PTS PRESENTS CINEMATOGRAPHER’S CORNER with PAUL CAMERON

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793c55ef-3227-46d8-82e3-3cb271a88e1fPodcasting Them Softly is extremely honored to present a chat with the fantastic cinematographer Paul Cameron. Paul has been responsible for shooting some of our absolute favorite modern action films, from his collaborations with the late Tony Scott including MAN ON FIRE, DEJA VU, and the BMW films entry BEAT THE DEVIL, to his groundbreaking work on Michael Mann’s COLLATERAL. Other efforts include the slick and gritty actioners GONE IN SIXTY SECONDS from director Dominic Sena and producer Jerry Bruckheimer, the crazy-fun cyber-terrorism thriller SWORDFISH with John Travolta and Hugh Jackman, the lens-flare gorgeous Total Recall remake, and the underrated thriller Dead Man Down. Paul has some massive projects coming up next year and beyond, with the HBO series WESTWORLD from Jonathan Nolan hitting TV screens in 2016, and he’s just wrapped principal photography on the latest PIRATES OF THE CARIBBEAN installment which is set for release in summer 2017. As most listeners of this podcast will know, we are both huge fans of Tony Scott and his artistically expressive aesthetic, so it was a real highlight to get a chance to speak with one of his key camera collaborators. We hope you enjoy!

Glenn Frey was an Asshole and a Genius and the World is a Better Place Because of Him

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Glenn Frey was an asshole. A big one. He fired original guitarist Bernie Leadon over an argument about the Eagle’s direction early on (Bernie also poured a beer over Glenn’s head in that argument and told Glenn to “chill out, I’m going surfing”). Frey replaced Leadon with Joe Walsh. Frey fired bassist and vocal Randy Meisner due to his stage fright resulting in Randy refusing to sing TAKE IT TO THE LIMIT during encores. Frey replaced him with Timothy B. Schmidt.

Don Henley would say that Glenn Frey was an asshole, but to be fair, Frey would say the same thing about Henley. They are both right. In 2001 Frey, with Henley, fired the last original member, Don Felder, over a payment dispute. Felder wanted to be paid as much as Frey and Henley. Frey’s response: songwriting power.

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Felder sued the band over the rights to HOTEL CALIFORNIA. The case was settled out of court, and Felder disgraced himself, and would never be invited to perform with the band again. Bernie Leadon performed with the during their last tour, and Randy Meisner declined due to health reasons.

Glenn Frey was an asshole, but more importantly he was a genius. He held himself and the rest of the Eagles to the highest of standards. Don Henley was absolutely right in his wonderful statement in the wake of Frey’s passing. He said that Frey started it all, he was the spark plug, and he led the band through its turbulent span.

When Frey and Henley broke the band in two, Henley went on to an amazing solo career. Frey’s career was as different from Henley’s as it could possibly get. Frey wanted to be a rock star, and in the 1980’s, he was.

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His over-the-top, borderline obnoxious Billboard hits are fantastic and have become seminal 80’s songs. THE HEAT IS ON was prominently featured in BEVERLY HILLS COP. YOU BELONG TO THE CITY and SMUGGLERS BLUES were featured in MIAMI VICE. The latter was used in an episode of the same name wherein Frey guest starred as Jimmy Cole, the antihero, guitar playing smuggler who teams up with Crockett and Tubbs.

After his brief acting stint, Frey and Henley got the band back together and went on the Hell Freezes Over tour in the early 90’s. Since then, Frey has secured the Eagles legacy, not only in American rock, but rock in general.

Glenn Frey was not only the frontman and leader of the Eagles, but he was the one to champion and enshrine them. Glenn Frey was an asshole and a genius, and the world is a much better place because he was here for such a short period of time.

PTS Presents NICK AND FRANK’S BEST OF 2015

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We returned to form with our first new recording together since the newest addition to Nick’s family, and the STAR WARS overload that Frank has been overwhelmed by.  We go over our top ten films of the year, top five directors, actors, actresses, supporting actors, supporting actresses, screenplays, cinematographers, score, ensemble and television shows.  We were both very excited to do this, and we hope you enjoy!

