Emily Blunt is at well earned mega star status these days and gets handpicked for all the prolific projects, but early on in her career she could be found in cheapies like Wind Chill, a spooky little snowbound ghost story that teeters right on the average line. She plays an awkward college girl who catches a ride with a fellow student (Ashton Holmes) home for the holidays, and their route happens to pass along a desolate, snowed in section of highway where something eerie is watching, following and messing with them relentlessly. The interaction between the two is odd, strained and tense, accented by two performances that are just somehow uncomfortably pitched, particularly Blunt’s. Things flow a bit more naturally when the car inevitably breaks down and she finds herself alone against the elements and whatever else is out there. It’s like a twilight zone episode a bit, the rules of time start to bend and she has strange encounters with an ominous highway patrolman (Martin Donovan) and a lone snowplow driver (Ned Bellamy), both of whom may or may not even be real. It works here and there and strives to focus on atmosphere, Blunt always has a presence and keeps us occupied as the supernatural occurrences reveal a freaky tale dating back decades. Nothing more than a distracting TV movie level horror flick, but watchable enough. Gotta give Blunt credit for climbing a tall ass telephone pole wearing heels though, even in cheaper films like this she gives it her all. The locations are also fantastic, kicking off at UBC here in Vancouver for the intro and moving to the gorgeous mountains of Manning Park for the snowy bits.
Harold Ramis’s The Ice Harvest is one of my favourite Christmas films and completely overlooked for the dry, sardonic black comedy gold that it is. It’s one of those dour, gloomy Christmas films where not only do things not go the protagonist’s way, but pretty much spiral out of control for everyone else too and the festive setting serves as an ironic lacing to the wry, nihilistic and comically violent story. John Cusack is laconic boozehound mob lawyer Charlie, who has just embezzled his gangster boss for a couple million, with the help of his scheming guttersnipe of a partner Vic (Billy Bob Thornton at his utmost sleaziest). That’s the jumping point for a deliciously warped, noirish descent into deranged family values, deadpan interactions, double crosses and drunken shenanigans, and really is there any other way to spend Christmas Eve? There’s a femme fatale in stripper Renata (Connie Nielsen, rawr), the specifics of whose loyalties remains gleefully ambiguous until later on, a titty bar bouncer (Ned Bellamy) with serious anger issues, a nasty thug (Mike Starr) dispatched to kill them and the vengeful big city kingpin who has been swindled, played by a blustery, cheerfully psychotic Randy Quaid. Speaking of scene stealing, Oliver Platt does an encore as Charlie’s best friend who is now married to his bitch of an ex wife, the impromptu Christmas dinner scene the entire family shares is some kind of fucking demented, mean spirited comedic genius (“Turkey Lurkey!”). It’s interesting because there is not one single redeemable character in the film, they’re all a bunch of conning, backstabbing, murdering, ill adjusted, jaded criminals and severe alcoholics, especially Cusack, who downs enough bourbon throughout the whole night that it’s a wonder he can stand up for the third act. But somehow… somehow there’s a strange likability to these poor souls, trapped in a perpetually snowy Wichita Kansas trying to outsmart, outgun and out-drink each other. Morality rears it’s head but once among the gunplay and verbal sparring, when Charlie imparts a parable to Platt regarding his two uncles, one of whom was a standup guy and died early and the other a scumbag that lived a long life. His point being that it doesn’t matter what we do in the service of morality because it could all end tomorrow, nothing even matters so why waste time trying to be good and get off the naughty list? I enjoy that cheeky justification, and what better time for it than Christmas? A classic for me.