Tag Archives: Big Trouble in Little China

My Favorite HENCHMAN by Kent Hill

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The story of Al Leong is not an uncommon Hollywood story in this respect: he is a face you’ve seen, but probably have no knowledge of his name, his explosive talent, his devotion to his craft and the incredible legacy he has built through the movies we all cherish. So, if you fall into that category, then you probably don’t know the man behind the face of our favorite Henchman – you probably don’t know Al Leong…?48379434_2204369366249037_295176330406789120_n Well ladies and boys…you’ve come to the movies at the most opportune time in cinema history, because, friendly neighborhood filmmaker and nice guy all-round, Vito Trabucco, has assembled for your inquisitive, movie-loving minds this beautifully human, lovingly detailed, star-studded valentine. That candy-chomping terrorist that decided taking on The Willis was a good idea; that screaming Wing Kong Hatchet Man in the service of the ancient evil of Lo Pan – and the man who very nearly conquered most of the known world of his day…and who loves Twinkies for the excellent sugar rush…! 71391611_2471535733065648_6679180045182828544_n

Man I could write for days of the films, television and memories that have and still are the fabric formed of my love of storytelling…..of which Al Leong is an indelible part. Join us as Vito and I wax political, poetical and even romantically about the cinema that is part of the wonderful life . . . of our favorite Henchman…

GET IT HERE: https://www.amazon.com/Henchman-Al-Leong-Story-Unrated/dp/B07TMRS26B/ref=sr_1_3?keywords=al+leong&qid=1572173068&sr=8-3al_leong_wing_kong_hatchet_mandefault

 

 

 

 

 

 

 

 

 

 

The Getting of Power: The Forbidden Power Interviews by Kent Hill

The films of Paul Kyriazi hold a special place in my cinema-viewing  adventures throughout the years. I, naturally, encountered them during the heady days of the era of VHS –  I still have my copies in that format of Paul’s work. Then, not unlike Terrence Malick, Paul disappeared, and I lamented his absence having come to admire his film-making style and diversity.

So, rejoice I did, when I learned that he had returned to the director’s chair. Eagerly I sat down to watch Forbidden Power – and I was not disappointed. With his new film, Paul returns with his unique voice, his visual dexterity and his great command of unfolding an exciting thriller that doesn’t release its grip on you till it’s time to fade to black.

Fascinated by his study in the field of personal empowerment, Paul takes us on a journey where the achieving of super-human abilities is contracted via sexual intercourse. The character at the center of the story is a mysterious and provocative woman – who seemingly hypnotizes her partners with a type of mystical persuasion. The character we follow, after his eerie yet passion-fueled encounter with the female antagonist, wakes to find her vanished, but also having left behind for him a gift of sorts.

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In this superhero-movie-saturated age we find ourselves, it was refreshing to witness a different spin on the getting of super-powers. Our hero, just like in any superhero origin story, has a delightful time discovering the extent of his new-found abilities. But, as it is with the coming of great power, there comes along with it, great responsibility.

Thus we go along on the adventure, and soon discover that plot is deeper than one might first imagine. I’ve no intention of spoiling it for you here, because I want you to see the movie. What it will say is – this is well crafted film-making that you can definitely become immersed in.

It was a true honor for this fan, not only to talk to Paul, but also to two of the film’s stars – the stunning and talented Nazanin Nuri and the man, the legend, Harry Mok (another exceptional, multi-talented performer whom I too, like Paul, encountered first in the heyday of home video).

I encourage you to seek out Forbidden Power, if you are a fan of Kyriazi cinema or not. I promise you, you will not be disappointed…

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{Courtesy of http://www.paulkyriazi.com/}

