Tag Archives: 8MM

Director’s Spotlight: Nate’s Top Ten Joel Schumacher Films

Joel Schumacher was so much more than “the guy who made colourful 90’s Batman flicks.” He himself has said he never meant to be pigeonholed as a superhero guy and if you look at his legendary, prolific career you will see an incredible variety of work including war films, romantic comedy/dramas, musicals, buddy cop flicks, courtroom dramas, suspense thrillers, splatter horror, biopics and more. He was one of the most versatile, dynamic personalities ever to grace the director’s chair and put out superb content in Hollywood. Here are my top ten favourites films of his!

10. The Client (1994)

This John Grisham hybrid of courtroom drama and suspense thriller sees Tommy Lee Jones as an intense DA using an underage murder witness as leverage in a huge mob trial, while the crime syndicate tries to snuff him. It’s slick, high powered stuff with terrific performances all round and plenty of wicked suspense.

9. Blood Creek aka Town Creek (2009)

Chances are you’ve never even heard of this one but it’s such a loopy hidden horror gem. Michael Fassbender plays an evil, whack job Nazi with occult fascination who zombifies himself using evil magic spells and awakens a century later when two small town brothers (Dominic Purcell and Henry Cavill) must do battle with him. There’s buckets of blood n’ gore, a nice grinding low budget aesthetic, bone armour, stunning black & white flashbacks, folk horror, Lovecraftian vibes and more. It’s tough to find but more than worth seeking out.

8. Phone Booth (2002)

One of the original claustrophobic chamber piece thrillers, a moral ad executive Colin Farrell finds himself trapped under sniper fire by an unhinged maniac (Kiefer Sutherland, mostly heard, briefly scene, supremely scary) and forced through a gauntlet of psychological terror as a hostage negotiator (Forest Whitaker) tried to deescalate the situation. It’s a slick, unnerving thriller that’s shot with momentum and spacial dynamics with a very strong central performance from Farrell.

7. Batman & Robin (1997)

Much maligned and infamously cheesy, this is actually a ton of fun and showcases Joel’s uncanny knack for baroque, neon, unbelievably eclectic production design. Sure it’s silly as all hell and the batsuit has nipples but the sheer level of artistry put into set, costumes and scenery is something otherworldly you behold. Give this another chance.

6. Veronica Guerin (2003)

This heartbreaking true story sees a superb Cate Blanchett portray Irish investigative journalist Guerin, who doggedly tried to expose and take down a dangerous interconnected drug empire during the 90’s. It’s dramatically rich, straightforward and has one of the most emotionally affecting endings I’ve seen to any film.

5. Falling Down (1993)

Michael Douglas has had enough and isn’t going to take it anymore as one lone businessman who takes on all the injustices and pet peeves he finds along his journey through one simmering hot Los Angeles day while a cop with a hunch (Robert Duvall) hunts him down. This is a brutal character study, scathing social satire, dry black comedy and unique oddball of a film that has since become a huge cult classic and is Douglas’s personal favourite in his career.

4. 8MM (1999)

A tough, ruthless film to sit through, Nic Cage plays a private investigator who journeys down a rabbit hole of sexual depravity and scum to ascertain the authenticity of a spooky alleged snuff film found in some old dead guy’s attic. This is a rough, fucked up film but it’s also a rich, jet black thriller with excellent supporting work from Joaquin Phoenix, Peter Stormare, Anthony Heald and James Gandolfini.

3. A Time To Kill (1996)

Powerful, star studded, thought provoking and humanitarian, this is another Grisham adaptation revolving around the trial of a black man (Samuel L. Jackson) in the south on trial for murdering his daughters rapists, defended by a white lawyer (Matthew McConaughey). It’s a difficult exploration of racial tensions that covers a broad spectrum of the community and ultimately feels like a battle for the region’s soul.

2. Batman Forever (1995)

This one is also highly undervalued, a colour shocked, garish homage to Batman of the 60’s with over the top villains, a surreal Gotham City straight from someone’s dreamscape and that epic, neon production design. This is a special film for me, it’s the first Batman movie I ever saw and one of those films I saw at such a young age that it’s images and impressions are imprinted onto my psyche in that otherworldly way you absorb art at a super young age, the age of absorption that cultivates the very best nostalgia years later.

1. The Phantom Of The Opera (2004)

This grand scale, rococo version of the broadway musical is a lush, passionate, sumptuous and beyond beautiful piece that I probably saw in theatres with my mom like eight times. It launched the careers of both Gerard Butler and Emmy Rossum who are electrifying as The Phantom and Christine. One of the best film musicals ever produced and an all timer for me.

