seen in an episode of Breaking Bad and has appeared twice on Tosh.O).  But recently, he’s found great peace and good fortune in embracing the role that was almost forgotten in a film that refuses to be. “I own the batsuit, and they can’t take it away from me,” he jokes.  He plays a key role in a new BMX-themed film Heroes of Dirt, directed by one of the RAD generation, Eric Bugbee.  Released in US theatres in the fall, it will make it to DVD and VOD on December 8.

Allen, Bugbee and the Heroes of Dirt production team are also deep into developing a new film inspired by RAD.  That’s going to mean getting back on the bike – he’s busy studying both motorcycle and BMX with longtime pro Martin Aparijo (one of the stunt bikers featured in the original RAD), determined to do more of his own stunts this time around.  He’s also developing a traveling BMX / 80s Rock live performance tour, combining nostalgia and extreme biking for a whole new generation of fans.  Not bad for the kid who wasn’t allowed to ride a bike – but now counts airplane piloting and power-parachuting among his hobbies.  On or off his bike, there’s no question that Allen is always going to find someone who wants to meet the real Cru Jones – and he’s happy to give the people what they want.

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