Tag Archives: The Island

Michael Bay’s The Island

I remember the summer of 2005 so clearly: I had just gotten back from a month of summer camp, I had seasons tickets to PlayLand and the big movie event of the summer for me was Michael Bay’s The Island, which was released this week of that year and will always hold a special place in my heart as a formative, nostalgic and utterly ‘summer’ filmgoing experience of my childhood. Reworking a classic ‘clones on the run’ motif and injecting it with his trademark dose of spectacular visual effects and action filmmaking, Bay tells an exciting, thought provoking, rousing and propulsive science fiction saga of clones Lincoln Six Echo (Ewan McGregor) and Jordan Two Delta (Scarlett Johannsson) on the run from the only life they’ve ever known inside a giant utopian society where they are told their one purpose is to go to the fabled ‘Island,’ when in reality the truth is of course far more sinister and morally egregious. They are pursued by conflicted Black Ops mercenary Laurent (Djimon Hounsou, haunted, badass charisma on a terrific low burn) at the behest of pseudoscience guru Dr. Merrick (Sean Bean with quiet malevolence on full blast), an amoral bastard with a bad case of God Complex. Their journey takes them from this holographic underground hive out into the California desert and eventually to a stunning, stylized Los Angeles of the future where they learn the truth about themselves, the state of the world and make attempts to rescue the multitude of clones still stuck in the facility daw away. Bay has his troupe of actors and we see wonderful supporting work from a scrappy Steve Buscemi, Kim Coates, Ethan Phillips, Shawnee Smith, Chris Ellis, Max Baker, Glenn Morshower, Tom Everett and heartbreaking Michael Clarke Duncan as an ill fated clone. One of my favourite aspects is a thundering, soul stirring original score composed by Steve Jablonsky that crescendos in a finale suite reaching heights of emotional overflow and adrenal stimulation I didn’t think possible in the medium of film fused with music until then. I couldn’t care less what you think of Bay or his work, he’s one of the most influential and treasured filmmakers for me, for growing up watching films with my family and exploring what could be done in the realms of action/science fiction storytelling. The Island is an extraordinary piece, one of my most cherished ‘summer at the movies’ memories and one hell of a damn fine film.

-Nate Hill

Actor’s Spotlight: Nate’s Top Ten Michael Clarke Duncan Performances

Michael Clarke Duncan was one of Hollywood’s gentle giants for decades, an instantly recognizable presence with intense physicality and a deep baritone voice full of expression. One might think that he’d get cast in a lot of tough guy villain roles but his career path found him often lending talent to comedic characters and lighthearted fare. That’s not to say he couldn’t embody a hulking bruiser when the opportunity came along, but he managed a terrific variety in his work before passing away far too soon in 2012. Here are my top ten personal favourite of his performances:

10. Benjamin King in Saint’s Row

This is voiceover work in a series of video games but I had to include at least one VO performance because of the sheer power and unique energy he could project. A sprawling urban crime epic in the vein of Grand Theft Auto, King is a self made millionaire, organized crime arch-boss, philanthropist, mega businessman and all around badass who commands a vast army, exudes both class and street smarts and reigns supreme. It’s a devilishly enjoyable vocal performance full of witty barbs, dark humour and booming tough talk.

9. Murdoch in See Spot Run

This is a silly, silly film but I’ve got some childhood nostalgia for it. Murdoch is a federal agent who gets a bit too attached to his canine unit partner and just can’t handle it when the dog runs off to assist a young boy (the kid from Two & A Half Men) and his infantile father (David Arquette) in taking down a cartoonish mobster (Paul Sorvino). Duncan plays him as an unflappably alpha tough guy who’s banging a fellow agent (Kim Hawthorne) but is reduced to tears when he can’t find his dog. I think we could all relate.

8. Attar in Tim Burton’s Planet Of The Apes

Add prosthetic makeup and fur to his already hulking frame and you’ve got one memorable, scary and conflicted turn as head general to a maniacal ape warlord (a scene stealing Tim Roth). Attar is an old school, militaristic individual who resents his boss’s extremism but isn’t above launching a lethal hunt for the human trespassers on their world.

7. Bear in Michael Bay’s Armageddon

Bruce Willis’s ragtag team of oil drillers turned astronauts are an eclectic, entertaining bunch but perhaps most adorable and endearing is Duncan’s Bear. He’s rowdy, lovable, rides a chopper, lends his pipes to Ben Affleck’s impromptu serenade of ‘Leaving On A Jet Plane’ and his first thought when asked to basically save the world is to request a stay at the White House.

