Tag: David Schwimmer

HBO’s Friends: The Reunion

by natewatchescoolmovies, posted in Film Review

As someone who watched Friends casually, in the background, when it was on cable in my kid and teenage years, tuned in absentmindedly but never became and active, engaged fan of the series, I have to say that Friends: The Reunion is kind of brilliant and can be greatly enjoyed by someone who isn’t quite a hardcore disciple of the show itself. Friends is a lynchpin sitcom that meant and still means a lot to a lot of people who fell in love with these characters, watched every week and got swept up in the cultural phenomenon of a sitcom that became a way of life. So, what made this such a hit for someone like me who isn’t a super fan? It’s the way they go about this reunion, that being the key word. This isn’t a reboot, continuing season, cap-off feature film, animated series or otherwise fictional addition to the canon, it’s simply a loving documentation of these six actors having a catch-up, an emotional, totally unscripted trip down memory lane on detailed recreations of the sets they lived, worked and made core memories of for decades and I think the format here is kind of a stroke of genius, really, and that employed just right for any show’s reunion will be a showstopper. Jennifer Aniston, Matt Leblanc, Courtney Cox, David Schwimmer, Matthew Perry and eternally lovely Lisa Kudrow (Phoebe was always my personal favourite character) have come such a long way since Friends, their lives are very different now but watching them get together in the same sacred space where they changed the history of television feels like they never left their evening cable slot and really just brought me back to former times in my life when I’d get home and watch Friends, That 70’s Show and others all in a giddy lineup. This reunion spends a reverent opening segment just letting these actors play, rediscover their characters and touchstone areas of the set that hold significance to them while clips from the show are spliced in in parallel fashion. There’s also a more formal, organized part where they sit and discuss various things by that iconic fountain and yes this sequence is hosted by that James Corden dude and yes he’s annoying as ever but oh well. There are some shocking celebrity cameos that no doubt come from a place of love as they’re mostly people who would have themselves grown up with the show but I much preferred video testimonials from fans all over the world who give their thoughts and feelings on why the show was so important and what it means to them personally. Say what you want about Friends, I know it’s become one of those things that it’s just cool to hate on (never a good look, honey) but there’s no denying the fact that it pioneered a subculture of television and pop culture, and did a lot of good for a lot of people who may not have had much else in their lives to hang onto at the time. This reunion is a loving testament to that, a life affirming, blessedly nostalgic and just plain happy look back for six actors whose careers were defined by it.

-Nate Hill

HBO’s Friends: The Reunion

by natewatchescoolmovies, posted in Film Review

As someone who watched Friends casually, in the background, when it was on cable in my kid and teenage years, tuned in absentmindedly but never became and active, engaged fan of the series, I have to say that Friends: The Reunion is kind of brilliant and can be greatly enjoyed by someone who isn’t quite a hardcore disciple of the show itself. Friends is a lynchpin sitcom that meant and still means a lot to a lot of people who fell in love with these characters, watched every week and got swept up in the cultural phenomenon of a sitcom that became a way of life. So, what made this such a hit for someone like me who isn’t a super fan? It’s the way they go about this reunion, that being the key word. This isn’t a reboot, continuing season, cap-off feature film, animated series or otherwise fictional addition to the canon, it’s simply a loving documentation of these six actors having a catch-up, an emotional, totally unscripted trip down memory lane on detailed recreations of the sets they lived, worked and made core memories of for decades and I think the format here is kind of a stroke of genius, really, and that employed just right for any show’s reunion will be a showstopper. Jennifer Aniston, Matt Leblanc, Courtney Cox, David Schwimmer, Matthew Perry and eternally lovely Lisa Kudrow (Phoebe was always my personal favourite character) have come such a long way since Friends, their lives are very different now but watching them get together in the same sacred space where they changed the history of television feels like they never left their evening cable slot and really just brought me back to former times in my life when I’d get home and watch Friends, That 70’s Show and others all in a giddy lineup. This reunion spends a reverent opening segment just letting these actors play, rediscover their characters and touchstone areas of the set that hold significance to them while clips from the show are spliced in in parallel fashion. There’s also a more formal, organized part where they sit and discuss various things by that iconic fountain and yes this sequence is hosted by that James Corden dude and yes he’s annoying as ever but oh well. There are some shocking celebrity cameos that no doubt come from a place of love as they’re mostly people who would have themselves grown up with the show but I much preferred video testimonials from fans all over the world who give their thoughts and feelings on why the show was so important and what it means to them personally. Say what you want about Friends, I know it’s become one of those things that it’s just cool to hate on (never a good look, honey) but there’s no denying the fact that it pioneered a subculture of television and pop culture, and did a lot of good for a lot of people who may not have had much else in their lives to hang onto at the time. This reunion is a loving testament to that, a life affirming, blessedly nostalgic and just plain happy look back for six actors whose careers were defined by it.

