Film Review

Uwe Boll’s Alone In The Dark

I know Uwe Boll’s reputation as a horror video game adaption filmmaker and I’ve seen a few of them so my personal expectations for Alone In The Dark were set pretty damn low, and yes it was a terrible godawful cheap mess but not… *quite* as bad as I was anticipating. Here’s the thing: I have years of watching B grade horror trash under my belt and when you’ve got that kind of buffer there’s not much, Boll’s output included, that can make you really, truly recoil, like I love trashy shit, it’s fun if it knows it’s place and fits it’s groove. This? This one is especially lowbrow and unapologetically so, as we see Christian Slater being a wannabe Blade/Van Helsing type monster hunter complete with an emo trench-coat, hilariously moody narration and a sexy/nerdy scientist sidekick played by Tara Reid who is about the farthest from nerdy scientist type you can get, which is great for a laugh here. Slater is embroiled in some murky supernatural hogwash involving human inter dimensional hybrid monster things that lurk around dark corners and disembowel people occasionally. He shoots some of them in between bouts of adorably sincere expository diarrhea dialogue and silly high tech gadgetry, and clashes with the gruff commander (Stephen Dorff) of a paranormal tactical squad and that’s about it. A weird subplot about an orphanage and the kids being used for experiments there back in the day went right over my head but I never played the game this is based on so that could be why, although I suspect it’s Boll’s haphazard direction and complete lack of focus in editing. I will hand it to the guy though for doing Vancouver proud, he not only films most of his stuff here in my city (and owns a restaurant in Gastown no less) but he actually sets it here too, so that Britannia Mines, Lions Gate Bridge and the Robson art gallery actually get to play themselves for once and not double for some hack USA location. This is cheap slipshod stuff, full of dodgy effects, indecipherably shadowy monster attacks and complete with an out of nowhere soft-core porn sex scene between Slater and Reid set to a giggle inducing emo lament by a group called ‘Nightwish’ who I’ve never heard of but outdo themselves in the Evanescence-lite department. This is one of the rare cases where there’s a sequel that’s way better than the original, they made a follow up with Lance Henriksen and Danny Trejo that actually attempts to do something worth watching, whereas this is just shameless, throw-in-the-towel dogshit.

-Nate Hill

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