Tag Archives: titanic

FUCK YOU ALL: The UWE BOLL Story Interviews by Kent Hill

I love the cinema of Uwe Boll. How you ask? Haven’t you read the reviews – don’t you know the stories? My answer: Yes.

I have read the press, I know all the stories. I watched as mindless degenerates hiding in their mother’s basements hurled shit across the web, and into the face of one of cinema’s most prolific, most passionate, fiercely independent figures. A man who needed, not a studio, but his own incredible knowledge and production savvy to make movies . . .

. . . all Uwe Boll ever wanted to do.

But I’m getting ahead of myself. Let’s set the ‘way-back machine’ for the late 90’s, and I’m tending the counter at the local video store – back when it was really its namesake – and they bring in a new coin-op to keep the punters in the store and spending money. That video game was called House of the Dead.

Supposedly so graphic and horrifying – as well as being literally rated R – HOTD was a shoot ’em up in the best, most fun sense of the genre. Behind the black curtain that was there to frivolously attempt to shield the eyes of the innocent from the mayhem, the masochistic, bullet-shredding magnificence, was a really cool world where the aim of the game was to blast your way through hordes of the undead with merciless glee.

So being a fan, and sneaking off to play while I should have been at the desk – when a friend of mine said, “I hear they’re going to make a movie based of this” – I was like, “take all my money man – this is gonna rock!” (And that was prior to The Rock  giving video game adaptations a shot)

UWE-BOLL-POSTER_24x36_FULLTITLE-WEBRES

I remember going to the cinema to see it, and soon being one of only a handful of people still watching after a good number of folks had walked out. So – why did I stay I can hear you ask? Well there are two reasons. One is simple – I enjoyed the movie on many levels. Yes it wasn’t the game, nor could it have been. I think people operate under the fallacy  that just because a video game has a backstory or mythology on which it is based, then it must be simple to adapt into a movie. I believe precisely the opposite to be true. I think truly solid adaptations rely more on the wit and invention of the filmmaker. To combine a good narrative with recognizable elements from the game to appease the faithful.

And, love him or despise him, that is exactly what Uwe Boll could do – and do well. For if he couldn’t dear reader, then those multitudes of investors that he went back to time after time, movie after movie would not have entertained him. If he were not commercially successful, the career of Uwe Boll would not exist, nor could it be captured in the brilliant, candid and touching portrait of a film about a filmmaker, a man, who refused to remain silent whether he was being applauded or damned.

Unlike Dan Lee West’s RAGING BOLL, which deals more with the sensationalist side of Boll’s career, S.P. Shaul’s picture meanders down the quite roads and sheds light on the personal figure behind the media circus, the private man, the family man, the man who in spite of those basement dweller’s vitriol – followed his dreams and fought many a battle to bring them into the cold light of reality.

FUCK YOU ALL, is not a gratuitous middle finger in the face from the man dubbed the worst filmmaker of all time. No dear PTS listener – it is about the pursuit of what inspires, the burden of making visions come alive as well as the reminiscences of a man who worked with and alongside the cream of the Hollywood crop while smiling at the absurdity of it all.

When and wherever you can see this, The Uwe Boll Story, I urge and hasten you. It is filled with insults and hatred but that is always counterbalanced by the friends and collaborators of Dr. Boll, speaking words of praise, constructive criticism, and overall of a man with whom it was always fun to go to work with – and as it is said best, by Brendan Fletcher (a long-time Boll collaborator), and I’m paraphrasing here: but he speaks to the haters of Boll and says . . . “when have they ever risked anything?”

It is a great film about a fascinating artist and I am most excited to present my chats now, not only with the filmmaker responsible for the documentary, but with the filmmaker who inspired him to make the journey . . .

. . . enjoy

UWE BOLL

uwe7_1.328.1

As a child, Uwe produced a number of short films on Super 8 and video before beginning his studies as a film director in Munich and Vienna. He also studied literature and economics in Cologne and Siegen. Uwe graduated from university in 1995 with a doctorate in literature. Uwe has since directed, written and produced over 30 movies with such stars as Ben Kingsley, Jason Statham, Ray Liotta and Ron Perlman. Uwe also runs and owns the BAUHAUS Restaurant in Vancouver alongside Michelin Star chef Stefan Hartmann.

(Courtesy of:http://uwebollraw.com/)

SEAN PATRICK SHAUL

Uwe and Sean

Sean is a Canadian Documentary Filmmaker who became aware of Uwe Boll whilst working on the production, Assault on Wall StreetHis first encounter the wild, unchecked hullabaloo of an Uwe Boll movie. Sean would then go back and watch a number of the master’s films before lightning struck – Uwe would be the subject of his next documentary. Boll never one to have a problem with being candid – Shaul received and all access pass to the life behind the great director – enough to construct this, his definite portrait of the man, the myth, the mouth . . . the man named, BOLL!