-Nate Hill

Actor’s Spotlight: Nate’s Top Ten James Gandolfini Performances

James Gandolfini meant a lot to Hollywood, cinema and myself as both an actor and lover of film. Yes he was the Italian gangster archetype incarnate, and a lovable teddy bear in comedic turns too. But his talent and wish to explore his craft went deeper than that, and even in roles that seemed outwardly to be one thing you could sense opposites, contradiction and a deliberate desire to subvert the obvious choices in his work. A tough guy he played could display disarming notes of vulnerability that takes one off guard, or a loving family man might show glimpses of volcanic darkness. It’s that understanding of complexity and juxtaposition within character that made him such striking, relatable and deeply loved presence in film and television for decades. Here are my personal top ten favourite performances!

10. Eddie Poole in Joel Schumacher’s 8MM

This is one intense film to sit through, one that even for its time and even now pushes the boundaries of extreme. Private investigator Nicolas Cage is looking for the dark origins of a possible snuff film, and the trail leads to shady small time pornography Eddie, who is an unrepentant, obnoxious, amoral scumbag. James finds the animalistic notes in him and the eventual pathetic fear he devolves into when secrets are threatened.

9. Lou in Gregory Hoblit’s Fallen

Denzel Washington, John Goodman and Gandolfini play three homicide detectives hunting an elusive supernatural serial killer in this fantastic, underrated horror/noir. Lou is the mouthy one of the bunch, the cop in the precinct who is always chatting, shooting the shit and firing off jokes. James could fill a room with his presence in terms of gregarious humour but he’s also terrifying when the evil entity possesses him and intimidates Denzel in a chilling scene.

8. Tony Soprano in HBO’s The Sopranos

The big daddy of Italian monsters in film and television, Tony is a complex, scary, insecure, cunning and well rounded human being given the consistently brilliant talents of Gandolfini, who makes this guy someone you root for even when he’s being a piece of shit.

7. Colonel Winter in Rod Lurie’s The Last Castle

The ultimate battle unfolds between a decorated General (Robert Redford) and military prison warden Winter, who perceived insulting behaviour from him and makes it his mission to wage psychological warfare against him and any inmates standing with him. Gandolfini makes this guy simultaneously terrifying and pathetic, a failed officer who twists his resentment in not succeeding into a bitter, self destructive streak of self pity and anger.

6. Detective Joey Allegretto in Sydney Lumet’s Night Falls On Manhattan

I like it when films show police corruption as not necessarily an established routine or inherent trait but something that sneaks up on the characters through circumstance and makes them do things out of desperation that they never meant to do. Joey and his partner (Ian Holm) are two NYC cops forced to make some crazy split second decisions that lead to bad blood and dire consequences. James handles the arc fantastically in an early career turn displaying haunting moral complexity and much of the talent that would carry him on to fame later.

5. Al Love in Steven Zaillian’s A Civil Action

As a David vs. Goliath environmental lawsuit unfolds in a small rural community, many blue collar lives are caught up in the struggle. Gandolfini’s Al is a husband and father who much make the tough choice whether to risk his job by testifying against a company that is dumping toxic waste. There’s a quiet, understated moment at the dinner table where he looks around at his family with love as they eat, and he realizes he has no other choice but to protect other families like his own in the region. It’s a stirring, low key performance anchored by that important moment.

4. Mickey in Andrew Dominik’s Killing Them Softly

The ultimate antithesis of his classic Italian tough guy archetype, Mickey is a a sad sack ‘hitman’ brought in from out of town to kill a disloyal wise-guy (Ray Liotta). What he does instead is spend time drinking a bunch of booze, fucking multiple hookers and bitching about the way things used to be. It’s an interesting portrait of a guy long passed his prime who may or may not have one more killing in him, but certainly has a bad attitude, hedonistic habits and a bleak worldview to spare.

3. Bear in Barry Sonnenfield’s Get Shorty

The strong, silent stuntman type, Bear never goes anywhere without his adorable toddler daughter, which proves to be dangerous when he gets embroiled in a tricky hollywood crime standoff. I like James as Bear because he’s laidback, not incredibly smart but sharp enough to know where to invest his considerable talent and resourcefulness when shit gets real.

2. Virgil in Tony Scott’s True Romance

Another early career turn and probably the most ruthless character he’s ever taken on, Virgil is a Detroit mobster with a sadistic streak out to retrieve a suitcase full of coke for his kingpin boss (Christopher Walken). His explosive, ultra violent confrontation with Patricia Arquette’s Alabama has since become a legendary sequence of over the hill madness. He gives Virgil a gleeful menace and predatory relish in his actions that amp up a traditionally constructed villain character into something beastly and horrific.

1. Winston Baldry in Gore Verbinski’s The Mexican

Another mob hitman, but of a completely different sort than ever before. Winston is tasked with babysitting Julia Roberts all over the states and winds up becoming besties with her, in a completely charming yet ultimately believable arc. Winston may be a seasoned professional killer but he’s entirely in touch with his feelings, haa romantic yearnings of his own and isn’t without a good dose of compassion. It’s a brilliant, well rounded performance in an underrated film and the one performance that is the most beloved and memorable for me.

Runners up: Surviving Christmas, Zero Dark Thirty, The Drop, Where The Wild Things Are.

Thanks for reading and stay tuned for more!

-Nate Hill