At age 8, I see The Making of 20,000 Leagues Under the Sea on Disneyland TV and decided to become a movie director. Age 16, I start filming 20 minute action stories using my father’s 8mm camera. Age 18, my father bought me a used Bolex camera. I film a 30 min color action movie titled Trapped and it wins the Berkeley Film Festival. I start taking karate to be like James Bond. My Sensei introduces me to samurai movies. Seeing that action with great film techniques of the Japanese directors, moves me into martial arts movies, even before the TV show Kung Fu. I transferred to San Francisco State University making more 20 minute karate stories and placing 3rd in the next Berkeley Film Festival. I graduate with a BA in film. I join the Air Force movie department and film space launches for NASA. I take leave to film my first feature Drawn Swords in 35mm black & white Techniscope. It’s about 3 samurai going to England to enter a fencing tournament. I use all my cash and credit cards, loans, and refinancing my car. I get out of the Air Force and return to San Francisco unable to sell my movie. I promise myself if I get another break I will make a color movie that is so commercial the distributors will have to buy it. I meet karate tournament fighter Ron Marchini who has me re-edit and sell his Philippine produced movie Murder in the Orient. Ron then hired me to write and direct Death Machines. To be commercial, we come up with a story of 3 karate killers (white, black, Asian) to cover all markets. Then we add a cop/gangster plot, big fight scenes in a karate dojo, bar, and police station, and we actually blew up a piper cub airplane. The completed movie is immediately picked up by Crown International Pictures with big advertising. It opened in 50 theaters in LA making it a #14 top grosser. However, I still can’t raise the money to produce my own movie, so I direct a sequence for Sesame Street. I pick up a copy of The Million Dollar Secret Hidden in Your Mind by Anthony Norvel. I take his classes for three months in LA, then return to the San Francisco. In 10 days I raise the money to produce and direct Weapons of Death. The panavision film plays all over the USA breaking a house record in a New York theater. I next produce and direct Ninja Busters. This was followed by the cops and gangsters story One Way Out. Next came writing and directing Omega Cop starring: Adam ‘Batman’ West, Troy Donahue, and Stuart Whitman. An actress from Weapons of Death hires me to produce a travelogue in Phuket, Thailand, Thailand Adventure proving you never know what contact will end up getting you movie work. I write two novels in hopes of getting them produced as movies. When many people ask me “How do you survive as a freelance?” I write How to Live the James Bond Lifestyle. In 2003, I produce In the West – a 90 minute travel production for Japan. Appearance by Pat Morita. In 2005, I produce my novel Rock Star Rising as an audio-book narrated by Rod Taylor, performed by Russ Tamblyn, George Chakiris, Robert Culp, James Darren, and Kevin McCarthy. It has full effects and music, making it an “audio movie” of sorts. In 2006, I direct the largest production in audio-book history, McKnight’s Memory. Narrated by Frank Sinatra Jr, it stars Robert Culp, Nancy Kwan, Don Stroud, Henry Silva, Alan Young, David Hedison, and Edd Kookie Byrnes. In 2007, I Direct Edd Byrnes’ My Casino Caper audio-book. It’s Edd’s memoir of being stalked for his 3 million dollar Las Vegas win. With Alan Young, Henry Silva, and David Hedison playing themselves, recreating the incident that happened in 1977. Michael Callen plays the part of criminal that stalked Edd. In 2008, I direct Barbara Leigh’s The King, McQueen, and the Love Machine audio-book. Her memoir of being a top model involved with Elvis, Steve McQueen and MGM president Jim Aubrey. Joe Esposito introduces it and plays himself in the dramatizations. In  2012, I update & expand the James Bond Lifestyle on Kindle, Nook, iTunes & Kobo. In 2013, I write & produce – 3 Wild Thrillers – Three fiction stories on Kindle that includes the audio-book. In 2014, I produce The Mexican Swimmer, a 3 hour audio-book performed by Julian Scott Urena. I also write Wicked Players, a story of gambling and survival in wild Las Vegas

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{Excerpt from http://www.nasaninnuri.com/}