PTS Presents STAR WARS POWERCAST EPISODE II

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Frank and Tim discuss their reactions to STAR WARS THE FORCE AWAKENS.  They get into who Supreme Leader Snoke is, who Rey is, Harrison Ford’s brilliant return as Han Solo, the prequel tie-ins, the new Funko Pop FORCE AWAKENS series that just got released, and much more!

PTS Presents ARTISAN WORKBENCH with ED KRAMER

ED KRAMER POWERCAST

16935753-11da-4961-8f84-99b927f247b0Podcasting Them Softly is honored to be joined by visual effects master, ED KRAMER.  Ed spent twelve years working for INDUSTRIAL LIGHT AND MAGIC, and is now currently an instructor at THE ART INSTITUTE OF COLORADO.   Ed was the Senior Technical Director and Sequence Supervisor on TWISTER, THE LOST WORLD: JURASSIC PARK, THE MUMMY, THE MUMMY RETURNS, THE PERFECT STORM, GALAXY QUEST, THE ISLAND, HARRY POTTER: THE CHAMBER OF SECRETS, and was a part of the Academy Award winning team on PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST.  Ed was apart of the team that created the Columbia Pictures “Lady with a Torch” logo.  Ed worked with the groundbreaking visual effects team that changed cinema forever with the use of digital effects and filming digitally with the three STAR WARS prequels, EPISODE 1 THE PHANTOM MENACE, EPISODE II ATTACK OF THE CLONES and EPISODE III REVENGE OF THE SITH.

Check out Ed’s AMAZING highlight reel here!

PTS Presents WRITER’S WORKSHOP with JOHN PATRICK SHANLEY

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5beaee3a-69a9-4b9d-9d72-3d9c6a142ff0Podcasting Them Softly is thrilled to present a discussion with the phenomenally talented playwright, screenwriter and filmmaker John Patrick Shanley. An Oscar winner for his MOONSTRUCK screenplay, John has a list of incredible big screen credits which include the Andes mountain plane crash drama ALIVE, the hilarious and offbeat cult classic JOE VERSUS THE VOLCANO, which he also directed, and the 2008 feature film version of his Pulitzer and Tony award winning dramatic play DOUBT, which he also directed, and which starred Meryl Streep, Viola Davis, Philip Seymour Hoffman, and Amy Adams. An NYU graduate, John has written over 20 plays, he’s worked in television, notably on the HBO war drama LIVE FROM BAGHDAD, and has even dabbled in the opera, with a version of DOUBT put on by the Minnesota Opera in 2013. His most recent endeavor on Broadway was the limited engagement of his original play OUTSIDE MULLINGAR, which looked at life on an Irish country farm, and which received a Tony and a Drama Desk nomination for Outstanding Play. It was a real honor to be joined by someone of this magnitude, and we hope you enjoy listening to this fascinating and passionate discussion!

STAR WARS POWERCAST EPISODE I

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Tim and Frank sit down and gush about their love for STAR WARS.  Topics discussed are the STAR WARS prequels, but we mainly discuss the genesis of THE FORCE AWAKENS and what we think might be happening.  This is going to be the first of many STAR WARS themed podcasts from Tim and Frank.  Enjoy!

In Defense of the STAR WARS Prequels

Dear Simon Pegg, The Hollywood Reporter and everyone else who goes out of their way to degrade and dismiss the STAR WARS prequels.

You’re not a real STAR WARS fan.

If you can’t accept the STAR WARS prequels for what they are, flaws and all, STAR WARS does not mean nearly as much to you as you pretend it does.

If you love the original trilogy, that’s great. But don’t act like STAR WARS is important to you. And if that’s you, please do us all a favor and own it. The constant shaming of George Lucas, and the STAR WARS prequels has become this relentless and bandwagon circle jerk that those of us who love, embrace, and accept all of the STAR WARS cinematic universe have to endure and hits us in a very deep and personal place.

