PTS Presents Artisan Workbench with RYAN WARREN SMITH

RWS POWERCAST

unnamedPodcasting Them Softly is extremely excited to present our latest Artisan’s Workbench chat with special guest Ryan Warren Smith, who served as production designer on this spring’s indie sensation Green Room! Our love for Green Room is seemingly endless, so it was a special honor to speak with the guy responsible for making that film look and feel so scuzzy and nasty! Some of Ryan‘s other fantastic credits as production designer include the brilliant and heartfelt indie Wendy and Lucy with Michelle Williams, The Motel Life from the Polsky brothers, and the Sundance film For Ellen, wich was directed by So Yong Kim, and stars Paul Dano. Ryan got his start in the industry as an on-set dresser on films like Sean Penn’s Into the Wild, which we’re both massive admirers of, Gus Van Sant’s Restless, the intense drama The Burning Plain, and he served as property master on the phenomenal if underseen western Meek’s Cutoff. We also get a chance to hear about his upcoming projects which sound very exciting. We hope you enjoy this terrific conversation!

PTS PRESENTS CINEMATOGRAPHER’S CORNER with TRENT OPALOCH Vol 1

OPALOCH POWERCAST

 

OpalochPodcasting Them Softly is extremely excited to present a chat with the incredible cinematographer Trent Opaloch. Trent is one of the hottest, most in demand shooters currently working in Hollywood, having shot District 9, Elysium, and the absurdly underrated Chappie for director Neill Blomkamp, while also becoming a member of the Marvel cinematic universe, having lensed both Captain America: The Winter Soldier and this weekend’s Captain America: Civil War. The future looks to hold even more superhero action, as he’ll be reteaming with the Russo brothers for both chapters of The Avengers: Infinity Wars. He’s also a veteran of the commercial world, having collaborated with such directors as Jake Scott, Todd Field, Phil Joanou, and Frederik Bond on a variety of worldwide advertisements. He’s clearly got a very exciting future ahead, and we’re beyond thrilled to have him as a guest – we hope you enjoy this exciting discussion!

Episode 28: Michael Mann’s THIEF with Special Guest FRANCINE SANDERS

FRANCINE POWERCAST

We covered Michael Mann’s 1981 neo noir Chicago crime film, THIEF, that starred James Caan, Tuesday Weld, James Belushi, Dennis Farina, and Willie Nelson.  We’re joined with Frank’s former film professor, Francine Sanders, who teaches classes at Columbia College of Chicago.  Frank took her Studies of the Films of the 1970’s.  Francine teaches film courses at Oakton Community College’s Emeritus Program, and has served on the faculty of Tribeca Flashpoint Media Arts Academy and Roosevelt University.  Not only is she a published and awarded writer, but she worked for the Chicago Police Department for eight and half years as a civilian investigator for the Office of Professional Standards and helped uncover police torture and corruption under Chicago Police Department’s former Cmdr. Jon Burge.  Francine is a key component for Frank’s love of film, and there wouldn’t be a Podcasting Them Softy (at least from Frank’s end) without her!

PTS Presents Cinematographer’s Corner with SEAN PORTER

porter powercast

 

sean_porterPodcasting Them Softly is thrilled to present a chat with cinematographer Sean Porter, who recently shot the film KUMIKO, THE TREASURE HUNTER, and who has the highly anticipated thriller GREEN ROOM set for release later this year from A24. He’s also finished a pair of very intriguing projects with THE TRUST, which stars Nicolas Cage, Jerry Lewis and Elijah Wood, and 20TH CENTURY WOMEN, from director Mike Mills, and starring Elle Fanning, Alia Shawkat, Greta Gerwig, and Annette Benning. Sean got his start working on a variety of shorts, features, and documentaries, and has roots firmly planted in indie film community, and you can just tell from observing his work that he’s a talent to seriously look out for in the near future. His work on KUMIKO was beyond striking, announching an exciting and dynamic new visual eye to emerge on the cinematic scene, and it’s a film that we here at PTS are massive fans of and hope everyone will get a chance to check out. We hope you enjoy this most excellent discussion!

