Edward Khmara grew up in California and had the desire to become an actor when he sold his first script and his career was set in motion.
It was not the first script he’d written, but he was the one that got him noticed. It was a little film called Ladyhawke. But, as all first-time screenwriters know, once you make that sale, you have very little input into the journey your film will take from there.
Still, now a screenwriter, Edward would go on to pen one of the truly great, often forgotten gems of the eighties, Hell in the Pacific in outer space: Enemy Mine. This time he would right in the middle of it all. From being on set, to being invited to watch dailies, to having to comfort his daughter after her terrifying encounter with a completely transformed Louis Gossett Jr. in his Drac make-up.
Like most folks who have worked in show business, Edward has known the lows as well as the highs. But those negative experiences didn’t discourage him as he charged ahead, tackling to legends. One in the form of a lavish television production with an all-star cast; Merlin would be the telling of Arthurian days solely from the perspective of the mythical wizard. Then of course there would be his work on the retelling of the life of another legend, one who achieved this status during his own lifetime, Bruce Lee.
But one of the truly heart-warming moments of our conversation was chatting with Edward about him finally getting his shot at the profession he sought after before he took to the typewriter – his part in Gore Verbinski’s Lone Ranger.
A true gentleman of the old school, full of great tales and tremendous experiences – it was a real pleasure to interview him and now to present to you my conversation with the legendary screenwriter (and sometimes actor) Edward Khmara.