Jay Roach’s The Campaign

I didn’t expect much from The Campaign given how saturated the comedy genre is with collective Will Ferrell/Zach Galifinakis content that can be profoundly hit or miss but this is one seriously funny film, starting with the freedom to play thanks to its R rating which is always an asset. Political satires should always elicit nervous laughter here and there and this does a good job of having fun but also kind of subtly showing us exactly how elections work and the inherent, ever present corruption behind each and every one of them. Ferrell is Cam Brady, a dipshit Louisiana congressman with the IQ of a riverbed who is up for re-election and since he’s so far unchallenged, is in relax mode. However, two scheming, cigar chewing billionaire industrialists (John Lithgow and Dan Ackroyd channeling their inner Looney Toons) are trying to sell out their state’s resources to those pesky Chinese that seem to keep buying everything up so they can develop a bunch of land into sweatshops and turn dirty profits loose. They need a rival candidate that they basically own though, which brings us to Galifinakis’s Marty Huggins, a hopeless but sweet dim-bulb from old money whose rich prick kingpin father (a perpetually tipsy Brian Cox) doesn’t think much of him. A Slick Dick campaign fixer (Dylan McDermott) is hired and suddenly Brady has a challenger in this sweet tea swillin’, double pug owning, piss-ant little character who at first is in way over his head but soon gets a clue and then it’s clash of the brain-dead republican candidates. On paper this sounds like it skewers republicans only but all these people really don’t give a shit about the party ideals they’re representing and it’s clear that this kind of behaviour, cash backed policies, rampant scandals, passive aggressive smear attempts and clandestine maneuvers happen on both sides regardless of red or blue, and no one is off the hook. These two go to great and terrible lengths to one up each other that start with trying to bang each other’s wives, escalates to one tricking the other into driving while spectacularly hammered (and getting subsequently disgraced) and by the time this battle of wits (or lack thereof) reaches its fever pitch Ferrell has accidentally one-punched both a baby and a dog! I’m not gonna lie this film had me fuckin laughing almost the entire way through at these blissfully tasteless antics and appreciating the diabolically satirical script that is the most on point send up of politics this side of Barry Levinson’s Wag The Dog. Also I’ll add that there’s more cameos in this film than an episode of Entourage so keep your eyes peeled for a lot of famous people being super ridiculous. Hilarious film.

-Nate Hill

THE ‘HIT’ MAN: An Interview with Dominik Starck by Kent Hill

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Dominik Starck is a cool guy who loves and makes movies. That’s a man I’m down for spending some time with – so I did. His new movie, The Hitman Agency, is a complex nest of intrigue, danger, action and redemption. Throw those altogether and you have a great blend that tastes a little like something we’ve had before – yet it’s flavored by Mr. Starck’s unashamed passion for his many cinematic influences as well as the sheer joy he has being a filmmaker.

Most of us, at one time or another, who make fatal decision to go off and pursue a career as an artist, are met with the inevitable speech for our parents which carries the immortal lines like, “You’ll never make any money,” or “Why don’t you get a real job.”

Now Dominik tried that – he tried to deny the fire inside, the voice telling him he wasn’t doing what he was meant to be doing. He wasn’t, as the Bard would say, to thy own self being true.  So he started doing what he had to do, and, for my money, what he does well – he started making movies.

“Making an indie film is close to being a hitman; choose your goal, aim and go after it no matter the obstacles. And like assassinations, it’s a hit and miss with movies. I consider our movie the latter but it’s up to the target audience to decide if that’s the truth or not,” says Starck, the writer/director. While the German independent production by Starck Entertainment and R.J. Nier Films is represented by distributor Generation X Group GmbH at the film market in Cannes (May 8th to 17th) for international sales, the US audience is the first to be able to watch THE HITMAN AGENCY on Amazon.com where it’s available for rent and buy.

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This movie is the directorial debut of writer/producer Dominik Starck who previously worked on the award winning mercenary action film ATOMIC EDEN, starring Blaxploitation legend Fred ‘The Hammer’ Williamson and Lorenzo Lamas (RENEGADE). While being a deliberately different type of movie, THE HITMAN AGENCY features a special appearance by 11 time kickboxing champion Don ‘The Dragon’ Wilson from BLOODFIST-fame. Starring American-born Erik Hansen (THE COUNTESS) and LA-based Everett Ray Aponte (ATOMIC EDEN) as competing hitmen from different ends of their assassin-careers, THE HITMAN AGENCY is a character-driven conspiracy-thriller with twists and turns, spiced with some martial arts outbreaks and assassinations. Shot on locations in Germany in English with more blood, sweat, and tears than a real budget, this underdog movie is proof to the phrase that nothing can stop you from making a movie when you really want it. Not even in Germany where there’s no platform for genre films at all.

Like I said at the top, Dominik is a cool guy and a cool filmmaker. He was worried about his English before we spoke but I tell you now as I told him then – “his English is as beautiful as his film-making.” Seek out THE HITMAN AGENCY… (follow the link below)

https://www.amazon.com/Hitman-Agency-Everett-Ray-Aponte/dp/B07BY5Y1XL