Tag Archives: Montana

B Movie Glory: Lone Hero

Lou Diamond Phillips is an actor who’s never really impressed me much, except for this one. Lone Hero sees him headline a low key action B flick and steal the show as Bart, a nasty biker gang chief who rolls into a tiny Montana town with his boys, looking for nothing but violence and trouble. Here’s the cool thing about his performance: while many actors who have played evil bikers tried out the straight up savage, hotheaded route (which admittedly works if done right), Lou switches it up and plays the guy as a calm, free spirited scoundrel who although is an indefensibly scummy fellow, does it with a gleam in his eye and smile on his face. That’s a courageous choice for a villain role of this ilk, but it’s a great fit for him and his best work I’ve seen. Because this town oddly doesn’t seem to have any cops let alone a local Sheriff, it’s up to a few plucky locals to fight off the biker menace and take back their town. Sean Patrick Flanery plays a guy who isn’t necessarily a western cowboy hero, but plays one in a local tourist attraction and therefore must step up to the plate, and in a place as bereft of law enforcement as this burg, that’s what they’ll have to settle for. He’s joined by the great Robert Forster as an ageing frontier man who grabs his trusty rifle and starts blasting bikers all to hell alongside Flanery when things get rough. This is TV movie territory and nothing of consequence really jumps out at you, but the three actors make it a damn good little show, the banter between the them is genuinely fun stuff and acted well by all. Oh and like I said, Phillips makes it a Diamond of a performance, a true scene stealing villain in the spiritual energy of someone like Robert Downey Jr, I’d love to hear if anyone can think of a role he’s been better in. Good stuff.

-Nate Hill

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LUCIEN CASTAING-TAYLOR & ILISA BARBASH’S SWEETGRASS — A REVIEW BY NICK CLEMENT

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Sweetgrass is one of the most beguiling documentaries I’ve ever encountered, a piece of visual anthropology that I can’t compare to anything else. It’s a piece of work that will likely alienate most viewers, but for those with patience and an interest in spare, direct storytelling, this exploration of sheep herders in the Montana wilderness will leave a major impression. While capturing the rituals of the shepherds as they herded their livestock through the Beartooth Mountains, the filmmakers covered stunning landscapes, and braved dangerous weather and the threat of various wild animals, including bears and wolves. As the shepherds make their journey, the film depicts the hardships that they face in their age-old occupation, which seems largely outdated in 21st century America. The film is from the husband and wife filmmaking team of Lucien Castaing-Taylor and Ilisa Barbash, who also created the strangely haunting fishing trawler documentary Leviathan, so if you’ve seen that film, you’ll know what to expect from Sweetgrass. No dialogue, no pandering, no overt messages or speechifying; what you see is what you get.

My thing with cinema is this: TAKE ME SOMEWHERE I’VE NEVER BEEN. Well…I’ve never herded thousands of sheep through rocky and treacherous terrain, and I likely never will. But this film gives you an astonishing sense of how difficult this job is. Honestly…this documentary is a masterpiece of execution, showcasing simplicity at its finest, and offering up stark majesty on a genuinely grand scale. It’s also, intended or not, a deeply hysterical portrait of potential madness, and while the film takes a harshly unsentimental gaze at the shepherds and their animals, it’s never depressing or degrading. Werner Herzog and Terrence Malick would lose their minds over this piece of work, and I’m sort of shocked that Herzog didn’t get to this material first. Sweetgrass is an amazing deconstruction of the demands of the American cowboy and a stunning revelation into the bonds between human and animal. At various points, the camera literally stares into the souls of some of these animals, and it’s in these quiet moments that the viewer might have a religious experience, especially if they’re an animal lover; I was personally left agog by the entire effort. Sweetgrass is definitely up there with Winged Migration as one of the most fascinating animal documentaries that I’ve come across.

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