Paul WS Anderson’s Resident Evil: Apocalypse

As the doors of the Hive blast open and gory mayhem eats up the streets of Raccoon City, so too does Paul W.S. Anderson plough past the restraint and pacing of his first chamber piece horror show for something that resembles all out chaos and splatters across the screen on a much larger scale. Is that a good thing? Well… the short answer is.. sort of. The first RE is the only one that is actually a great film, and everything after is commotion, a bunch of competing ideas stuck in a blender, left on tumble dry and scattered throughout a laser tag arena while music videos blare in the background on double volume. That’s not to say they aren’t any good though, there’s definitely fun to be had, but the sleek viscera and unmistakable style of the first film are out the window. Milla Jovovich’s Alice has become a walking government weapon, decked out with genetically altered killer instincts and superpowers, on a bullet ridden quest to eradicate that pesky T Virus and all the abominations it has brought with it. The super memorable team of mercs from the first are all but decimated (the film severely misses Michelle Rodriguez’s presence), the city’s population dwindling with the Zombie threat and the nefarious Umbrella Corporation preparing to seal it off for good, because apparently their power supersedes that of the actual government. Alice is joined again by Matt (Eric Mabius) or at least a version of him, and aided by a few ass kicking newcomers like super cop Jill Valentine (Sienna Guillory), hotshot mercenary Carlos (Oded Fehr, honestly one of the coolest characters in the whole franchise), wise ass street hustler LJ (Mike Epps), a TV reporter (Sandrine Holt) and more. There’s a lot of slow motion jumping, kicking, fucking shit up and busting through more plate glass windows than the grips could haul in by the hour, Anderson shows he can operate in a vast, spacious playground like Raccoon City (actually Toronto) as adeptly as a close quarters science lab full of slicing lasers and undead dobermans. German character actor Thomas Kretschmann does an icy, evil turn here as Umbrella bigwig Major Cain, a quietly deranged, power mad asshole who unleashed the freaky Nemesis monster, an ugly golem with built in weaponry and enough horsepower to bash through brick walls. It’s all a lot of wanton sound and fury, but Anderson makes it fun, fast and gory as all hell. As far as the sequels go, I consider this puppy to be the best, or at least the most entertaining. Watch out for Jared Harris as an Umbrella guru who literally and figuratively fathered the infamous ‘Alice’ computer program that begat this whole freak show, and Ian Glenn briefly as a new villain in a setup for Extinction, which is kind of like the hangover after Apocalypse’s raging block party. Good shit.

-Nate Hill

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