Tag Archives: Stan Winston

Stan Winston’s Pumpkinhead

Stan Winston’s Pumpkinhead is the kind of giddy visual treat you get when you give a special effects wizard like him the director’s chair as well as animatronics duties. A kind of bizarre, atmospheric backwoods fable infused with slasher sensibilities, it’s gory, grisly with a hellish supernatural vibe and an eleven foot tall monster that makes a real impression. Before all that though, there’s a surprisingly touching setup that’s sees small town farmer Ed Harley (Lance Henriksen rocks it as usual) living the quiet life in rural USA with his dog and young son (Matthew Hurley), until a roster of big city punks show up and inadvertently cause the kid’s death via an idiotic dirt-bike stunt. Devastated and heartbroken, Ed turns to a local witch (Florence Schauffler, terrifying) who skulks around the bayou in hopes of retribution. He isn’t quite careful enough what he wishes for though, for the cackling old bitch unleashes aforementioned Pumpkinhead, a nigh unstoppable demon who hunts down the teenagers one by one and starts to tear them limb from limb. Ed, not being an evil man but blinded by rage and heartbreak, sees his fatal mistake, suits up with shotgun, flamethrower and true grit and aims to do a little hunting of his own, perhaps to put an end to Pumpkinhead’s teenage mutilation derby. The monster here is actually a really scary creation from Winston and his team, all gnarly clawed fingers, gaunt skin over a skeletal gargoyle frame and leering fangs, like a Xenomorph after six rounds of chemo as it butchers these hapless kids. Henriksen is awesome in a rare lead role and really kicks ass both physically and in terms of showing the smouldering emotion in Ed’s broken soul. The forests are filled up with eerie lighting and scores of smoke machines for the unmistakable 80’s atmosphere, while Winston & Co. ensure that not only are the special effects top tier, but setting feels authentic too, having its own personality. A horror classic. I won’t weigh in on the sequels as I’ve never really gone for the plunge, but from what I’ve read they seem like garbage for the most part.

-Nate Hill

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The Puppet Master: An Interview with Kevin McTurk by Kent Hill

They say in the film business, never work with children or animals. Of course you may find yourself working with dinosaurs, aliens, lions, beast-people, scrunts, kothogas, ghosts, morlocks, Batman, Spiderman, Hellboy, kaijus, wolfmen, clones, cliffhangers, vampires, giant crocodiles, homicidal maniacs, killer sheep, Predators, cowboys and mysterious brides out to Kill Bill.

Sounds ominous, doesn’t it? But that’s just some of the astounding creations and magnificent beasts that Kevin McTurk has encountered in his eclectic career in the realms of special effects.

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Working under the banners of legends like Stan Winston, Jim Henson and the new titans like Weta Workshop, Kevin has had his hand in erecting and simulating everything from the real world as he has from empires extraordinary. And, while I could have spent the entirety of our chat talking about his adventures working on the countless films, which are favourites of mine, he has in his CV, his impressive effects background is only part of the story.

For Kevin McTurk is a bold and visionary filmmaker in his own right. His puppet films, The Narrative of Victor Karloch, The Mill at Calder’s End and now The (forthcoming) Haunted Swordsman are exercises in capturing a style from a bygone era with modern filmmaking techniques. The results are beautiful, not only in their aesthetic quality, but in the level of excellence from the many different disciplines on display.

There is still time for you to join Kevin in his latest cinematic offering (https://www.kickstarter.com/projects/935772123/the-haunted-swordsman-a-ghost-story-puppet-film), and to listen in now to the man himself talk about his movies, influences and career.

I give you the talented Mr. McTurk.

Visit Kevin’s website for more: http://www.thespiritcabinet.com/

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