Tag Archives: Sean Gunn

James Gunn’s Guardians Of The Galaxy Volume 2


James Gunn’s Guardians Of The Galaxy Volume 2, I’m happy to report, blows the first film right out of the water. There’s a subversive, wonderfully sarcastic sense of humour running through both films, as well as a boundlessly creative and colourful canvas of ideas both big and small, coalescing into something just this side of chaos. Picture a stick of dynamite; Volume one is the fuse, fizzling terrifically as it gets off to a great start. In many franchises, by the time the first film uses up the wick and reaches the stick, it’s sequel, the energy is lost and we end up with a dud of a follow-up. Not this baby. Volume two is the stick of dynamite, exploding gloriously across our screens in fits of dazzling imagination, humour that doesn’t quit for a nanosecond and the heart to back it up. Volume one dipped its toe in the water and showed us the roots of what a great space opera might look like, and volume two plunges in to give us just that. We rejoin with the merry band of misfits who now know each other a little better, are more comfortable working as a unit, and blast off into a tale of space battles, living planets and perpetual banter. Chris Pratt’s Star Lord, equipped with a brand new eight track collection of vintage pop songs, is still searching for his real dad when he kind of finds him by accident in the form of Ego, a powerful celestial being slyly played by Kurt Russell. Joining him are the gang we know and love, broccoli hued babe Gamora (Zoe Saldana), deadpan Drax (Dave Bautista outdoes himself in the comic relief department, a true highlight) Rocket (Bradley Cooper, excellent), scowling smurfette Nebula (Karen Gillian), adorable Baby Groot (Vin Diesel, collecting a mortgage-eclipsing paycheque for literally doing nothing) and antihero Yondu (Michael Rooker). Rooker gets far, far more to do here than he did the second time around, becoming a fleshed out character with a terrific arc and a whole pile of scenes, a strong asset to the film. The villain here is way more compelling than Lee Pace’s silly space vampire in Volume One, and I won’t spoil anything but there’s more than a few surprises. Kurt Russell’s living planet is pure delicious eye candy, a vista to rival anything in Star Wars, Mass Effect or similar worlds, detailed and lovingly rendered. As per usual there are cameos, but surprisingly it’s more than the obligatory laundry list of Where’s Waldo fellow Marvel appearances. There are truly inspired name drops here and a few genre titans who show up, none of whom I’ll give away except Sylvester Stallone. He’s given an unassuming supporting role that he plays solidly without tongue in cheek or any hint of a gimmick, just an enjoyable little addition to the cast. James Gunn is a cinematic punk, cracking prudence right in the jaw, throwing caution to the wind and tirelessly churning out the kind of fresh, funny and irreverent films we want to see, scrappy crowd pleasers that people will actually remember, which lord knows is what Marvel needs to shake up their sometimes complacent, too comfortable aesthetic. The soundtrack is obviously a winner, and any film that uses Fleetwood Mac’s The Chain as its main cue has pretty much already won me over. This will probably be the cornerstone of summer blockbuster season, it’s just too much fun and has everything you’d want, with the dial cranked just past what we got the first time around in the best way possible. I am Groot. 

-Nate Hill

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THE BELKO EXPERIMENT


​I imagine THE BELKO EXPERIMENT was the first screenplay James Gunn pulled out of his drawer and dusted off to make, spending his cache from GUARDIANS on, that Disney absolutely forbid him to direct.  The end result is a fun, hard genre picture that is exactly what you’d expect it to be.  It’s a return to pre Marvelized Gunn.

The film is brutally violent, more so on the realistic side than the over-the-top Tarantino induced cinematic folly.  The casting is what makes this film work to the degree that it does.  It’s a mixture of Gunn’s troops, typecast players, and a very fun cameo at the end that anyone who’s familiar with Gunn or De Palma’s work will instantly rejoice in seeing.
The entire ensemble plays hard to their typecast, with the exception of Michael Rooker who has been recently re-branded by Gunn as the likeable salt of the earth guy.  Tony Goldwyn is the no bullshit asshole who plays on his good looks and affability, and it is fantastic seeing him back on the big screen.  He’s great in this.  John C. McGuinley plays his smarmy self in a throwback to his turn in PLATOON.  Sean Gunn is the dope.  John Gallagher, Jr is the everyman who grows a pair and rises to the extraordinary situation, and Brent Sexton is the guy who’s there to help until he isn’t.

The picture is a perplexing ride.  While it’s a hard genre staple, you’ll find yourself thinking a little too much about it, casting shades of grey where there really isn’t any intent of.  HIGH-RISE was a comparison that I found myself trying to make, but the film isn’t nearly as sophisticated, and that’s okay because it’s not trying to be.
The film’s excessive violence will certainly be cause for backlash, but while watching I kept thinking about the need for violence in entertainment.  Whether it’s gladiators, boxing, MMA or fist fights in hockey; it’s an aspect of our culture that refuses to go anywhere because it is a primal urge that is so badly desired.  Somebody somewhere has had to have made an “ultra-violence” quip somewhere talking about this film.
Bottom line is that THE BELKO EXPERIMENT is a film that uses violence in its most primitive form, but in a respectfully cinematic way that genuinely gets lost amongst the shoddy horror films that continuously show up on streaming platforms.  This film is exactly what it sets out to be, and doesn’t try to be anything that it isn’t.  It could have easily tried to be some LORD OF THE FLIES rehash, but it wasn’t and that is refreshing.  The film opens with the ultra nostalgic Orion Pictures logo, and if that excites you, this movie was made for you.