I, as anyone who loves the prequels can fully admit, they have flaws, some of the films have deeper flaws than others, and they are not as good as the original trilogy, but the bottom line is, they are STAR WARS films and they are fantastic. There are a couple of fallback arguments any prequel shamer will telegraphically always pivot to. Jar Jar Binks, the “overuse” of CGI, Hayden Christensen, Jake Lloyd, and poor dialogue.

All of those pivot points have their merits, I can fully admit it. Look, I used to be somewhat dismissive of the prequels too, and I’d be lying if I didn’t say that my appreciation and love of the prequels grew from the Cartoon Network/Netflix show STAR WARS THE CLONE WARS, and from different video games, novels, comic books and merchandising that flushed out more of the rich story that lies within the prequels.

The “overuse” of CGI in the prequels is the one pivot point that drives me absolutely crazy.

First of all, the CGI in the prequels is absolutely pristine and looks better, to this day, than most CGI induced films that have come out since. The use of CGI and moving to the digital format completely changed the film industry, for better or worse. The “overuse” of CGI is a poor pivot point for prequel bashers, due to the fact of not nearly as much CGI was used as they think. George Lucas used a lot of practical effects and built a lot of sets for the prequels. You know how I know that? Because I educated myself by watching the supplements on the STAR WARS blu ray suite, read articles with Lucas, Rick McCallum (the producer of the prequels), and others from Industrial Light and Magic.

Look, the prequels needed CGI. General Grievous, Yoda, the Senate Chamber, all the Clones needed Temuera Morrison’s face, the MagnaGuards, the epic space battle above Coruscant in EPISODE III, an 80 year old Christopher Lee fighting, and the plethora of exotic planets HAD to use CGI.

What, are all of those going to be miniatures? Or puppets? Puppet Yoda in the original trilogy is amazing. Love it. I don’t even think he’s a puppet. Remember puppet Yoda in EPISODE 1? It was AWFUL. Because in the prequels, Yoda servers a far different and bigger purpose, he’s a warrior, a general in the Clone army. He has to actually fight, and we get to see why Yoda is the most powerful Jedi.

General Grievous, the general of the Separatist army, the cyborg Jedi killer who fights with four lightsabers. Would it have been better if there was a man in a ridiculous suit with arms controlled by puppeteers?

Should there have been a massive scouting effort for people who looked identical and have the same physique of Temuera Morrison? Or prosthetic face molds?

If you’re so hung up on the “overuse” of CGI, you surely must RAGE when you watch a Zack Snyder, Christopher Nolan, Michael Bay, or a Steven Spielberg film, and surely you must HATE any and all of the Marvel/DC films, right?  Oh, and those LORD OF THE RINGS films, Peter Jackson is an idiot, he should have made those films without CGI.  Same goes for GAME OF THRONES.  Man, WATCHMEN should have used nothing but practical effects. INTERSTELLAR?  Don’t even get me started.

Yeah, do ANY of that without an abundance of CGI.

Hayden Christensen. Yes he’s miscast, but stop acting like he’s the first actor to miscast in a film ever.

Poor dialogue? Valid point. Lawrence Kasdan must have been busy.

Jake Lloyd? Anakin Skywalker wasn’t born as Darth Vader. He wasn’t born evil. He’s a kid playing a kid.

Jar Jar Binks? Jesus Christ. Get over it. The best part about Jar Jar is that Lucas owns the hatred of that character, and uses Jar Jar to make the move in the Republic Senate to give Supreme Chancellor Palpatine complete and total control at the height of the Galactic Civil War.

There are so many shining moments in the prequels.

We get to see the beautiful and vibrant universe pre Empire, before the dilapidation and worn universe we’re used to seeing in the original trilogy.

Liam Neeson.

Liam Neeson.

Liam Neeson.

Ian McDiarmid as Palpatine/Sidious. Easily one of the best acted roles in the entire saga.

Ewan McGregor is absolutely terrific as the younger Obi-Wan.

The Duel of the Fates battle between Qui Gon, Obi and Maul is one of the best lightsaber battles in the entire saga, if not the best. And it is accompanied by a magnificent John Williams track.

The Republic Senate scenes are masterfully created and designed, and perfectly sets up a principle understanding of how and why Palpatine becomes the Emperor of the Empire.