I always imagined moving to New York City, before even really knowing what that meant. As a child, I spoke gibberish, pretending to be American, and constantly begged my family to travel to New York. Somehow, without having ever seen any of it in person, I was fascinated by the skyscrapers, Statue of Liberty, and the opportunity New York City had to offer. For as long as I can remember, I had this recurring dream, where I was swimming for so long, exhausted and not sure where I was going, until finally I’d look up and realize I’d swam all the way to New York City. I’d wake up screaming, “I made it! I made it!” I finally left everything in Switzerland behind and made my way to US as an Au Pair. In 2012, with just two suitcases, I moved to San Francisco and lived with a host family. After a year in the states, I began to feel comfortable communicating and expressing myself in English. I extended my job for another year and moved to Long Island, New York. After working for two years as an Au Pair, I was ready to pursue my dream. I moved to New York City and signed up for ESL classes to master my English. As fate would have it, I stumbled upon The William Esper Studio, an acting school that changed my life forever. I was honored to be accepted in Bill Esper’s acting class and enrolled in the two year full-time program. As cheesy as it sounds, acting found me! As I studied the art and spent time learning the craft in my classes, I increasingly realized that my entire journey led me to what I really love. Acting is my calling and all I want to do in my life. At the end of my first year of acting school, I spent the summer of 2016 in Switzerland. I wrote and starred in my first short film entitled “Where Am I”. The film was very well received at the Wellington Film Festival with an honorable mention as it won the “Best Narration” category. I graduated from The William Esper Studio in summer 2017 and was right away cast as the lead – playing Veronica Hawthorn – in Paul Kyriazi’s feature film “Forbidden Power”. After we were done shooting “Forbidden Power” in Seattle I traveled to Utah to film an experimental short film that I wrote, produced and starred in. That untitled short film is in the editing phase and expected to be released in 2018

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{Courtesy of https://www.martialartsentertainment.com/harry-mok/}

Harry Mok’s career in the entertainment industry is attributed to his well-known expertise in the martial arts field. His career began as an actor and stuntman, performing and or starring in such films as Rambo II, Uncommon Valor, TC 2000, Talons of the Eagle, Femme Fontaine, For Life or Death, College Kickboxers, The Vineyard, Tiger Claws II, Ninja Busters, and more. In 1987, Harry produced and wrote his first feature film, The Vineyard, which was released by New World Pictures. Shortly after, he began producing, creating, and designing action games for Atari/Time Warner Interactive. During this period, Harry invented a new filming technology, a 180 degree five camera blue/green screen system that would revolutionize digitization of 2D characters. He filed a patent for this technology. In August of 2005 Harry was honored with induction into the prestigious GSKA Black Belt Hall of Fame. In January 2007, he was inducted into the World Martial Arts Masters Hall of Fame. He is currently based in Northern California. He is one of the founders of 10+ Entertainment and is currently involved with producing a new reality show, New Hollywood Stars.

Kurt Russell Week: Top Ten Performances

Leading up to one of the year’s most anticipated films Marvel’s Guardian’s of the Galaxy Vol. 2, which by and large promises another great performance from Kurt Russell, let’s take a look back at the ten best performances from one of cinema’s last standing movie stars.
Author’s note: There are so many performances of his to choose from and after spending more time than I probably should have narrowed down the list, here’s what I came up with.

10. Breakdown

In Jonathan Mostow’s 1997 thriller, Russell finds himself in a familiar Hitchcockian trope, the everyman put in an extraordinary situation. He’s not a cowboy or a guy trained in special forces, he is simply a regular man who’s wife gets snatched by a truck driver and is completely on his own finding her.

9. Bone Tomahawk

The gruesome horror western hybrid was anchored by Russell in a seminal turn as a lawman of the old west. Sporting a tamer version of his glorious facial hair that was the hallmark to his character in The Hateful Eight, here Russell plays the very stoic and calculated Sheriff Franklin Hunt who embarks with a small posse on a suicide mission into the heart of darkness. Sure, we’ve seen a character like this on screen before but what makes this performance so unique is that the familiar genre character is pushed beyond his limits with facing the primal humanoid tribe that has kidnapped a townsman’s wife.

8. The Deadly Tower

In Russell’s first major post-Disney role he took on the true story of Charles Whitman, who after killing his wife and mother buys a bounty of rifles and goes to the top of the tower at the University of Texas in Austin and begins to shoot random people. The film, but more importantly Russell’s performance, tackles the issue of mental illness decades before there was any emphasis put on treating it by our society.

7. The Hateful Eight

In Russell’s second collaboration with Quentin Tarantino, he is featured as a dopey, under-educated hangman with outlandish facial hair and a larger than life personality. In the film, Russell purposefully does the best John Wayne impression that we have ever seen on screen, and gives us a character who we’re not quite sure if he is supposed to be likable or not. Regardless of the nobility of John ‘The Hangman’ Ruth, Russell is an absolute joy to watch as he hams his way through Tarantino’s colorful dialogue and twisty narrative.