-Nate Hill

Ivan Reitman’s Six Days Seven Nights

by natewatchescoolmovies, posted in Film Review

Harrison Ford and Anne Heche are the last two people I would have expected to have romantic chemistry, but lord they do and it’s part of what makes Ivan Reitman’s Six Days Seven Nights such a charmer. It’s also interesting to note that Ford handpicked her for the role over more popular people like Meg Ryan. There’s something to be said for his intuition because the two of them take an averagely written, Romancing The Stone type shtick and turn it into something very watchable and believably endearing, mostly when they get to share the screen.

Heche is Robin, a mile-a-minute NYC publisher whose boyfriend (Ross from Friends) takes her on a south seas tropical vacation and proposes, which is kinda met with the most somehow enthusiastic yet lukewarm reaction I’ve seen. Ford is Quinn, the drunken bush pilot hired to fly them from island to island to their resort. When she has to dash mid vacation for work they wind up in a storm together, crashing in a remote area and you can imagine where it goes from there. Ross From Friends helplessly flounders around in a half assed rescue mission while they traverse the stunning tropical landscape (actually filmed in Hawaii), squabble a lot, eventually warm up to each other and are harassed by three South Seas pirates played by Temuerra Morrison, Cliff Curtis and Danny Trejo who, in typically obnoxious Hollywood casting fashion, are not remotely ethnically from that region.

This is fluff, there’s no way around it, but Ford and Heche elevate it far past what it can do on its own and are a delight. There’s something hilarious about him playing a short tempered, heavy drinking scoundrel who just chills out in the tropics and bangs the local exotic dancer when he isn’t flying his rust bucket plane around, his casual charm and cantankerous nature fits the role nicely. It’s really too bad Heche never became a bigger star (there’s a highly political reason for that which I won’t get into here) as she’s unconventionally attractive, full of charisma and never drops a beat when the camera is on her. These two actors are brilliant when onscreen together and make this worth watching, even if it is just a breezy time killer overall.

-Nate Hill

Disney’s John Carter Of Mars

by natewatchescoolmovies, posted in Film Review

If Disney had kept the much more alluring title ‘John Carter Of Mars’ instead of hacking off the last bit and just keeping the dude’s name, I feel like Andrew Stanton’s John Carter would have had a better chance in marketing and taken flight, because it’s not even near as bad a film as people would have you believe. In fact, it’s a gorgeous, beautifully told, elaborate retro science fiction dream and a flat out great film. I suppose it’s kind of like Waterworld, where a film tanks so badly that people start to confuse bad numbers with bad quality and a whole negative stigma is whipped up around it. Speaking of Waterworld, another great film, John Carter bears similarities in production design and visual atmosphere, albeit set on Mars for most of the duration. Based on a series of books by Edgar Rice Burroughs believed to be some of the earliest works of literary SciFi, Taylor Kitsch plays John Carter, an ex Civil War badass who finds himself whisked away to Mars through a dimensional cave portal out in the desert, propelled on an adventure with warring clans, giant alien yeti beasts, a princess (Lynn Collins), humanoid extraterrestrials led by a green Willem Dafoe, an adorable little dog/toad/road-runner animal and more. This is one of those old school epics that doesn’t just hire a few leads and a gaggle of supporting players but turns a whole casting agency upside down, shakes it and signs any actors that fall out, and as a result we get a jaw dropping lineup that includes Samantha Morton, Polly Walker, Thomas Haden Church, Ciaran Hinds, Jon Favreau, James Purefoy, Daryl Sabara, Mark Strong, Don Stark, Bryan Cranston as a crusty cavalry general and Dominic West in full Shakespeare mode as an evil Martian prince. Oh, Ross from Friends is apparently in there somewhere too but I’ve never been able to spot him, keep your eyes peeled though. The plot at base level is a fish out of water story as John adjusts to the planet (seeing him mess around with the gravitational field is so much fun), bonds with Dafoe and his tribe of Tharks, takes on giant furry Pokémon things in an intergalactic gladiator arena and casts his gaze starward, wondering if he’ll ever see his blue planet again. A few convoluted subplots get in the way including Mark Strong’s weird metaphysical warlock priest dude, but for the most part this a propulsive, rollicking, operatic space adventure with special effects that won’t quit and a real sense of wonder. Why this flopped so bad is anyone’s guess and it’s a shame because when this happens people tend to focus more on the event of its release and that perceived failure more than the film itself, and the legacy gets clouded. Forget the losses a studio with billions in couch change ‘suffered,’ forget any bad press or skewed marketing and just enjoy the film on its own, because it’s one for the ages.