PTS Presents Director’s Chair with RENNY HARLIN

RENNY HARLIN POWERCAST

RH Official PhotoPodcasting Them Softly is overwhelmingly excited to present a chat with veteran action director Renny Harlin, a man who needs very little introduction! Die Hard 2. Cliffhanger. The Long Kiss Goodnight. The Adventures of Ford Fairlane. Deep Blue Sea. Cutthroat Island. Exorcist: The Beginning. And so many others. His latest action extravaganza, Skiptrace, stars Jackie Chan and Johnny Knoxville, and is set to explode into cinemas this summer. Listen as Nick and Frank try and contain their excitement, and Renny dishes on his incredible career and his newest cinematic offering — we hope you enjoy!

PTS Presents Director’s Chair with PETER HYAMS

HYAMS POWERCAST

2010, director Peter Hyams on set, 1984, © MGM
2010, director Peter Hyams on set, 1984, © MGM

Podcasting Them Softly is extraordinarily excited to present a chat with cinematic legend Peter Hyams! An esteemed director, screenwriter, and cinematographer, Peter is extremely well known for the science fiction thriller Outland with Sean Connery as well as the Connery thriller The Presidio; the fake-moon landing actioner Capricorn One which has somehow escaped the clutches of the current remake craze; 2010: The Year We Make Contact, which was the daring sequel to Kubrick’s original classic 2001: A Space Odyssey; the action comedy Running Scared with Gregory Hines and Billy Crystal; the influential thriller The Star Chamber with Michael Douglas, which consciously or unconsciously served as a blueprint for David Fincher’s The Game; Timecop and Sudden Death, which are two of action superstar Jean Claude Van Damme’s best films; horror thriller and audience favorite The Relic with Tom Sizemore and Penelope Anne Miller; the cult classic Stay Tuned with John Ritter; and the Arnold Schwarzenegger vs. The Devil showdown End of Days. You can also hear us talk excitedly about one of Peter‘s early efforts, the trendsetting cop film Busting, with Elliot Gould and Robert Blake, and discuss how that film began to give a particular genre a new and modern feel. Peter has had a tremendous career, and we were beyond lucky and honored to have him as a guest on the show. We hope you enjoy this momentous discussion!

Episode 26: RITES OF PASSAGE with writer/director PETER ILIFF

rites of passage

We’re back to a “regular” episode where we discuss a film that is underseen, underrated, and/or unfairly criticized.  This week’s episode is Peter Iliff’s RITES OF PASSAGE, and we were fortunate enough to have Peter back on our show to discuss his film.  This film hits an array of genres, has a fantastic cast, and excels madly.  RITES OF PASSAGE is available on DVD, blu ray, and streaming via Amazon or you can buy or rent the film digitally on Vudu.

Episode 24: Coverage of the 31st Santa Barbara International Film Festival and Terrence Malick’s KNIGHT OF CUPS

SBIFF episode

Our coverage of the 31st Santa Barbara International Film Festival is up!  This has been our first red carpet coverage, and included are interviews with actors James Morrison, Michael Keaton, Rachel McAdams, Carl Weathers,  film historian Leonard Maltin, filmmakers Benjamin Cox of STEREOTYPICALLY YOU and Tom McCarthy of SPOTLIGHT, producers Marcia Nasatir (THE BIG CHILL, COMING HOME, IRONWEED) and Sarah Green (THE NEW WORLD, THE TREE OF LIFE, TO THE WONDER, KNIGHT OF CUPS) and executive director of the Santa Barbara International Film Festival Roger Durling.  We then dive in, head first, into Terrence Malick’s new film KNIGHT OF CUPS which had it’s US Premiere, and was the Centerpiece film at this years fest.  We would like to thank Roger Durling and the staff of the SBIFF for accommodating Podcasting Them Softly at the festival this year.  To find out more about the SBIFF please click here.

