Tag Archives: Colin Firth

B Movie Glory: Femme Fatale

Femme Fatale is a gong show, and not in a good way. I’m not talking about the De Palma film of the same name, which is a gong show in a good way. This thing is a sad, no budget little tv flick from back in the day starring Colin Firth, who has seen better days than he has here. It’s a strange psycho sexual ‘mystery’ in which none of the plot points really make sense and each scenario gets a little more ridiculous than the last. Firth plays a fairly meek dude who’s recently married a mysterious girl (Lisa Zane) that he doesn’t know much about, and she turns out to be someone different entirely, leading him on a dull goose chase across the country to find out just who he tied the knot with. Zane is Billy Zane’s sister by the way, and speaking of him he’s on this too as Firth’s eccentric friend, which is a hoot because you get to hear him refer to his sister as a ‘diesel dyke.’ The central mystery involves several identities she takes up and more than a few multiple personalities brought by by unconventional therapy from a shady psychiatrist (the great Scott Wilson in a hammy extended cameo), but ultimately its hard to care about a story this loosely threaded, far fetched and just plain silly. Watch for some gem cameos though from the likes of Danny Trejo as a worldly tattoo artist, Catherine Coulson (the beloved Log Lady on Twin Peaks) as a nun who delivers some exposition and then peaces out and character actor Pat Skipper as a rowdy henchman who steals scenes like nobody’s business. Overall it’s a fairly useless piece of fluff though, painfully average and inconsequential.

-Nate Hill


TINKER TAILOR SOLDIER SPY -A Review by Frank Mengarelli

“We are not so very different, you and I. We’ve both spent our lives looking for the weaknesses in one another.”

TINKER TAILOR SOLDIER SPY is a film I have watched countless times, and a film I look forward to constantly revisiting. It’s easily one of my favorite films of recent years. It’s a simmering, taut film that is masterfully constructed with painstaking detail.


Tomas Alfredson creates a lived in world of spy v spy. Timelines are blurred, present day and the past intermingle throughout the duration of the film, and all we can do is absorb it. The cast is remarkable; each actor is laid upon Alfredson’s pallet, and he takes his time softly brushing each one across the screen.

Gary Oldman is in top form, giving his most low key performance as George Smiley, the master spy. Oldman spends a majority of the film silently lurking, watching, listening; stealthily seeking the traitor in their midst. Colin Firth cashes in on his career’s worth of affability, slyly charming his way throughout the film.


Alfredson, along with cinematographer Hoyte van Hoyteman and production designer Maria Djurkovic build a smoky and dreary world of moral ambiguity in which the characters hide in the shadows, and enter into a game that has already been resolved before it begins.

The film’s ending is as heartbreaking as it is rewarding, resolving just enough to satisfy the audience, but desperately leaving us wanting more. While certain events of the film are closed, there is so much more to be told. The beauty of the craftsmanship of TINKER TAILOR SOLDIER SPY is that it shows us very little, yet tells us everything.

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