Podcast: Best of 2020

Together again are Frank, Tim, Kyle, and Nate to discuss not just our top ten films of 2020, but also the current state of cinema, and what 2021 may hold.

Frank’s Top Ten:

  1. ANOTHER ROUND dir. Thomas Vinterberg
  2. TOMASSO dir. Abel Ferrera
  3. MANK dir. David Fincher
  4. TENET dir. Christopher Nolan
  5. VFW dir. Joe Begos
  6. SIBERIA dir. Abel Ferrara
  7. DA 5 BLOODS dir. Spike Lee
  8. POSSESSOR dir. Brandon Cronenberg
  9. 40 YEARS OF ROCK: A BIRTH OF A CLASSIC dir. Derek Wayne Johnson
  10. BIRDS OF PREY AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN dir. Cathy Chow

Nate’s Top Ten:

  1. THE EMPTY MAN dir. David Prior
  2. ANOTHER ROUND dir. Thomas Vinterberg
  3. WANDER DARKLY dir. Tara Miele
  4. UNDERWATER dir. William Eubanks
  5. CAPONE dir. Josh Trank
  6. THE INVISIBLE MAN dir. Leigh Whannell
  7. SOUL dir. Peter Docter and Kemp Powers
  8. ALONE dir. John Hyams
  9. VFW dir. Joe Begos
  10. HIS HOUSE dir. Remi Weekes

Kyle’s Top Ten:

  1. THE WANTING MARE dir. Nicholas Ashe Bateman
  2. BLOODY NOSE, EMPTY POCKETS dir. Turner Ross, Bill Ross IV
  3. BACURAU dir. Kleber Mendonca Filho, Juliano Dornelles
  4. POSSESSOR dir. Brandon Cronenberg
  5. DA 5 BLOODS dir. Spike Lee
  6. THE DEVIL TO PAY dir. Ruckus Skye, Lane Skye
  7. THE DEVIL ALL THE TIME dir. Antonio Campos
  8. THE OUTPOST dir Rod Lurie
  9. I’M THINKING OF ENDING THINGS dir. Charlie Kaufman
  10. COLOR OUT OF SPACE dir. Richard Stanley

Tim’ Top Ten

  1. POSSESSOR dir. Brandon Cronenberg
  2. DA 5 BLOODS dir. Spike Lee
  3. THE INVISIBLE MAN dir. Leigh Whannell
  4. HORSE GIRL dir. Jeff Baena
  5. DICK JOHNSON IS DEAD dir. Kristen Johnson
  6. TENET dir. Christopher Nolan
  7. THE DEVIL ALL THE TIME dir. Antonio Campos
  8. I’M THINKING OF ENDING THINGS dir. Charlie Kaufman
  9. BORAT SUBSEQUENT MOVIEFILM dir. Jason Woliner
  10. BIRDS OF PREY dir. Cathy Chow – WONDER WOMAN 1984 dir. Patty Jenkins

3 for 3: John Carpenter

We’re pleased to bring you our next installment of 3 for 3, this time discussing the works of John Carpenter. Carpenter is one of our favorite filmmakers who is responsible for many classics ranging from HALLOWEEN, ESCAPE FROM NEW YORK, BIG TROUBLE IN LITTLE CHINA, to STARMAN. Please stay tuned for our next 3 for 3 regarding our favorite character actors, as well as a 3 for 3 – For Your Ears Only crossover where we pay tribute to Sean Connery, and talk about his diverse contribution to film beyond James Bond.

FOR YOUR EARS ONLY: Michael Apted’s THE WORLD IS NOT ENOUGH

We welcome author and James Bond connoisseur Deborah Lipp to join in our discussion of the 19th 007 picture in the EON series THE WORLD IS NOT ENOUGH, as well as the latest edition of her highly regarded book, “The Ultimate James Bond Fan Book.” Please explore the works of Deborah at her bookshop.