31st Santa Barbara International Film Festival: Leonard Maltin Modern Master – Johnny Depp

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Everyone was waiting.  Leonard Maltin was waiting, Roger Durling was waiting, Scott Cooper was waiting, the press was waiting, and the giant mob of screaming fans were waiting.  Johnny Depp was running late, and nobody cared.  Depp arrived thirty minutes late.  He was set to receive the Leonard Maltin Modern Master Award from BLACK MASS director, Scott Cooper as well as participating in a much anticipated Q&A with Leonard Maltin.

He arrived in a black Cadillac SUV and once he exited he instantly disobeyed his handlers and went directly to the vast mob of his fans.  He took his time signing autographs, taking photographs, and shaking each hand he could.  Depp then moved to the red carpet, timidly keeping away from the press yet posing for a gracious amount of time for photos against the sleek SBIFF backdrop.  He posed with Scott Cooper and then he quickly was moved to the end of the press line, but I caught his attention:

“Mr. Depp, one quick question: DONNIE BRASCO, ONCE UPON A TIME IN MEXICO, and SWEENEY TODD.  Which is your favorite role?”

He put his hand up to his mouth, held his chin, stared right at me through his blue Michael Mann tinted glasses and said,

“I don’t know.  That’s difficult, man.”

Depp was quickly moved into the Arlington Theatre and the floodgates opened and everyone rushed in.  Once the gorgeous Arlington Theatre settled down, the dapper Roger Durling took the stage and he spoke graciously, thanking everyone for being there and thanked Johnny Depp for coming.

Maltin then took the stage and he introduced Depp and an excellently edited highlight reel played.  Watching a brief highlight of Depp’s career doesn’t do it justice, yet you can’t help feeling overwhelmed by his truly epic career.

Depp walked out, and the theatre erupted with applause and screaming.  Depp shyly smiled.  To this day, Johnny Depp is the epitome of cool. He was wearing socks with hemp leaf patterns and for about the first hour and a half of the Q&A, he meticulously hand rolled a perfect cigarillo.  He then lit it and took the rest of the Q&A slowly smoking it.  In California, and pretty much anywhere else, it is illegal to smoke in a public venue, but who is going to tell Johnny Depp to stop smoking?

Depp is a very sweet guy, he’s incredibly humbled.  Whenever Maltin would bring up a film, whether it was one of Depp’s blockbusters or a seminal undercard performance, the audience would clap and Depp would smile and thank the audience.

The Q&A with Leonard Maltin was almost three hours long and it was wonderful.  I was able to ask Leonard Maltin two quick question on the red carpet, I asked him to pick between DONNIE BRASCO, ONCE UPON A TIME IN MEXICO and SWEENEY TODD.  Maltin paused for a moment and said DONNIE BRASCO.  I then asked him what his favorite underrated performance of Depp’s was and he said, without hesitation, DON JUAN DEMARCO.

It took about an hour for Depp to warm up and get comfortable. He was incredibly candid about his career.  He spoke frankly about how he’s a musician, who happened to become an actor to pay the rent.  He spoke in depth about what a horror he was, and sometimes still is, on film sets.  Maltin asked him about his relationship with Leonardo DiCaprio on the set of WHAT’S EATING GILBERT GRAPE.  Johnny Depp just started laughing.

“You know, I respect Leo a lot.  He did so much work and research and preparation for that role,” and a sly smile arose on his face, “and I tortured him.”

The audience started laughing, and Depp stopped, and looked at the audience,

“No, really, I did.  He liked video games.  No Leo, I won’t give you a drag of my cigarette while you hide from your Mom.”

Depp briefly spoke about his work with John Waters, saying how Waters was the only filmmaker he knew who made a film based on a title.  He said Waters came up with the idea of PECKER, solely for the fact that when it would be advertised it would be: John Waters’ PECKER Coming Soon.