Christopher Lee is incredible. One of my favorite characters in the entire universe.  The dissention of Yoda training Dooku, Dooku training Qui Gon, Qui Gon training Obi and Obi training Anakin makes so much sense, how and why Anakin is who he is.

The full-out Jedi and Clones vs Geonosians and Battle Droids in the climax of EPISODE 2 is terrific. That’s a moment a lot of us have been waiting for, a full out Jedi battle.

We get to see the Jedi Council in action, see the plethora of Jedi, as opposed to the three we see in the original trilogy.

EPIC saber battles, as I mentioned before with the Duel of the Fates, but we also watch Yoda battle his former student, Dooku – watch him go toe to toe with Palpatine himself, watch Palpatine take down four Jedi, and see the brutal and heartbreaking final battle between Anakin and Obi-Wan.

I could continue, but I won’t. I’m sure a lot of the points I’ve made will go over a lot of the prequel basher’s heads because they don’t catch the references. Because they’re not STAR WARS fans. Bottom line, get off your high horse and shut the fuck up about “George Lucas ruined my childhood” or that the “prequels don’t matter”. The worst part about all of this, is that George Lucas has admittedly been shamed for making any more films. This guy is bigger than STAR WARS, he’s responsible for AMERICAN GRAFFITI and THX 1138 which is one of the best science fiction films ever made.

To quote William Friedken, “STAR WARS is a religious experience.” STAR WARS means so much, to millions and millions of people globally. There are very few things that can match that kind of passion. Without George Lucas, you’d have absolutely nothing to bitch about in the first place.

PTS Presents Cinematographer’s Corner with KEN KELSCH Vol. 1

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kelsch ferraraPodcasting Them Softly is honored to add Ken Kelsch, as the latest cinematographer to our series, Cinematographer’s Corner. Ken’s work helped shape my love for film with his frequent partnership with one of my absolute favorite filmmakers, Abel Ferrara. They have worked together on twelve films, starting with their first feature THE DRILLER KILLER, BAD LIEUTENANT, DANGEROUS GAME, THE ADDICTION, THE FUNERAL (which he was nominated for best cinematographer at the Independent Spirit Awards), Abel Ferrara’s segment in SUBWAY STORIES, THE BLACKOUT, R-XMAS, THE NEW ROSE HOTEL, CHELSEA ON THE ROCKS, 4:44 LAST DAY OF EARTH, and finally one of the very best films from last year, WELCOME TO NEW YORK. Ken has also collaborated with Stanley Tucci’s directorial efforts, THE BIG NIGHT and THE IMPOSTORS. Ken has shot the first two seasons of the television show, MEDIUM and friend of Podcasting Them Softly’s latest feature film, Eric Red’s 100 FEET.

Episode 21: 20th Anniversary of HEAT with Special Guest F.X. FEENEY

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F.X. Feeney, Moro Bay 2009 (1)It was an absolute honor to be joined by film critic, historian, screenwriter, and author F.X. Feeney to discuss the 20th Anniversary of Michael Mann’s masterpiece Heat. His latest book, Orson Welles: Power, Heart and Soul, is available from The Critical Press and through Amazon. Prior to dealing with Welles, F.X. contributed to the great filmmaker book series from Taschen with the definitive exploration of Michael Mann and his works. He’s written two screenplays, The Big Brass Ring which was directed by George Hickenlooper and was based on an unproduced script by Orson Welles, and the Roger Corman classic Frankenstein Unbound. He served as film critic and creative consultant for the now famous Z Channel back in the mid 80’s, and his articles have appeared in LA Weekly, Movieline, People Magazine, Variety, Vanity Fair, and the magazine for the Writers Guild of America West. He also wrote the Roman Polanski filmmaker book for Taschen which is an extraordinary resource on that filmmaker, and served as a co-producer on the fantastic documentary Z Channel: A Magnificent Obsession. This was a total thrill to discuss one of our favorite films with one of the true experts on Mann’s oeuvre, and we hope you enjoy this most passionate and informative chat!