Tag Archives: Wonder Woman

HE IS NED: An Interview with Max Myint by Kent Hill

2015 was the year. I was in Brisbane, Queensland, Australia at our version of San Diego’s Comic Con: SuperNova. I was there peddling my books but, in the booth next to mine, something amazing was afoot.

A giant banner held the image of the famous, or perhaps infamous Australian bush-ranger Ned Kelly; transformed and repackaged as vigilante, looking battle-damaged and bad-ass holding the severed head of a zombie in one hand and a loaded pistol in the other.

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That image invoked more than history and cultural iconography. It spoke to me as a concept so simple, yet compellingly cinematic. He is one of our country’s most treasured pieces from the past in a fresh guise and pitted against a dark, futuristic dystopia where the undead have evolved and formed a society in which humanity is not only a minority, but is being systematically wiped out.

Max Myint leads the creative team, spearheading, if you will, the rise of this epic saga of the man called Ned. A talented writer, sculptor and world-builder, the gutsy, gritty dark realm that he has helped usher in is about to explode on November 10. In the midst of the stench of rotting flesh and the searing of metal is something that commands attention. I for one can’t wait to see Ned’s rise and rise continue, and Max and his talented team blast this thing out into the masses . . . and watch it catch fire.

The living have surrendered…

Except for one man…

They call him Ned!

https://www.facebook.com/Iamnedcomic/

https://podcastingthemsoftly.com/2016/08/04/not-yet-a-major-motion-picture-but-hopefully-one-day-an-interview-wit-the-creators-of-the-man-they-call-ned-by-kent-hill/

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Patty Jenkins’ WONDER WOMAN

WONDER WOMAN is a rather terrific film. Yes, it follows the template of an origin story, and it is somewhat uninspired at times following that formula (first reel death, sacrificial death at the end of the film, “surprise” villain), but regardless of the generic template used, the film and its star propel forward creating a very engaging, entertaining, and invigorating film.

The constant comparisons to CAPTAIN AMERICA: FIRST AVENGER does have some slight merit, but it is a rather lazy comparison. Sure, both films revolve around a set piece pertaining to each World War, and sure it’s a ragtag crew of soldiers that support the hero in their take-down to essentially end the war; yet there is so much that separates the two.

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The craftsmanship of WONDER WOMAN stands superior.

The cast of this film may be one of the best ensembles constructed for a comic book movie. Supporting Gal Gadot is Chris Pine (in probably his best performance to date), Connie Nielsen, Danny Huston, Ewan Bremner, Said Taghmaoui, David Thewlis, and a scene-stealing Robin Wright. All of these characters, regardless of screen time and/or limited development are giving a substantial amount to do and say, and casting each specific actor to their respective role immediately creates authenticity for that character.

Hans Zimmer’s theme for Wonder Woman, which made its debut in BvS, is perhaps the best piece of music that he has ever composed. When it cues itself up to Gadot kicking German ass in the film, it creates even more excitement for the viewer. The action pieces in this film are incredible.

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Everyone deserves full credit for this picture. Gal Gadot completely owns the role while simultaneously propelling herself to a bonafide movie star. Director Patty Jenkins has become a rising star within Warner Brothers, and Zack Snyder deserves his due credit for discovering Gadot and creating the aesthetic that WW cultivates.

WONDER WOMAN didn’t save the DCEU, it was doing just fine before this film, but it certainly stopped a lot of the negative press. Though those who constantly fill their social media feeds with unapologetic bias and echo chamber nonsense will remain undisturbed. This film may not completely warrant the abundance of overwhelming and over the top accolades, it is a very fine picture, and don’t be surprised if this film has legs going into awards season.

The Year was 2016, and Warner Brothers Dared to Be Different.

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With recent news of Ben Affleck’s directorial departure from the tentatively titled, THE BATMAN, the state of the DC cinematic universe is a bit uncertain, personally, I have full faith in Snyder and company because I think a lot remains to be seen.  One thing is for certain; the rabid echo chamber is loud as ever.  There are a lot of people who HATE the DC films.  Hate them with a fiery passion.  Hated them before they came out, and once the films came out, they acted as if someone set their Facebook page on fire.

In 2016, Warner Brothers took a huge gamble.  They set out to make films for adults, in their own way.  Sure, they had a lot of catching up to do in regards to the near flawless template that Marvel created, but Warner Brothers made a clear decision; they were making films by adults for adults.  Batman was a blood lusting killer.  Harley Quinn was the epitome of over-sexualization.  Jared Leto took the Joker to an almost unrecognizable level.  Jesse Eisenberg played the anti Lex Luthor.  Both films were so anti-PC, it was a cinematic revelation.

Perhaps there is some trouble at DC, but then again, maybe there isn’t.  The internet has birthed an overpopulated mass of film websites (PTS included) that are a constant trove of clickbait headlines (PTS NOT included).  It seems as if every day for the past year, the state of the DC universe was on the verge of collapsing.  The second JUSTICE LEAGUE film was canceled.  SUICIDE SQUAD 2 isn’t happening.  Early word is WONDER WOMAN is as big of a “mess” as the previous two films.  If there’s one thing I can tell you that I know for certain, no one really knows what’s going on other than the executives at WB/DC.

Here’s the bottom line.  BvS and especially SUICIDE SQUAD made a ton of money.  Sure, BvS underperformed a bit, but it still made a lot of money.  And both films made A LOT more money than the second and third installments of Marvel’s cinematic universe.  Worldwide, SUICIDE SQUAD made 746.6 million dollars, and that was WITHOUT opening in China, which is the biggest market next to America.  SUICIDE SQUAD was a flat-out hit, and Warner Brothers were so happy with it, they signed Margot Robbie to an exclusive deal, which includes the pseudo follow up Harley Quinn film directed by David Ayer.  Will Smith is getting his own Deadshot film, there will be an official sequel to SUICIDE SQUAD at some point, and the FLASH and AQUAMAN films are in the pipeline.

DC Films does not want to be Marvel Studios.  They want to be better, and they still can be.  They have the two most valuable superhero properties; Batman and Superman.  There could be any number of reasons why Ben Affleck decided not to direct THE BATMAN.  It could be the underperformance of LIVE BY NIGHT, it could be that he doesn’t feel comfortable directing a CGI-heavy film, or it could be something completely plausible that will surely be silenced by whatever website decides the real reason is.  Basically, it does not matter.  Ben Affleck is still the Batman, and he still developed the script and is still producing the picture.  If I had to venture a guess as to what’s going on with Affleck is that he’s struggling with whether he wants to be a movie star or an auteur, because realistically, he cannot be both.