6. Escape from New York

The collaboration between filmmaker John Carpenter and Kurt Russell is one of the best actor/director pairings in cinema history. It ranks up there with John Ford and John Wayne, Martin Scorsese and Robert De Niro/Harvey Keitel, and any other pairing that you can think of. In 1981 the two of them made the greatest b movie ever with Escape from New York, a film that birthed one of our favorite antiheroes of all time, Snake Plissken. Kurt Russell smoothly navigates a post-apocalyptic New York City with his dry humor, gravely voice, and arctic camo pants. Truly a performance and character for the ages.

5. Tombstone

In the early 90s, there were two Wyatt Earp films in production. The smart money was on Lawrence Kasdan’s Wyatt Earp starring Kevin Costner, Gene Hackman, and Dennis Quaid in a life spanning epic that underperformed at the box office. Parallel to that film, Tombstone quietly finished production with Kurt Russell in an uncredited role taking directorial duties over for original director George P. Cosmatos. In this film, Russell gives one of his staple performances as the retired lawman forced to pick up his six-shooter and gold star to stop Powers Boothe and his evil gang of red-sashed cowboys.

4. Big Trouble in Little China

In 1986 Carpenter and Russell reunited for a film that was a critical and commercial bomb, but over time the picture has reached an unbelievable cult following that is constantly championed by its fans. Present day, the film is universally loved with an abundant amount of quotable dialogue. Here, Russell gives a charming yet intentionally clumsy performance as the “everyman” put in an unheard of situation. Donning an amazing mullet and driving his big rig, the Porkchop Express, Russell gives one of his most iconic performances in an already crowded filmography.

3. Dark Blue

In 2002 director Ron Shelton, writer James Elroy and screenwriter David Ayer brought to the screen Kurt Russell’s most undervalued performance as a corrupt and racist cop navigating through his professional and personal life as it self-destructs while the entire country is waiting for a verdict on the Rodney King beating. Russell’s turn as Detective Eldon Perry is hands-down one of his best performances as he embodies a character who is cool on the outside but is being torn apart on the inside over his morality and emotional pain. Russell has never been one to make a political statement in the press or through his films, but Dark Blue tackles an important aspect of our society well before it was brought to national attention.

2. The Thing

John Carpenter’s The Thing is one of the best science fiction films ever made. It’s isolation, iciness, and the impending doom of a score by Ennio Morricone lays an incredible foundation of terror. Russell is forced to deal with an extreme threat, a space monster that can shape-shift and remain unnoticed as it slowly picks off each member of the small research outpost in Antarctica. Russell adds a ton of dimension to the apathetic helicopter pilot who lives by himself up in his outpost drinking J&B and playing chess on his computer.

1. Death Proof

While Death Proof remains Quentin Tarantino’s “worst film” (and if this is your worst film, you’re doing pretty terrific as a filmmaker), there is still a lot to love and admire about it. Particularly Russell’s villainous turn as Stuntman Mike. In this film, Russell is as evil as it gets yet he plays on his career’s worth of cinematic charm and affability so we not only accept Stuntman Mike, but we can’t wait to see what he does next. This film marks Russell’s first pairing with Quentin Tarantino along with a career resurgence that reminded us that after all this time that Kurt Russell is a cinematic treasure.

PTS Presents Cinematographer’s Corner with Steven Poster Vol. 1

POSTER POWERCAST

PosterHeadshotHiResPodcasting Them Softly is extremely excited to present a chat with cinematographer Steven Poster.Steven has compiled an eclectic mix of credits throughout the years, stretching over a wide range of genres and styles. He’s worked with maverick indie director Richard Kelly on the cult classics Donnie Darko and Southland Tales as well as the underrated sci-fi thriller The Box. He shot the provocative Los Angeles sexual drama Spread, Ridley Scott’s Someone to Watch Over Me, Rocky V, Big Top Pee Wee, and 80’s classics Strange Brew and The Boy Who Could Fly. Early second unit credits include Close Encounters of the Third Kind, Starman, Big Trouble in Little China, as well as camera operation duties on Robert Altman’s brilliant 1978 drama A Wedding. Steven also currently serves as President of the International Cinematographers Guild. His upcoming projects for next year include the horror sequel Amityville: The Awakening and the indie drama All Good Things. We hope you enjoy our discussion!