Tag Archives: Russell wong

Gaming with Nate: Activision’s True Crime: Streets Of LA & True Crime: New York City for PlayStation 2

Los Angeles and New York City get a sordid, hard boiled pair of rogue cop stories in True Crime: Streets Of LA and True Crime: NYC, two badass, star studded, knockout crime games that demonstrate these days how they really don’t make em’ like they used to. I’d review these two separately but they’re a pretty intrinsic pair that feel like sibling stories despite being made and released two years apart.

In Streets Of LA you play as volatile renegade LAPD detective Nick Kang (Russell Wong having an utter blast with the dialogue) who is suspended from the force under shady circumstances and goes severely rogue with an unofficial vigilante unit to stop a corrupt plot against the city perpetrated by Russian mob, triads and others. This ones cool because it’s a choose your own adventure game where the outcome and chain of events is different depending on what choices you make Nick pick. There’s endless shootouts, brutal chase sequences across the LA highway overpass and vicious hand to hand combat too. Christopher Walken narrates the whole thing in Greek chorus mode as wisened ex-cop George and voiceovers are also provided by Ron Perlman as a Russian hood, Mako and James Hong as Triad bosses, Michael Madsen, Michelle Rodriguez, CCH Pounder and Gary Oldman as a both a dodgy federal agent and a psycho Russian boss.

Over in New York City you’re Detective Marcus Reed (Avery Kidd Waddell), an ex gangster who chose the law over the ways of his crime kingpin father Isiah (Laurence Fishburne basically reprises his kingpin role from Assault On Precinct 13) and is mentored on the streets by tough veteran Sergeant Terence Higgins (Mickey Rourke) until he’s murdered under mysterious circumstances. Marcus now has to shoot his way past criminals and cops alike as he smokes out a deep web of corruption and avenges those he lost while leaving a path of bodies behind him. There’s work from Esai Morales as his precinct captain, Traci Lords, Lester ‘Beetlejuice’ Green and more. Walken is in this again in full bonkers mode as a Fed who can’t stop getting sidetracked by anecdotal monologues about his life long enough to brief Marcus and provides much comic relief.

These two games have a terrifically gritty late 90’s street feel, the actors add a lot, the gameplay is violent and profane to the maximum and while LA is bright, energetic and hyperactive, NYC is dark, austere and bleak and they feel like two sides of the same unlawful coin. Great stuff.

-Nate Hill

Romeo Must Die


Andrzej Bartkowiak’s Romeo Must Die is not a great flick, but I still somehow enjoy it if only for a few stylish scenes and the presence of Aaliyah before her tragic and fateful plane crash, which tugs at the heartstrings. It’s a pseudo Romeo & Juliet tale involving her and Jet Li caught up in Asian/African American gang warfare, but it’s more just a silly showcase for Li’s impressive martial arts prowess and a playground for several well staged shootouts. Bartkowiak is actually responsible for two very similar films of this ilk, Cradle 2 The Grave and Exit Wounds, which all have the same cast members running about and when viewed in succession create some weird holy trinity of kung fu urban crime lore. This one is probably the best I suppose, or at least the most memorable. Aaliyah is reprimanded by her gangster father (Delroy Lindo) and his incompetent lieutenants (Isiaah Washington and Anthony Anderson), while rambunctious Li is supervised by some vague cousin of his (half-asian Russell Wong, definitely the coolest character), and DMX growls out a few lines as a violent club owner also somehow involved. The romance is fleeting, swallowed up by zippy editing and deafening action sequences that come fast and frequent. Li jumps around while the rest of them empty all kinds of firepower all over Vancouver, and so it goes. It ain’t great, but the opener set in DMX’s club during a raid perpetrated by Wong and his crew is the highlight and seems to have been plucked from a far better action film. 

-Nate Hill

B Movie Glory with Nate: The Prophecy II 

The Prophecy II continues around the same time the first entry left off, and while it’s not the same haunting, unique genre poem they managed with their first crack at it, it’s still got a few terrific things going for it, namely Christopher Walken. The guy is just charisma incarnate, and the implosive work he puts in as an angry, bitter Angel Gabriel in this franchise is some of the best I’ve ever seen from him. Gabriel is once again out to harm the humans, or ‘monkeys’ as he dryly puts it. The story is as murky as any self respecting Dimension films horror sequel should be, but from what I remember, an innocent human woman (Jennifer Beals) is impregnated by some sort of demi-angel named Danyael (Russell Wong), and the resulting birth will give humanity a kind of savior. Naturally, Walken tries to put a stop to this by hunting her down in appropriately scary fashion, and all sorts of schlocky supernatural hijinks ensue. It ain’t intellectual hour, but it’s held up very nicely by Walken, who clearly loves playing this character, and an eventual confrontation with Archangel Michael, played by Eric Roberts in what is delightfully inspired casting. The two of them have a quiet, focused exchange that elevates the material to near celestial heights which the film scarcely deserves. “How many world’s must burn before you’re satisfied?” Roberts inquires. “Just one. This one.” Walken purrs back. It’s a great scene and to this date the only time these two titans of the craft have shared the screen, and I’m thankful for it. Theres an amusing bit with Brittney Murphy, and a cameo by musician Glenn Danzig as well. The rest of the film is so so, but whenever Walken is there, baby it crackles.