Tag Archives: Iain Glen

Resident Evil: The Final Chapter

Raise your hand if you think that Resident Evil: The Final Chapter is going to indeed be the last film in the franchise. I have this sneaky feeling they’ll pull a Friday The 13th and just cheerfully keep on trucking after this one as if they never said the buck would stop here. Or not, maybe they’ve gotten their sillies out for real, I mean this is the sixth film. Either way works for me, I kind of love these things. Say what you want about them (I’ve literally heard it all), they do wonders when you get a craving for action/horror with wall to wall carnage and not a minute spent on plot beyond the obligatory five minute hyper stylized recap at the beginning of each one, narrated by Milla Jovovich’s endlessly endearing, sultry voiced super warrior Alice. The first three films are the closest this series has been to what you might call ‘down to earth.’ There was the claustrophobic zombie siege thriller, the urban outbreak sci-fi horror and then the post apocalyptic Mad Max esque third entry. After that… they truly went balls out and kind of just had a free for all of decimated cities, giant monsters and more excessive bloody special effects than the franchise had seen before, until they arrived here. The good news is that this has more of a story than the last two did by far, and although doesn’t concretely wrap up this insane runaway train of a franchise, it does serve to cap off what we’ve seen so far and even includes a few narrative surprises that sort of don’t have to play by the rules of logic considering they threw them out the window like four films ago, but it’s nice to see the wheels turning anyways. After being betrayed by evil Albert Wesker (Shawn Roberts) in DC, Alice pursues deranged megalomaniac Dr. Isaacs (Iain Glen, even more fun here than in Game Of Thrones) back to the Hive in Raccoon City where it all started in hopes of taking down the impossibly powerful Umbrella Corporation and finding a cure for the T Virus. Cue a deafening roar of tank chases, grisly zombie hordes, medieval style sieges in a derelict city, furious hand to hand combat, flying bat dragon things, other giant monsters and Jovovich in hysterical old age makeup at one point, which is part of the film’s big surprise. Milla is a trooper with these films and seems to never run out of steam, as countless other actors come and go, she’s the constant and the series wouldn’t be the same without her. I enjoyed the stuff about Umbrella’s backstory and events dating back before the first film, but they really just serve to bring on more frenzied R rated action set to Tool-esque hard rock music, which is fine by me. These films are either your thing or they’re not, but they’re definitely their own thing, that’s for sure. Nothing like the games anymore, or even the borderline restraint of the first film, they have carved out their of very bizarre niche in the realm of action/horror. Fun times.

-Nate Hill

Jaume Balagueró’s Darkness

I’ve always loved Jaume Balegueró’s Darkness, an eerie Spanish horror film that went through some unholy distribution problems before finally being dumped out by Dimension films as a heavily edited PG-13 version circa 2004. There is, however, an unrated cut floating around out there on DVD as well, and that’s the one to buy as it is longer, darker and way more grim. Marketed as an Amityville style chiller, it’s a little more ambiguous and esoteric than simply a haunted house yarn, concerning an American family who journeys back to Spain to the childhood home of disturbed husband and father Iain ‘Ser Jorah’ Glen. Staying at his ancient childhood home in the countryside, old ghosts from the past are dug up, unfriendly locals hover about the edges of town, Glenn’s psychological symptoms get worse in that environment and his seemingly friendly father (the great Giancarlo Giannini spooks it up royally) clearly knows more than his affable manner is letting on. Anna Paquin is great as Glenn’s daughter, clearly used a lot for marketing following her X Men fame, and Lena Olin does fine work as her mom. This one doesn’t spell everything out but rather takes its time setting mood and atmosphere, and not until the third act do we have any real idea what is going on. The scares are subtle and crawl (sometimes literally) out of the woodwork when you least expect it, and the folk-horror element gets pushed nicely into the forefront later with themes of sacrifice, possession and the raw, evil potent that can seep out of a full solar eclipse. You won’t find a lot of praise or great reviews for this, hell there aren’t many reviews floating around as it is, those cunty Weinsteins messed around with yet another awesome film and somewhat buried it, but if you can find that unrated DVD, it’s a really satisfying mood piece dripping with constant unease, mounting rural dread and heaps of the titular Darkness, both visually and thematically.

-Nate Hill

Paul WS Anderson’s Resident Evil: Apocalypse

As the doors of the Hive blast open and gory mayhem eats up the streets of Raccoon City, so too does Paul W.S. Anderson plough past the restraint and pacing of his first chamber piece horror show for something that resembles all out chaos and splatters across the screen on a much larger scale. Is that a good thing? Well… the short answer is.. sort of. The first RE is the only one that is actually a great film, and everything after is commotion, a bunch of competing ideas stuck in a blender, left on tumble dry and scattered throughout a laser tag arena while music videos blare in the background on double volume. That’s not to say they aren’t any good though, there’s definitely fun to be had, but the sleek viscera and unmistakable style of the first film are out the window. Milla Jovovich’s Alice has become a walking government weapon, decked out with genetically altered killer instincts and superpowers, on a bullet ridden quest to eradicate that pesky T Virus and all the abominations it has brought with it. The super memorable team of mercs from the first are all but decimated (the film severely misses Michelle Rodriguez’s presence), the city’s population dwindling with the Zombie threat and the nefarious Umbrella Corporation preparing to seal it off for good, because apparently their power supersedes that of the actual government. Alice is joined again by Matt (Eric Mabius) or at least a version of him, and aided by a few ass kicking newcomers like super cop Jill Valentine (Sienna Guillory), hotshot mercenary Carlos (Oded Fehr, honestly one of the coolest characters in the whole franchise), wise ass street hustler LJ (Mike Epps), a TV reporter (Sandrine Holt) and more. There’s a lot of slow motion jumping, kicking, fucking shit up and busting through more plate glass windows than the grips could haul in by the hour, Anderson shows he can operate in a vast, spacious playground like Raccoon City (actually Toronto) as adeptly as a close quarters science lab full of slicing lasers and undead dobermans. German character actor Thomas Kretschmann does an icy, evil turn here as Umbrella bigwig Major Cain, a quietly deranged, power mad asshole who unleashed the freaky Nemesis monster, an ugly golem with built in weaponry and enough horsepower to bash through brick walls. It’s all a lot of wanton sound and fury, but Anderson makes it fun, fast and gory as all hell. As far as the sequels go, I consider this puppy to be the best, or at least the most entertaining. Watch out for Jared Harris as an Umbrella guru who literally and figuratively fathered the infamous ‘Alice’ computer program that begat this whole freak show, and Ian Glenn briefly as a new villain in a setup for Extinction, which is kind of like the hangover after Apocalypse’s raging block party. Good shit.

-Nate Hill