When Depp was asked about his casting in EDWARD SCISSOR HANDS and his long and awesome collaboration with Tim Burton, Depp started laughing.  He spoke about how he didn’t want to even meet with Burton, he knew he wouldn’t get the part, but his agent Tiffany talked him into it.  Depp recalled walking into a diner to meet Burton.  He had no idea what he looked like.  He scanned the diner and saw a guy “whose hair looked like a hardware store exploded, and I knew I had to talk to him.  Even if he wasn’t Tim, I still had to talk to him.”  The man with the exploded hair was Tim Burton, and that was the beginning of one of the greatest collaborations in cinema history.

Leonard Maltin beamed as he showed a clip of DON JUAN DEMARCO and then asked him about that film, and working with Marlon Brando.  Depp settled back in his chair and smiled, and spoke about his abundant love and admiration for Brando.  He said he was a father, mentor, brother, essentially a gigantic blanket that meant the world to Depp.  When Maltin asked Depp to describe what he learned from Brando, he paused looked down, and then back up at Maltin and said: justice.

Maltin asked Depp about the only film he directed, THE BRAVE that premiered at Cannes in 1997 and featured Marlon Brando in a prominent role.  Maltin asked when we could see it.  Depp asked the audience who wanted to buy it.  He then went on to speak about the reason he shelved the film was because he didn’t want to play the distribution game, and he wanted to retain control over it.

In 2004, when Brando died, Depp was devastated and he was receiving offers about releasing THE BRAVE.  He was told it was a prime time to release the film, it was an unseen Brando performance, and now was the time to release it.  That’s the moment when Depp decided to put the film under lock and key.  He was returning justice back to Marlon Brando.  Maltin then said that releasing it now wouldn’t be an exploiting Brando’s death.  Depp then said he would show THE BRAVE at the Santa Barbara International Film Festival next year, and shook Maltin’s hand on it.

So in theory, next year, Johnny Depp will be premiering his unicorn of a film, THE BRAVE, at the 32nd Santa Barbara International Film Festival.  That remains to be seen, but seeing Depp speak, in depth, for three hours about his remarkable career was amazing.  After the Q&A was over, Depp went back outside to all his screaming fans and took more photographs and signed as many autographs as he could.  Johnny Depp is not only one of cinema’s best actors, but he’s truly a class act.

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Photo Credit: Podcasting Them Softly

 

PTS Presents ACTOR’S SPOTLIGHT with PAUL CALDERON

Calderon POWERCAST

Paul Sh #2Podcasting Them Softly is honored to present a chat with veteran actor Paul Calderon, who has appeared in a wide range of some of our favorite films and TV shows for close to the last 40 years. Paul has worked with filmmakers such as Quentin Tarantino, Abel Ferrara, James Mangold, Alejandro Gonzalez Innaritu, Steven Soderbergh, Spike Lee, Sydney Pollack, Harold Becker, Sydney Lumet, and Arthur Penn, to name only a few, with credits including Pulp Fiction, King of NY, Bad Lieutenant (which he co-wrote with Ferrara), Welcome to New York, Q&A, Sea of Love, Copland, 21 Grams, Out of Sight, Clockers, and The Firm. His massive list of television credits include Boardwalk Empire, Hostages, Law and Order: Criminal Intent, How to Make It In America, Miami Vice, and an epic run on the daytime soap One Life to Live. He’s also no stranger to the theater, having appeared with Robert De Niro in Cuba and His Teddy Bear. He also runs his own acting school, which you can find out more about at his website www.paulcalderon.net. Paul is a founding member of the Touchstone Theater, The American Folk Theater, and The LAByrinth Theater Company, as well as being a member of the Actors Studio since 1984. A consummate NY character actor all throughout his career, Paul brings energy and edge to every performance in every project, and we’re extremely excited present this interview! We hope you enjoy!