Tag Archives: Breckin Meyer

Freddy’s Dead: The ‘Final’ Nightmare 


I’m not sure what they were going for with Freddy’s Dead: The Final Nightmare, but the summation of what they produced is simply… bizarre. Of course it’s not the final round, they never can resist churning out meta reworking, crossovers and remakes, rendering the ‘final’ titles hilariously redundant (the ‘final’ Friday The 13th chapter is only the fourth entry in a franchise that soared into double digits). It’s silly more than anything else, like the New Line Cinema boardroom passed around the laughing gas and spit-balled out this cartoonish, random, cameo stuffed looney bin of a flick. Actually, writing credit goes to director Rachel Talalay, who also helped the equally silly rumpus cult classic Tank Girl, which is lovable in it’s own right. Speaking of silly, Robert Englund’s Freddy Krueger has never been more buffoonish than here, the culmination of every one line and quip throughout the franchise. He’s back, hunting down the last remaining Springwood teenager, as well as a woman (Lisa Zane) whose connection to his past could be dicy for him. There’s also a weird backstory angle involving dream demons that look like sentient tadpoles who apparently are responsible for Freddy’s initial resurrection and powers. Hmm. The cameos seem like they just made a celebrity collage on a dartboard, blindfolded each other and flung them all over. Alice Cooper shows up in flashbacks as Freddy’s sadistic stepfather, Roseanne Barr and Tom Arnold are around, plus Breckin Meyer and Yaphet Kotto. The rule of randoms is excepting Johnny Depp of course, an Elm Street veteran who has a quick bit as a TV advertisement dude. The dream sequences are wild and wacky, but never really frightening or as atmospheric as they used to be, the one springing to mind being a video game themed thing where pixelated Freddy chases a victim Super Mario style, not exactly the most bone chilling setting, but oh well. This does mark the last of the initial franchise before they moved on to deluxe entries like the super meta New Nightmare and the gong show that was Freddy Vs. Jason. If you’re looking for the weirdest Elm Street flick, you’ve found it, and if you’re looking for a scary, coherent one then you’ll have to backtrack earlier in the franchise, or skip ahead to Wes Craven’s excellent next one. 

-Nate Hill

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PTS Presents Editor’s Suite with DAVID KITTREDGE

Kittredge POWERCAST

unnamedPodcasting Them Softly is extremely excited to present a discussion with special guest David Kittredge, the editor of 54: The Director’s Cut, which can be streamed via Amazon and iTunes and is now available to own on Blu-ray. Back in 1997, Mark Christopher’s disco club odyssey was released in theaters in a compromised state, featuring edits and reshoots not ever planned by the filmmakers, and which changed the general shape and scope of the picture. Now, nearly 20 years later, the creative team was able to go back to the original footage which test screening audiences balked at, and have reformed the movie as the ultimate director’s cut. There are so few films that experience a life like this one, as it’s a movie that got hit hard by critics and ignored by theatrical audiences at the time of its release. But because of our constantly shifting social attitudes and the advent of the DVD cult classic, it’s now time for this vibrant, sexy, and totally entertaining film to see the light of day as fully intended. A graduate of NYU’s Tisch School of the Arts and creative director of LA-based Triple Fire Productions, David is also the writer/director of film festival favorite Pornography: A Thriller, and has worked on various short films in multiple capacities. We also riff for a bit on one of our mutually favorite filmmakers, the late, great Tony Scott, which is always an exciting way to spend an evening. We hope you enjoy this fascinating, truly inside-Hollywood discussion about a film that deserves to find a new following!