For Your Ears Only: Roger Spottiswoode’s TOMORROW NEVER DIES

Artwork provided by Jeffrey Marshall

Join Frank, Tom, and Mac with special guest Perrin Spychala as they discuss Pierce Brosnan’s second outing as 007 in Roger Spottiswoode’s TOMORROW NEVER DIES. Released in 1997, the film also features a terrific ensemble composed of Jonathan Pryce, Michelle Yeoh, Teri Hatcher, Ricky Jay, Gotz Otto, Vincent Schiavelli, and Joe Don Baker.

FOR YOUR EARS ONLY: Martin Campbell’s GOLDENEYE

Artwork provided by Jeffrey Marshall

Tom and Frank are back with special guest Mac McSharry to discuss Martin Campbell’s GoldenEye, which was Pierce Brosnan’s first outing as 007. Also discussed is the pop culture effect the film had on home video as well as video games along with being a world wide box office smash and how that jump started the franchise. Join us next time as we discuss Brosnan’s follow-up, Tomorrow Never Dies!

Podcast: Lee Marvin 3 for 3.

Tim Burton Press Conference

Lee Marvin is the topic of discussion for this installment of 3 for 3 with Frank Mengarelli, Tom Zielinski, and Mac McSharry. Marvin was well known for his early collaborations with John Ford, his steely persona in POINT BLANK, THE DIRTY DOZEN, and DELTA FORCE. For all things Lee Marvin, author and film historian Dwayne Epstein’s biography, LEE MARVIN: POINT BLANK is available on Amazon.

Actor’s Spotlight with Joshua Burge, Vol. I

JB Splash

We’re pleased to bring you the first volume of our chat with the remarkable actor Joshua Burge. Josh dives deep in the first installment of our extensive interview, talking about his beginnings as an actor, to his relationship with filmmaker and friend Joel Potrykus and working on BUZZARD to being cast in THE REVENANT. More to come in our second installment! You can currently see Josh in THE CURRENT OCCUPANT which is now streaming exclusively on Hulu.

For Your Ears Only: John Glen’s LICENCE TO KILL

LTK update

Frank Mengarelli and Podcasting Them Softly’s James Bond resident, Tom Zielinski are joined with returning guests film journalist Paul Sparrow-Clarke and novelist and film historian Raymond Benson to discuss John Glen and Timothy Dalton’s final outing in the franchise, Licence to Kill. Tom and Frank will return with their discussion of GOLDENEYE.

Artwork provided by the very talented Jeffrey Marshall.

 

 

Film Review: Abel Ferrara’s TOMMASO

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There is a beautiful sadness within Abel Ferrara’s latest feature, TOMMASO, starring Willem Dafoe in their fifth collaboration. It’s about the isolation of sobriety, as well as maturity; growing old alone while facing a never-ending and losing battle with fighting your own past.

The picture is a softer version of DANGEROUS GAME, wherein Harvey Keitel played the fictionalized version of Ferrara, the film also borrows the light and vulnerable aesthetic of 4:44, along with Ferrara’s newfound fascination with multimedia that is a conduit to offbeat pop culture. This may be Ferrara’s most direct play at his version of Fellini’s 8 1/2 but isn’t as nearly coarse or dark as his first attempt with DANGEROUS GAME. And while the film does feel very personal, and very true – it also feels like a spiritual successor of Ferrara’s apocalypse film 4:44, which also featured Dafoe.

Tommaso' Review: A Sober, but Not Serene, Life - The New York Times

In TOMMASO, Dafoe plays a gentler version of Ferrara, a filmmaker living in Rome (much like Ferrara) who is trying to formulate his next film, while trying to conquer the demons of his past, while navigating the uncharted parental waters with his very young partner and their daughter (both played by Ferrara’s real-life wife and daughter). Dafoe is just terrific, delivering his finest performance that most will not see, he is spellbinding. Dafoe is perhaps the only actor who can sink into a role like that of Tommaso, and then be seen in AQUAMAN, and then a Disney film, and then working with Lars von Trier – he’s an actor that doesn’t have or would make use of any typecast; he’s boundless and a welcome presence whenever he is seen.