-Nate Hill

Mike Nichol’s Wolf

by natewatchescoolmovies, posted in Film Review


Mike Nichol’s Wolf cleverly combines comedic character study, spoofs the high profile business scene and whips it together with a far more literal lycanthropic horror story than I’d ever imagined before I watched it. It’s neat that dry metaphor went full on genuinely real monster flick, while losing none of it’s smarts along the way. Jack Nicholson, that old devil, plays an aging publisher whose livelihood is threatened by the arrival of a roguish young upstart (James Spader laying down that smarm) with designs on his job. It doesn’t help that he’s worn out, weary and not as sharp as he once was. Cue a werewolf mauling, which fixes those things right quick and turns him into a new man, in more ways than one. He’s fiercely competitive, virile and on the ball, but he also has to keep his hairy secret, well, a secret. Christopher Plummer is great as his fiery tempered boss, whose daughter (slinky Michelle Pfeiffer) begins to have eyes for the old dog, and the supporting cast has well coloured turns from Kate Nelligan, Ron Rifkin, Om Puri, David Hyde Pierce, Eileen Atkins, David Schwimmer and Richard Jenkins as a wily detective who begins to sniff the rat. The Wolf effects by Rick Baker and team are refreshingly old school, practical prosthetics and nice and gooey too. It’s also a tongue in cheek examination of male potency and territorial behaviour, so what better avenues of exploration than instinctual canine interaction and the politics of the workplace? Cool stuff, neat genre blending, a wicked cast and cool horror elements. 

-Nate Hill

The People vs OJ Simpson – A Review by Frank Mengarelli

by Frank Mengarelli, posted in Film Review

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We’ve reached a tipping point with dramatic television.  The new golden age of TV has almost reached this Marvel-esque oversaturation point.  There is a constant onslaught, whether on the television itself, or ads online, of new programming.  Programming that promises to be different, to be sharper, to be like nothing you’ve seen before.  Then came THE PEOPLE VS OJ SIMPSON.

This new series, American Crime Story, started last night with its pilot episode, and it is PHENOMENAL.  We all know the story, we can recall the nostalgic era of the OJ trial.  Jay Leno and his dancing Itos, the NBA finals game getting minimized for the “high speed” chase, but how much do we actually know about it?

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The cast is paramount, stringing together former star power with character actors and current talent; the cast may very well be on the top tier of television ensembles ever.  Sarah Paulson and Bruce Greenwood as wonderfully solid as ever.  John Travolta, David Schwimmer, Courtney B. Vance, and Cuba Gooding Jr have dusted themselves off, and marked their return in wonderful showboating performances.

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Larry Karaszewski and Scott Alexander have created a show that not only drums up our nostalgic rememberings of the greatest media circus ever and humanizing it, but also made this at a time where the social climate of the OJ trial is more relevant than ever.  Just when you thought TV couldn’t get any better, then came THE PEOPLE VS OJ SIMPSON.