6. Starkweather Two-Delta/Jamal Starkweather in Michael Bay’s The Island

Here he displays heart wrenching emotional range as a clone who wakes up mid surgery as an evil corporation harvests his organs for a rich client. It’s kind of an extended cameo but the outrage, hurt and desperate effort for survival is something haunting to see, and his work drives the film’s themes of ethics and morality home affectingly.

5. Wilson Fisk/Kingpin in Mark Steven Johnson’s Daredevil

Netflix’s Daredevil and Vincent D’Onofrio’s frightening Kingpin have taken up both the mantle and the critical acclaim these days, but I still have a lot of love for this version and Michael’s imposing, classy yet brutal portrayal of the biggest baddie in Hell’s Kitchen. He rocks the crisp pinstripe suit, massive cigar and has both the keen intellect and bruising physicality of Fisk, illustrated nicely in a bone crunching final showdown with Ben Affleck’s Matt Murdock.

4. The General in Reto Salimbeni’s One Way

This curious, fascinating and overlooked indie drama sees him play a mysterious military general who serves as protector and metaphysical guardian angel to protagonist Angelina (Lauren Lee Smith). She’s a sexual abuse survivor with a tragic past whose trauma has likely manifested him, and at key moments in her life he appears to console and fight for her. He makes grave, compassionate work of such an esoteric character.

3. Manute in Robert Rodriguez’s Sin City

Another slightly esoteric character, Manute is a gigantic, nearly invincible mafia enforcer tasked with neutralizing the unruly hookers of Old Town in this arresting noir realm of murder and madness. Attired in a smart suit that’s half military and all business, sporting a giant golden eyeball (that’s another story) and annunciating in disarmingly well fashioned vernacular, he’s a striking, slightly surreal villain played with gentlemanly yet sinister relish by Duncan. He was recast for the sequel after his passing by Dennis Haysbert, who gave it his all but couldn’t quite capture the magic that Michael gifted this role with.

2. Cleon Salmon in Broken Lizard’s The Slammin Salmon

The funniest performance of his career in one of the best entries by Lizard, who are truly an underrated comedic creative team. The egotistical, boorish owner of a swanky Miami seafood hotspot, Cleon has lost a whole whack of money in a game of ‘Japanese Albino hunting’ (strictly catch and release) and is now making his restaurant staff earn it all back for him in one night under the pretence of a contest. Duncan plays this dude as a maniacal loudmouth who always has to be the centre of attention, get the last laugh and bellow out his running joke of a catchphrase “Whateva mothafucka!!!!” to anyone in earshot. A stroke of comic brilliance.

1. John Coffey in Frank Darabont’s The Green Mile

His work as a death row inmate with a mysterious telepathic ability earned him a well deserved best supporting actor. Coffey is accused of child rape and murder, yet there’s more to the story we find as the block’s head guard (Tom Hanks) learns more about his his extraordinary power to absorb others pain both literally and figuratively. It’s a heartbreaking performance, the one that got him acclaim in Hollywood and the beautiful piece of acting that I’ll always remember him for.

-Nate Hill

PTS Presents ARTISAN WORKBENCH with ED KRAMER

ED KRAMER POWERCAST

16935753-11da-4961-8f84-99b927f247b0Podcasting Them Softly is honored to be joined by visual effects master, ED KRAMER.  Ed spent twelve years working for INDUSTRIAL LIGHT AND MAGIC, and is now currently an instructor at THE ART INSTITUTE OF COLORADO.   Ed was the Senior Technical Director and Sequence Supervisor on TWISTER, THE LOST WORLD: JURASSIC PARK, THE MUMMY, THE MUMMY RETURNS, THE PERFECT STORM, GALAXY QUEST, THE ISLAND, HARRY POTTER: THE CHAMBER OF SECRETS, and was a part of the Academy Award winning team on PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST.  Ed was apart of the team that created the Columbia Pictures “Lady with a Torch” logo.  Ed worked with the groundbreaking visual effects team that changed cinema forever with the use of digital effects and filming digitally with the three STAR WARS prequels, EPISODE 1 THE PHANTOM MENACE, EPISODE II ATTACK OF THE CLONES and EPISODE III REVENGE OF THE SITH.

Check out Ed’s AMAZING highlight reel here!