CBC’s Schitt’s Creek was kind of an unassuming watch for me in the sense that I don’t usually go for sitcoms and when I do it’s for breezy background noise, or simply reruns of stuff like That 70’s Show that I’m already intimately familiar with; the genre just isn’t really for me. This show, however, grew on me like no other and from the first quaint little episode to the emotionally uplifting grand finale it has now become one of my all time favourite pieces of television. Ostensibly the story of one disgustingly rich family who is embezzled out of their fortune by a disloyal employee and forced to relocate to a tiny backwater town they once purchased as a prank, this is so so SO much more than just a “riches to rags” comedy lark and such an important piece, and what’s more is it becomes important and essential without even trying to be, which isn’t easy to do. Eugene Levy is Johnny Rose, former video store tycoon relegated to rural life with his frequently hysterical prima Donna wife Moira (Catherine O’Hara) and two adult children David (Dan Levy) and Alexis (Annie Murphy). As they are jarringly propelled from their ultra-bougie existence into a bucolic world of motels, diners and quiet country life we are swept up in a pithy, hyper-satirical slice of life small town dramedy that gradually and cunningly becomes something so good, so well developed and so engrossing the effect is almost profound. Eugene Levy and Catherine O’Hara already have roots in SCTV satire from their days of yore and bring every inch of that pop culture sendup energy here, as Levy’s own kid Dan co-creates with pops and we get the sense that every creative engine involved here is just firing on all cylinders and perfectly in sync. The epic and incredibly dense yet somehow blessedly lighthearted six season run see these four characters go through unbelievable, surprising, touching, hilarious and always realistic arcs as they adjust to life in the sticks, make friends, find love, bicker absolutely non stop in the most lovable of ways and simply just… live their lives. Others orbit them including the town’s incredibly offbeat mayor (Chris Elliott is too funny for words here), his darling of a wife (Jennifer Robertson), the local motel owner (Emily Hampshire, who I fell in love with within minutes), David’s eventual boyfriend and colleague (Noah Reid) and many, many others all portrayed wonderfully. What makes this show so special and such a standout amidst the absolute galaxy of sitcoms out there is a delicious mixture of a few things: it’s relentlessly, consistently funny, like you don’t even get a chance to breathe in between the airtight, intimidatingly verbose jokes especially when O’Hara and her priceless pronunciation is concerned. The characters here are real, developed human beings who you grow with, learn to care for deeply, are frequently exasperated with and the sense of community, family and love permeates everything. The themes are relevant and the tone is compassionate, understanding and candid in terms of LGBT content and the whole thing just hums on every level, it’s about as close to perfect as you can get in the television storytelling world. It’s a bittersweet turn that the show only achieved real, worldwide acclaim near the end of its run because I feel like it could go on to say and do so much more, and influence so many more people with its fun, positivity, empathy, masterclass writing and once in a lifetime performances. Could not recommend this highly enough for how great it is.