Assault On Precinct 13 is less of a remake of John Carpenter’s balls out, guerilla action treatise and more of a branch off into timeless, near western archetypes, as well as the good old siege thriller format. It’s also one of the meanest, grittiest cop films of the last few decades, deserving a higher rung on the ladder of adoration than it has so far ascended to. Dark, merciless and full of yuletide gallows humour, it’s a searing blast of gunfire and snowbound pulp starring a roster of fired up talent, starting with an intense Ethan Hawke and an unpredictable, predatory Laurence Fishburne. Fishburne is Marion Bishop, a legendary criminal kingpin wrapped tight in police custody and shipped off to a remote precinct on New Years eve with a busload of fellow prisoner transports. The station is run by a few relaxed cops, all preparing to punch that clock and get the New Year’s festivities underway. Unfortunately, a gang of corrupt detectives have other ideas, descending upon the ill guarded outpost with the fury and firepower of animals set loose, determined to murder everyone inside and level the place to the ground in order to cover up their actions. Hawke is the veteran cop with a dodgy undercover past, blessed with the grit and gristle necessary to rally the troupes and self preserve til the morning light. Drea De Matteo, who’s awesome and welcome in anything, is a tough female sergeant, Maria Bello the sharp police psychiatrist caught in the middle, Brian Dennehy the salty old dog, and a laundrey list of rabid felons who pitch in to save their own asses, including Ja Rule, Aisha Hinds, Currie Graham and a wired up John Leguizamo. Together they all make a veritable wild bunch to hold down the fort, but the forces they’re up against are tactical and terrifying. The opposition is headed up by a dangerously quiet Gabriel Byrne as deeply a corrupt Police Captain, doing a coiled viper rendition of a Christopher Walken villain, his work one of the strongest aspects of the film. Watch for Matt Craven and Kim Coates in brief cameos as well. The action is a ballistic blitzkrieg of firefights, standoffs and ditch efforts, scarcely giving the audience time to breathe, let alone tally up the casualties, of which there are many. This ain’t no cakewalk, in terms of action films. It’s down, dirty and has no time for quips, smart mouths or villains that monologue. Everyone involved in a caged animal prepared to go to extremes at the drop of a hat in order to achieve their goals, with kneejerk reactions and off the cuff violence that feels real, and cuts deep. If you are serious about your action films, and enjoy ruthless, non patronizing narratives that get as cold as the snow drifts surrounding the precinct and as casually indifferent as the bullets that ventilate it, this is your ticket.