Tag Archives: Brandon Lee

ALEX PROYAS: An Interview with Kent Hill

Dark-City-Alex-Proyas-1998-Behind-the-scenes-7

Dark City was (and is still) an incredible experience when it arrived in theatres – albeit in a form which didn’t accurately reflect the director’s vision.

Yet the power of the film is undeniable. Thinking about it and revisiting it makes me sad in many ways. In part because original films that tell stories that are fun, entertaining and with unique complexity are few and a galaxy far, far away in between. In the age of streamlined, market-researched, great score on Rotten Tomatoes-type movies, we see few, if any, interesting tales told from personal places as opposed to a facsimile of what’s trending well at the moment.

Director ALEX PROYAS on the set of KNOWING, a Summit Entertainment release.

Enter the cinema of Alex Proyas. Be it low budget or big-time-blockbuster, Alex injects his work with a very distinct style, a mastery of cinematic arts along with a passion for the story he is bringing to a theatre near you. But what I found most intriguing is that there is a price for everything in the market place. A toll which one must pay on many levels as a concept makes the arduous journey from script to screen.

Alex has fought many battles both while making the movies he wants to make, but also after the film is taken out of the camera and projected for your viewing pleasure. And, personally, I feel it is a nonsensical exercise to place hurdle after hurdle in front of the artists giving their all to satisfy themselves and we the movie-loving public. A foolish endeavor to hinder the music makers and the dreamers of the dreams – when all they seek to do is take you away from your dreary existence for an hour or two.

Filmmakers have usually already talked about, at great length, the makings of their pictures. So, as much as I love his work, I decided to talk to Alex about the state of movies in general. It is after all, always fascinating to hear the other side of the story. I’ve always been as intrigued by the mechanics of films and the men who make them, as I am with the end result.

It was truly an honor, as it ever is, to have a chat with an artist one admires – Alex Proyas was no exception. A great gentleman, an important filmmaker . . . my dear PTS listeners . . . I give you, Alex Proyas.

Advertisements

Rapid Fire: A Review by Nate Hill

image

Along with the classic The Crow, Brandon Lee made few other films before his heartbreaking accidental death. His natural charisma and likeability he brought to action hero roles, accenting the tough guy qualities with an angelic vulnerability, was tragically cut short by the incident. However, Rapid Fire is a gift to fans of both Lee and the action genre alike. It’s a little further away from the notoriety of The Crow, but packs a fuming punch of martial arts, gunplay and tough talking character actors strutting their stuff to a tune that any fan of the genre can hum along to. Lee plays Jake, a young college student with turmoil in his past, haunted by an incident involving a loved one in the Tienemen Square disaster. During a visit to Chicago, he inadvertently witnesses a brutal gangland murder perpetrated by drug kingpin Tony Serrano (Nick Mancuso). This immediately puts him in the hot seat and pretty much on his own after the federal agent assigned to him (Raymond J. Barry) betrays him. His only hope lies with grouchy, paternal Chicago Detective Mace Ryan (Powers Boothe) who is on his own rampaging crusade to bring down the drug trade. Jake merely wants to survive and get out of the mess he’s found himself in. Together they punch, kick, shoot and strategize their way out of getting offed by the mafia, and kick some serious scumbag ass along the way. Lee is ultimate protagonist material: his strong points arise out of the soft touch, never being brash or hogging the screen, always serving up a helping of humble that make the ass kicking resonate tenfold. Boothe is pricelessly grumpy as the haggard detective, showing brief but unmistakable glimpses of the bruised warrior’s heart beneath, rekindled by his bond with Jake. Mancuso is like a rabid pit bull let off the chain as Serrano, a truly untethered piece of geniune psychopathic anarchy. But that’s him, always the under sung wild card who lights up his scenes with wild eyed tenacity. Chinese acting legend Tzi Ma also clocks in as a heroin dealer with a short temper, looking very young which is even made into a meta joke itself. It’s pure uncut action, somehow feeling like more thanks to Lee’s incredible presence, as well as Boothe and Mancuso adding their own lively brand of spice to an already simmering stew. Essential viewing for any action disciple.