Tag Archives: Maggie Q

Blumhouse’s Fantasy Island

Not since LOST has a sentient tropical island caused a bunch of people this much trouble in this weird ass, misguided stab at a nostalgia reboot of content that it’s target audience is too young to even remember, let alone have been into. They shouldn’t be compared at all because LOST is overall a masterpiece and Blumhouse’s Fantasy Island is a short circuited fusebox of loose wire subplots, mish-mashed attempts at torture porn and overall anemic bunch of nothing stretched painfully over a feature length runtime. In the original 70’s show, each episode saw a bunch of vacuous, shallow individuals brought to fantasy island where polished Latin debonair Roarke (Ricardo Montalban) made their deepest wishes come true, with a little help from the island’s powers. In this version Roarke is played by a markedly disinterested Michael Pena and his agenda gets decidedly morbid as the fantasies of each guest on the island get a gnarly horror twist. That should be fun, right? Well not really, because they literally and figuratively missed the boat to making this island remotely fun, scary or memorable. There’s various visitors including the always lovely Maggie Q, whose fantasy involves a former fiancée she spurned, Lucy Hale who wants revenge on a high school bully and others, all of whose fantasies mingle like paint thrown violently at a wall without any sense of cohesion or logic. Michael Rooker shows up to skulk around the jungle swinging a machete and apparently the costume department misread his role on the call sheet as ‘flamboyant river pirate’ because that’s the only way I can describe what he’s dressed in here. There’s an evil musclebound doctor who runs around trying to slice and dice people, mostly ineffectively. The always awesome Kim Coates briefly brings a bit of much needed energy as a random Russian henchman (whose? The plot barely addresses it). A lot of bad films can be considered a swing and a miss but fuck man, this thing doesn’t even seem to want to swing in the first place. It’s lazy, written so thinly it makes the numerous anorexic bikini models look huge and it’s just not a scary, remotely engaging film.

-Nate Hill

Priest: A Review by Nate Hill 

Priest is one of those flashy missed opportunities, a visually stimulating comic book flick that just couldn’t amp the substance metre up enough til it’s flush with style, and ultimately feels somewhat hollow. It’s still a gorgeous Blu Ray that will give your system a workout though, with some neat vampires and a great cast. Sometime in a murky post apocalyptic future, humanity lives in a giant gloomy city on the edge of oblivion, walled in for fear of vampires who have preyed upon them in the past. An order of warrior priests protects citizens and keeps order, until one rogue from their sect (Paul Bettany) discovers that the creatures may be back when an outsider couple (Stephen Moyer and Madchen Amick) have their daughter (Lily Collins) kidnapped from their desert dwelling outside the city. They come to Bettany for help, but the leader of his priesthood (a smug Christopher Plummer) is an obstinate son of a bitch and refuses to act. Bettany goes renegade along with Priestess (Maggie Q) and ventures into the wasteland to rescue Collins and fight these baddies. It’s frustrating because the look and design of this world is brilliant, like a dark opulant jewel that clearly has some thought put into it. But then… the dialogue and story are so numbingly pedestrian, straying not a kilometer into uncharted narrative waters to give us something even a little bit exciting or unpredictable. Quality jumps with Karl Urban’s dapper villain Black Hat, a vampire cowboy outlaw who oddly resembles what I’d imagine Stephen King’s Roland Deschain would look like if the powers that be took their heads out of their ass and recasted Idris Elba. But I digress. Like I said, terrific cast; Brad Dourif has a great cameo as a snide hustler peddling trinkets to superstitious townsfolk, and watch for  the great Alan Dale too. Bettany always makes for a solid action hero, he just has a bit of trouble finding the right projects (have you seen that turd Legion? Good lord) that deserve bis talents. This one falls just short. It could have really used a few rounds of defibrillation from another screenwriter, and perhaps a hard R rating to take advantage of the horror aspects. Still, the vampires are creepy enough (echoes of Blade II are always welcome), the actors keep it going and there’s no shortage of style. 

Operation Endgame: A Review by Nate Hill

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Rogue’s Gallery, given the slightly lamer title of Operation: Endgame, is a very odd little amalgamation of extreme violence, comedic banter and wannabe spy intrigue. It concerns a group of government agents holed up in some remote bunker, basically taking each other out one by one after someone among them murders their boss, Emporer (Bob Odenkirk). The cast is made up of two types of actors: sleek, distinct genre bad asses and quirky, less aesthetically streamlined comedians who stand out in this type of material very strangely. Fool (Joe Anderson) is the rookie, being shown the ropes of his first day by Chariot (a hilarious Rob Cordry). That’s where the plot starts, and that is also where it lost me. The rest of the film is just al of them bickering until it gets way beyond words, and then murdering each other in shamelessly gratuitous ways. Ellen Barkin stands out as Empress, a bitchy old tart who has it in for Devil (Jeffrey Tambor) another senior operative. Emilie De Ravin steps wayyyy outside her comfort zone as Hierophant, a psychotic little doll faced southern Belle who gives hulking Juggernaut (Ving Rhames) a run for his money. There’s also work from Odette Yustman, Maggie Q,  Adam Scott, Brandon T. Jackson, and Zach Galifianakis as a weird character that I still can’t figure out, perhaps because he does not much of anything at all except mope around wearing a hazmat suit and looking very hungover. It’s cool to see these actors give each other shit and fight like two raccoons in a burlap sack (the violence in this is really vicious, especially when Ravin is involved), if not much else. Very odd stuff.