PLEASE VISIT: http://prairiecoastfilms.com/

 

 

Advertisements

“This, it was given me to know…”: Remembering KRULL with Ron Silverman by Kent Hill

Krull Ron & Cyclops

They say the mark of a good writer is their ability to distill the essence of their story into one or two sentences. Now, it is very easy to distill the plot of Krull into a summary or a logline of that length. However, it is entirely another matter for me to briefly encapsulate for you, dear PTS listener, how much I love this movie.

All I can say is, from the moment I saw it, I loved it.

Why?

Well Krull, for me, is the embodiment of the perfect movie. It harkens back to those great adventure novels I had read prior. Tales that primarily involve a hero on a quest to: rescue the princess, defeat the bad guy and save the day. A tried and true formula if ever there was one.

IMG_0952

That’s broad-stroking it sure – but at the heart of it – that is Krull.

At the same time you have a movie that is part science fiction, part fantasy/adventure, part traditional hero’s journey. Combined with the elements of impressive scope, danger, excitement, laughs, thrills, spills, chills – I could gush for days, if given the opportunity.

krull_1983_original_film_art_2000x.jpg

It is also a film with remarkable talents on display, both in front and behind the camera. A cast made up of phenomenal veteran performers and vibrant newcomers – which in some cases would go on to have individually storied careers and achieve great heights of fame. Yes Liam Neeson, I’m talking about you.

index

The production team mirrors the cast. A mixture of seasoned craftsmen with future icons – none more so than a young man named James Horner, eventual Academy Award winner, who composed, for my money, one of the greatest scores in cinema history.

And so to my guest…

I have long wished to speak to someone, anyone , who worked on my favorite picture of all time, so, as I often do, I reached out and after a long stretch I was surprised to have a reply from producer Ron Silverman. What joy! Naturally, I had thousands of questions, but, being gracious and appreciative for the time my guests grant me, I narrowed the list down to the essentials – this being both efficient timewise and satisfying enough for my curiosity. And trust me, though our time was brief – there were many revelations and delights to be had.

Many people have looked at me funny when I tell them Krull is my favorite picture. I guess they assume it would, more likely than not, be one of the big ones like JAWS, STAR WARS or SUPERMAN. All of these are vital and I do have a resounding love for them true, but, when you find a picture you can watch over and over – a film which delights as much on the thousandth viewing as it did the very first – well Krull is that for me. I hope you’ll enjoy listening to some insights from this – my favorite movie.

 

Anyone you can catch, kill and eat: Remembering No Escape with Michael Gaylin by Kent Hill

MV5BNjJkMjEwZjQtYmFkNC00MDlmLWEwNDMtNTZhNDQwNDdhZjU2XkEyXkFqcGdeQXVyMjUyNDk2ODc@._V1_

Gale Anne Hurd, the producer of Aliens and The Terminator, headed the charge back in the early 90s toward the adaptation of a book written by Richard Herley titled, The Penal Colony.

Set in 1997, it tells the story of how the British Government runs island prison colonies as a means to stem the tide of an overflow in mainland jails. There are no guards, no cells, and the island is monitored via satellite surveillance.

We follow the  a character named Anthony Routledge, who is brought to the island for a sex-crime that he did not commit. He soon discovers that under the guidance of a charismatic leader, a community on the island has evolved.

Now if that’s not the ideal film to make here in Australia, (if your are aware that it is pretty much how our nation began) then I don’t know what is. The production would hire future Bond director Martin Campbell, along with stars Ray Liotta, Lance Henriksen, Stuart Wilson and Ernie Hudson.

34756a3

Then a screenwriter named Michael Gaylin, a man who had slaved away in obscurity in Hollywood for more than a decade, would come into contact with a colleague of Hurd’s. He went for a meeting and, finally, after a career of false starts and forgotten promises, he was going to be writing on a film that would eventually, make it to the big screen.

After a long wait, I finally had the opportunity to sit down and talk to Michael about his career and his experiences during the making of No Escape or Escape from Absolom (as it was released over here). What I discovered, during our conversation, was not merely an insight into a film I heartily enjoy, but also the story of a resilient writer who finally had one script break through. A real life story very much akin to the journey of the hero of the film; who would take on all conflicts and eventually overcome them . . .  and escape.

It is a great film in the grand tradition of Franklin J. Schaffner’s Papillon.

Ladies and Gentlemen . . . Michael Gaylin.

vlcsnap2011080418h32m11.8195