It’s striking to see Ferrara bring such a gentle tone to a film that still works within his authorship: redemption with a dash of Catholic guilt. The film continues Ferrara’s new trajectory of his filmography, not just a transition to digital filmmaking, but also the less transgressive and angsty nature of his most seminal films. It’s a hard film to watch at times, but that’s part of what makes it so effortlessly beautiful. The film is quietly angry, where Dafoe’s character is six years sober, and has nowhere to channel all that rage – the angst of sobriety.

Willem Dafoe Talks Tommaso, Kissing His Friend's Wife & Yoga ...

The fabulous boutique label, Kino Lorber, has released this film on their relatively new streaming service, KinoNow, which offers up a lot of their titles to own and/or rent and of course a standard subscription service to their streaming catalog.

TOMMASO is a great film by a great filmmaker. It isn’t just a vanity piece. Ferrara is showcasing that he still is a flagship mainstay of not just independent cinema, but cinema in general. He’s a brilliant filmmaker that operates on the edges of the film; he may forgo power drills, dirty cops, and crack pipes as he enters a new decade, but he hasn’t lost his punch. The film is funny, sad, romantic, and sexy. It’s tender and angry, all the things that are life.

Film Review: Derek Wayne Johnson’s 40 Years of Rocky: The Birth of a Classic

40 YEARS OF ROCKY: THE BIRTH OF A CLASSIC — Epic Documentary ...

Filmmaker Derek Wayne Johnson delivers a beautiful tribute to cinema’s most beloved underdog movie.

What more can be said about Sylvester Stallone’s most seminal film and character, Rocky? Well – a lot. Filmmaker Derek Wayne Johnson, the man behind John G. Avildsen King of the Underdogs and Stallone: Frank, That Is has crafted a beautiful showboat of a film that solidifies Rocky’s place alongside Star Wars, Indiana Jones, and James Bond as being not just an important part of modern cinema, but more-so showcasing how Rocky has become a significant part of American culture, conveying how an underdog was able to make the greatest underdog story of all time.

The film, with its very lean runtime of just 30 minutes, is patched together with home movies, behind the scenes footage and rehearsal footage shot by John G. Avildsen, as well as on-set footage that was found in the basement of Troma Entertainment by Rocky’s production manager Lloyd Kaufman almost 40 years after it was shot. Most of this footage has been seen on DVD and Blu-Ray special features, but Johnson’s new documentary includes some snippets of never before seen home movies from Avildsen’s personal collection. Along with Stallone’s steadfast narration, the viewer is able to take a closer look behind the making of one of the greatest films of all time. It is a thrilling experience, watching unseen footage, along with hearing a very intimate recount from Stallone, who is unseen, just heard as the 8mm film flickers across the screen.

Johnson, who didn’t just direct but also produced, assembles a very poignant and remarkably touching tribute to the film, allowing the audience a glimmer inside the intimate home movies of Avildsen, who was able to capture the vulnerabilities of Stallone and company through fantastic behind the scenes footage. Greg Sims, Johnson’s musical partner, was able to produce a remarkable score that finds its own voice to guide the audience through the picture, without retreading Bill Conti or any of the popular music featured in the franchise.

Rocky is just one of those films that has grown a legacy onto itself – everyone knows who Rocky is, yet not many know the pain and triumph it took to get the film made, or how the film had revolutionized filmmaking by the invention of the Steadicam by Garrett Brown that has since become a mainstay in filmmaking.  Derek Wayne Johnson outdoes himself with this film and has become an artist who, with each new film, grows as a filmmaker, creating an objective view of whatever subject undercard matter he chooses to tackle, yet allows the audience a very intimate look into the world of film, and in particular those who sacrificed everything to tell their stories the way they needed to tell them. If 40 Years of Rocky: The Birth of a Classic tells us anything, it is that Rocky isn’t just a film or a character Sylvester Stallone wrote and played, Rocky has become a part of American culture – world culture; and that we all have a Rocky inside of us, and between Stallone’s words and Avildsen’s footage, what Derek Wayne Johnson is telling us is to embrace that part of ourselves, and champion our own underdog.

40 Years of Rocky: The Birth of a Classic is available for preorder on Amazon and iTunes.