Finally a solid Nic Cage B flick!! I needed one and The Trust provides a great time as Nic and Elijah Wood play two sad-sack Vegas cops who decide to rob a mob safe house that’s several zeros above their pay grade. This is such a quirky little recipe, super casually paced yet efficient when it needs to speed things along, darkly comic, dangerous, loopy and easy breezy where it counts despite fizzling out a teensy bit in the last act when it should have turned the dial up to full spicy but we can’t have it all. Cage is the cavalier veteran cop who somehow doesn’t see the impending danger in their plan and does a fairly effective job of luring super nervous Wood into it, and yes it all goes violently wrong at one point but probably not as spectacularly as you’re hoping. They bust into an adjacent apartment, hold a girl (Sky Ferreira, almost unrecognizable and doing a great job with little dialogue) hostage and begin to drill below into the mysterious safe, all the while cracking weird jokes, chomping fast food and bickering like sixth grade buddies. That’s basically it, and while the thing is a brisk ninety minutes it still manages to feel laidback and laconic, probably thanks to a hilarious Cage who seems not to have a care in the world in one of his freewheeling, casually weird turns. Wood is a good choice for a nervous guy but he always freaks me out a bit, he’s 39 now and still somehow just comes across as a teenager in physical appearance and essence but he does a fine job that aside. Ethan Suplee shows up as a bored, shady detective with a penchant for Russian roulette and, curiously, the late great comedian Jerry Lewis randomly makes his final film appearance in a quick cameo as Cage’s father. This isn’t anything explosive or super unique and like I said, much of the film is eccentric buildup to a less than earth shattering resolution but there’s tons of welcome sarcastic humour, a nice jazzy original score and Cage subtly hams it to effect playing Vegas’s laziest and craftiest beat cop. Good times.